Author: Leigh Hunt
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 412
Book Description
Wit and Humor, Selected from the English Poets
Author: Leigh Hunt
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 412
Book Description
Catalogue of the Valuable Library of Fitzedward Hall, Esq., D.C.L.,
Author: Fitzedward Hall
Publisher:
ISBN:
Category : America
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 358
Book Description
The Book Buyer's Manual
Author: Putnam, firm, publishers, New York
Publisher:
ISBN:
Category : Catalogs, Publishers'
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Catalogs, Publishers'
Languages : en
Pages : 298
Book Description
The Book Buyer's Manual
Author: G.P. Putnam (Firm)
Publisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 358
Book Description
The Senses of Humor
Author: Daniel Wickberg
Publisher: Cornell University Press
ISBN: 0801454387
Category : History
Languages : en
Pages : 280
Book Description
Why do modern Americans believe in something called a sense of humor, and how did they come to that belief? Daniel Wickberg traces the relatively short cultural history of the concept to its British origins as a way to explore new conceptions of the self and social order in modern America. More than simply the history of an idea, Wickberg's study provides new insights into a peculiarly modern cultural sensibility. The expression "sense of humor" was first coined in the 1840s, and the idea that such a sense was a personality trait to be valued developed only in the 1870s. What is the relationship between medieval humoral medicine and this distinctively modern idea of the sense of humor? What has it meant in the past 125 years to declare that someone lacks a sense of humor? Why do modern Americans say it is a good thing not to take oneself seriously? How is the joke, as a twentieth-century quasi-literary form, different from the traditional folktale? Wickberg addresses these questions among others and in the process uses the history of ideas to throw new light on the way contemporary Americans think and speak about humor and laughter. The context of Wickberg's analysis is Anglo-American; the specifically British meanings of humor and laughter from the sixteenth century forward provide the framework for understanding American cultural values in the nineteenth and twentieth centuries. The genealogy of the sense of humor is, like the study of keywords, an avenue into a significant aspect of the cultural history of modernity. Drawing on a wide range of sources and disciplinary perspectives, Wickberg's analysis challenges many of the prevailing views of modern American culture and suggests a new model for cultural historians.
Publisher: Cornell University Press
ISBN: 0801454387
Category : History
Languages : en
Pages : 280
Book Description
Why do modern Americans believe in something called a sense of humor, and how did they come to that belief? Daniel Wickberg traces the relatively short cultural history of the concept to its British origins as a way to explore new conceptions of the self and social order in modern America. More than simply the history of an idea, Wickberg's study provides new insights into a peculiarly modern cultural sensibility. The expression "sense of humor" was first coined in the 1840s, and the idea that such a sense was a personality trait to be valued developed only in the 1870s. What is the relationship between medieval humoral medicine and this distinctively modern idea of the sense of humor? What has it meant in the past 125 years to declare that someone lacks a sense of humor? Why do modern Americans say it is a good thing not to take oneself seriously? How is the joke, as a twentieth-century quasi-literary form, different from the traditional folktale? Wickberg addresses these questions among others and in the process uses the history of ideas to throw new light on the way contemporary Americans think and speak about humor and laughter. The context of Wickberg's analysis is Anglo-American; the specifically British meanings of humor and laughter from the sixteenth century forward provide the framework for understanding American cultural values in the nineteenth and twentieth centuries. The genealogy of the sense of humor is, like the study of keywords, an avenue into a significant aspect of the cultural history of modernity. Drawing on a wide range of sources and disciplinary perspectives, Wickberg's analysis challenges many of the prevailing views of modern American culture and suggests a new model for cultural historians.
Catalogue of Foreign and American Books; comprising ... books in every class of Literature, the Fine Arts, Natural History, Sciences, Useful Arts, etc. ... for sale by G. P. Putnam
Author: George Palmer PUTNAM (Publisher.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
Book Description
The Book Buyer's Manual
Author: G.P. Putnam & Co
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Littell's Living Age
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 654
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 654
Book Description
Annual Report
Author: Helena (Mont.) Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Critical Mythology of Irony
Author: Joseph A. Dane
Publisher: University of Georgia Press
ISBN: 0820338087
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.
Publisher: University of Georgia Press
ISBN: 0820338087
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.