Women and Marriage in German Medieval Romance PDF Download
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Author: D. H. Green
Publisher: Cambridge University Press
ISBN: 0521513359
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
D. H. Green shows how German romances found ways to debate and challenge the conventional antifeminism of the medieval period.
Author: D. H. Green
Publisher: Cambridge University Press
ISBN: 0521513359
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
D. H. Green shows how German romances found ways to debate and challenge the conventional antifeminism of the medieval period.
Author: Dennis Howard Green
Publisher:
ISBN: 9780511517495
Category : Arthurian romances
Languages : en
Pages : 261
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Book Description
"D. H. Green shows how German romances found ways to debate and challenge the conventional antifeminism of the medieval period".--Résumé de l'éditeur.
Author: Michael Van Dussen
Publisher: Cambridge University Press
ISBN: 1107016797
Category : History
Languages : en
Pages : 233
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Book Description
The first examination of cultural exchanges between England and Bohemia after 1382, eventually leading to the suppression of heresy.
Author: Eric Weiskott
Publisher: Cambridge University Press
ISBN: 1107169658
Category : Language Arts & Disciplines
Languages : en
Pages : 255
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Book Description
A revisionary account of the 900-year-long history of a major poetic tradition, explored through metrics and literary history.
Author: Mark Faulkner
Publisher: Cambridge University Press
ISBN: 1009033093
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
A New Literary History of the Long Twelfth Century offers a new narrative of what happened to English language writing in the long twelfth century, the period that saw the end of the Old English tradition and the beginning of Middle English writing. It discusses numerous neglected or unknown texts, focusing particularly on documents, chronicles and sermons. To tell the story of this pivotal period, it adopts approaches from both literary criticism and historical linguistics, finding a synthesis for them in a twenty-first century philology. It develops new methodologies for addressing major questions about twelfth-century texts, including when they were written, how they were read and their relationship to earlier works. Essential reading for anyone interested in what happened to English after the Norman Conquest, this study lays the groundwork for the coming decade's work on transitional English.
Author: Emily V. Thornbury
Publisher: Cambridge University Press
ISBN: 1139868136
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
Combining historical, literary and linguistic evidence from Old English and Latin, Becoming a Poet in Anglo-Saxon England creates a new, more complete picture of who and what pre-Conquest English poets really were. It includes a study of Anglo-Saxon words for 'poet' and the first list of named poets in Anglo-Saxon England. Its survey of known poets identifies four social roles that poets often held - teachers, scribes, musicians and courtiers - and explores the kinds of poetry created by these individuals. The book also offers a new model for understanding the role of social groups in poets' experience: it argues that the presence or absence of a poetic community affected the work of Anglo-Saxon poets at all levels, from minute technical detail to the portrayal of character. This focus on poetic communities provides a new way to understand the intersection of history and literature in the Middle Ages.
Author: Olivia Holmes
Publisher: Cambridge University Press
ISBN: 1009224336
Category : History
Languages : en
Pages : 287
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Book Description
Olivia Holmes explores the Decameron's sceptical and sexually permissive contents against the backdrop of medieval religion and didacticism.
Author: Peter Godman
Publisher: Cambridge University Press
ISBN: 052151911X
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
The autobiographical and confessional writings of Abelard, Heloise and the Archpoet were concerned with religious authenticity, spiritual sincerity and their opposite - fictio, a composite of hypocrisy and dissimulation, lying and irony. How and why moral identity could be feigned or falsified were seen as issues of primary importance, and Peter Godman here restores them to the prominence they once occupied in twelfth-century thought. This book is an account of the relationship between ethics and literature in the work of the most famous authors of the Latin Middle Ages. Combining conceptual analysis with close attention to style and form, it offers a major contribution to the history of the medieval conscience.
Author: Jennifer A. Lorden
Publisher: Cambridge University Press
ISBN: 1009390287
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Jennifer Lorden reveals the importance of affective devotion in the hybrid poetics of the earliest English poetry. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Taylor Cowdery
Publisher: Cambridge University Press
ISBN: 1009223755
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
What is literature made from? During the fourteenth, fifteenth, and sixteenth centuries, this question preoccupied the English court poets, who often claimed that their poems were not original creations, but adaptations of pre-existing materials. Their word for these materials was 'matter,' while the term they used to describe their labor was 'making,' or the act of reworking this matter into a new – but not entirely new – form. By tracing these ideas through the work of six major early poets, this book offers a revisionist literary history of late- medieval and early modern court poetry. It reconstructs premodern theories of making and contrasts them with more modern theories of literary labor, such as 'authorship.' It studies the textual, historical, and philosophical sources that the court tradition used for its matter. Most of all, it demonstrates that the early English court poets drew attention to their source materials as a literary tactic, one that stressed the process by which a poem had been made.
