Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 208
Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Winslow Homer and the Camera
Author: Frank H. Goodyear III
Publisher: Yale University Press
ISBN: 0300214553
Category : Art
Languages : en
Pages : 209
Book Description
A revelatory exploration of Winslow Homer’s engagement with photography, shedding new light on his celebrated paintings and works on paper One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.
Publisher: Yale University Press
ISBN: 0300214553
Category : Art
Languages : en
Pages : 209
Book Description
A revelatory exploration of Winslow Homer’s engagement with photography, shedding new light on his celebrated paintings and works on paper One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.
Winslow Homer: Crosscurrents
Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 208
Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 208
Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Winslow Homer, American Artist
Author: Albert Ten Eyck Gardner
Publisher:
ISBN: 9781494064846
Category :
Languages : en
Pages : 262
Book Description
This is a new release of the original 1961 edition.
Publisher:
ISBN: 9781494064846
Category :
Languages : en
Pages : 262
Book Description
This is a new release of the original 1961 edition.
The Unseen Truth
Author: Sarah Lewis
Publisher: Harvard University Press
ISBN: 0674297733
Category : Social Science
Languages : en
Pages : 401
Book Description
The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime. In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
Publisher: Harvard University Press
ISBN: 0674297733
Category : Social Science
Languages : en
Pages : 401
Book Description
The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime. In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
The Metropolitan Museum of Art: Publications 2022
Author: The Metropolitan Museum of Art
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
1898
Author: Taína Caragol
Publisher: Princeton University Press
ISBN: 0691246203
Category : Art
Languages : en
Pages : 329
Book Description
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
Publisher: Princeton University Press
ISBN: 0691246203
Category : Art
Languages : en
Pages : 329
Book Description
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
The Metropolitan Museum of Art: Publications 2023
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 36
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
American Paintings and Sculpture at the Sterling and Francine Clark Art Institute
Author: Margaret C. Conrads
Publisher: Hudson Hills
ISBN: 9781555950507
Category : Art
Languages : en
Pages : 232
Book Description
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
Publisher: Hudson Hills
ISBN: 9781555950507
Category : Art
Languages : en
Pages : 232
Book Description
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
James Prosek Grasslands
Author: James Prosek
Publisher: Rizzoli International Publications
ISBN: 084783056X
Category : Art
Languages : en
Pages : 162
Book Description
Renowned naturalist and artist James Prosek applies his extensive field research and artistry to share the natural abundance of America’s sweeping prairies. In 2021, Prosek traveled to the Texas Hill Country to understand the region’s threatened prairie habitats, thus embarking on a project to explore the complex realities of contemporary American grasslands. Prosek’s art is influenced by his science-based, firsthand fieldwork, with his handwritten notes often lining the margins. The book features his richly detailed watercolors and silhouettes of animals, plants, and habitats that reinforce the importance of the prairies as their own complete ecosystems, as well as the boundaries that define them in the present day—from fencerows to distinguishing native prairies from ones with invasive grasses. The same scientific curiosity, detailed artistry, and passionate attention Prosek brought to raising the awareness of species of trout are now acutely focused on the rich, intricate diversity of our native grasses.
Publisher: Rizzoli International Publications
ISBN: 084783056X
Category : Art
Languages : en
Pages : 162
Book Description
Renowned naturalist and artist James Prosek applies his extensive field research and artistry to share the natural abundance of America’s sweeping prairies. In 2021, Prosek traveled to the Texas Hill Country to understand the region’s threatened prairie habitats, thus embarking on a project to explore the complex realities of contemporary American grasslands. Prosek’s art is influenced by his science-based, firsthand fieldwork, with his handwritten notes often lining the margins. The book features his richly detailed watercolors and silhouettes of animals, plants, and habitats that reinforce the importance of the prairies as their own complete ecosystems, as well as the boundaries that define them in the present day—from fencerows to distinguishing native prairies from ones with invasive grasses. The same scientific curiosity, detailed artistry, and passionate attention Prosek brought to raising the awareness of species of trout are now acutely focused on the rich, intricate diversity of our native grasses.
The Metropolitan Museum of Art: Publications 2024
Author: The Metropolitan Museum of Art
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 28
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provides a complete list of books available in print at the time of publication.
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 28
Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provides a complete list of books available in print at the time of publication.