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Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 208
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Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Author: Carl Little
Publisher: Pomegranate
ISBN: 0876544790
Category : Art
Languages : en
Pages : 74
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Book Description
Winslow Homer (1836-1910) devoted much of his life to a study of the ocean and the people whose lives were intertwined with it. This book is the first to focus on the full range of Homer's coastal subjects, with thirty-six reproductions of his most powerful works. Carl Little's essay discusses Homer's development as a painter; quotations from writers such as Homer scholar Philip C. Beam and poet Gerard Manley Hopkins add a further dimension to the thorough and enlightening text. Third printing.
Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Author: Margaret C. Conrads
Publisher: Princeton Univ Department of Art &
ISBN: 9780691070995
Category : Art
Languages : en
Pages : 252
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Book Description
Homer's luminous watercolors and outdoor portraits are some of the most recognizable works in art history. This collection paints Homer as an integral part of the New York art scene who both embraced, and challenged, the American aesthetic of art. Color illustrations.
Author: Frank H. Goodyear III
Publisher: Yale University Press
ISBN: 0300214553
Category : Art
Languages : en
Pages : 209
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Book Description
A revelatory exploration of Winslow Homer’s engagement with photography, shedding new light on his celebrated paintings and works on paper One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.
Author: Martha Tedeschi
Publisher: Yale University Press
ISBN: 0300223862
Category : Art
Languages : en
Pages : 1027
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Book Description
American painter Winslow Homer (1836–1910) created some of the most breathtaking and influential watercolors in the history of the medium. This handsome volume provides a comprehensive look at Homer’s technical and artistic practice as a watercolorist, and at the experiences that shaped his remarkable development. Focusing on 25 rarely seen watercolors from the Art Institute’s collection, along with 75 other related watercolors, gouaches, drawings, and paintings––including many of the artist’s characteristic subjects––the book proposes a new understanding of Homer’s techniques as they evolved over his career. Accessibly written essays consider each of the featured works in detail, examining the relationship between monochrome drawing and watercolor and the artist’s lifelong interest in new optical and color theories. In particular, they show how his sojourn in England—where he encountered leading British marine watercolorists and the dynamic avant-garde art scene—precipitated an abrupt change in technique and subject matter upon his return home. Conservators address the fragility of these watercolors, which are prone to fading due to light exposure, and demonstrate, through pioneering research on Homer’s pigments and computer-assisted imaging, how the works have changed over time. Several of Homer’s greatest watercolors are digitally “restored,” providing an exhilarating glimpse of the original impact of Homer’s groundbreaking color experiments.
Author: Albert Ten Eyck Gardner
Publisher:
ISBN: 9781494064846
Category :
Languages : en
Pages : 262
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Book Description
This is a new release of the original 1961 edition.
Author: Winslow Homer
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 87
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Book Description
Author: Sarah Lewis
Publisher: Harvard University Press
ISBN: 0674297733
Category : Social Science
Languages : en
Pages : 401
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Book Description
The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime. In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
Author: The Metropolitan Museum of Art
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 36
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Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
