Woman Suffrage and Citizenship in the Midwest, 1870-1920 PDF Download
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Author: Sara Egge
Publisher: University of Iowa Press
ISBN: 1609385578
Category : Biography & Autobiography
Languages : en
Pages : 249
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Book Description
Winner of the 2019 Gita Chaudhuri Prize Winner of the 2019 Benjamin F. Shambaugh Award Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities--in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation. By investigating civic responsibility, Egge reorients scholarship on woman suffrage and brings attention to the Midwest, a region overlooked by most historians of the movement. In doing so, she sheds new light onto the ways suffragists rejuvenated the cause in the twentieth century.
Author: Sara Egge
Publisher: University of Iowa Press
ISBN: 1609385586
Category : History
Languages : en
Pages : 249
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Book Description
Winner of the 2019 Gita Chaudhuri Prize Winner of the 2019 Benjamin F. Shambaugh Award Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities—in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation. These suffragists, mostly Yankees who migrated from the Northeast after the Civil War, participated enthusiastically in settling the region and developing communal institutions such as libraries, schools, churches, and parks. Meanwhile, as Egge’s detailed local study also shows, the efforts of the National American Women’s Suffrage Association did not always succeed in promoting the movement’s goals. Instead, it gained support among Midwesterners only when local rural women claimed the right to vote on the basis of their well-established civic roles and public service. By investigating civic responsibility, Egge reorients scholarship on woman suffrage and brings attention to the Midwest, a region overlooked by most historians of the movement. In doing so, she sheds new light onto the ways suffragists rejuvenated the cause in the twentieth century.
Author: Susan Ware
Publisher: Oxford University Press, USA
ISBN: 0199328331
Category : Electronic books
Languages : en
Pages : 160
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Book Description
What does American history look like with women at the center of the story? From Pocahantas to military women serving in the Iraqi war, this Very Short Introduction chronicles the contributions that women have made to the American experience from a multicultural perspective that emphasizes how gender shapes women's--and men's--lives.
Author: Elizabeth Cady Stanton
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 922
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Book Description
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 540
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Book Description
Author: Steven M. Buechler
Publisher:
ISBN:
Category : History
Languages : en
Pages : 290
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Book Description
Author: Elizabeth Sutton
Publisher: University of Iowa Press
ISBN: 1609386884
Category : Art
Languages : en
Pages : 193
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Book Description
Angel De Cora (c. 1870–1919) was a Native Ho-Chunk artist who received relative acclaim during her lifetime. Karen Thronson (1850–1929) was a Norwegian settler housewife who created crafts and folk art in obscurity along with the other women of her small immigrant community. The immigration of Thronson and her family literally maps over the De Cora family’s forced migration across Wisconsin, Iowa, and onto the plains of Nebraska and Kansas. Tracing the parallel lives of these two women artists at the turn of the twentieth century, art historian Elizabeth Sutton reveals how their stories intersected and diverged in the American Midwest. By examining the creations of these two artists, Sutton shows how each woman produced art or handicrafts that linked her new home to her homeland. Both women had to navigate and negotiate between asserting their authentic self and the expectations placed on them by others in their new locations. The result is a fascinating story of two women that speaks to universal themes of Native displacement, settler conquest, and the connection between art and place.
Author: Sara Egge
Publisher: University of Iowa Press
ISBN: 1609385578
Category : Biography & Autobiography
Languages : en
Pages : 249
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Book Description
Winner of the 2019 Gita Chaudhuri Prize Winner of the 2019 Benjamin F. Shambaugh Award Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities--in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation. By investigating civic responsibility, Egge reorients scholarship on woman suffrage and brings attention to the Midwest, a region overlooked by most historians of the movement. In doing so, she sheds new light onto the ways suffragists rejuvenated the cause in the twentieth century.
Author: Carolyn Summers Vacca
Publisher:
ISBN:
Category : Citizenship
Languages : en
Pages : 732
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Book Description
Author: Ida Husted Harper
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 899
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Book Description
Author: Meredith Stabel
Publisher: University of Iowa Press
ISBN: 160938766X
Category : Fiction
Languages : en
Pages : 297
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Book Description
"Smoking. Pauline Hopkins on alchemy and the undead. Frances E.W. Harper on woman's political future. Sui Sin Far on cross-dressing. Emma Lazarus and Angelina Weld Grimké on lesbian longing. Julia Ward Howe on intersexuality. Charlotte Perkins Gilman on euthanasia. Emma Goldman against the tyranny of marriage. Ida B. Wells against lynching. Anna Julia Cooper on Black American womanho. Frances Willard on riding a bicycle. This anthology is perhaps the first of its kind: a full-length collection of radical writings by American women of the 19th and early 20th century, with all major genres represented-fiction, poetry, drama, memoir, essays, and oratory-and voices of color prioritized. Many of these writings have never been anthologized before; some have never even been reprinted before. Stabel and Turpin endeavor to counterbalance widely canonized voices with a greater proportion of writings by less-anthologized Black feminists, Native feminists, and Asian American feminists, many of whom were writing for their lives and the lives of their families and communities, often at the risk of being harassed, slandered, disenfranchised, or lynched. Readers will find the original version of what was later edited into Sojourner Truth's "Ain't I a Woman?" speech, Julia A. J. Foote's account of her fight to be able to preach in the A.M.E. Church despite being a woman, and Julia Ward Howe's sensitive treatment of intersex life in America. They will also encounter new and surprising facets of the authors they know and love. For example, Emily Dickinson's most overtly erotic poems, those usually passed over in favor of other verses that misleadingly suggest a celibacy or disinterest in sex on Dickinson's part; and Kate Chopin's "An Egyptian Cigarette," her first-person fictional account of smoking pot-originally published in Vogue. Readers will enjoy excerpts from Pauline Hopkins's Of One Blood, a novel of alchemy and the undead, as well as from Amelia E. Johnson's Clarence and Corinne, a traditional love story. Simply writing such works was a radical freedom that these women had to carve out for themselves, in an era when many of them were legally considered property, none could vote, and reading and writing were often seen as privileges only for the free and wealthy. Radicals is ultimately intended to undo silences and prioritize unheard, underrepresented, powerful works of literature-from a period whose later historians often relegated women's writings to the periphery of American culture. One and all, these were women of genius and audacity, and, as Adah Isaacs Menken writes of such radicals, "this very audacity is divine""--
