Winona; or, The Foster-Sisters PDF Download
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Author: Isabella Valancy Crawford
Publisher: Broadview Press
ISBN: 1460404327
Category : Fiction
Languages : en
Pages : 337
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Book Description
The prize-winning entry in a national competition for distinctively Canadian fiction, Winona was serialized in a Montreal story paper in 1873. The novel focuses on the lives of two foster-sisters raised in the northern Ontario wilderness: Androsia Howard, daughter of a retired military officer, and Winona, the daughter of a Huron chief. As the story begins, both have come under the sway of the mysterious and powerful Andrew Farmer, who has proposed to Androsia while secretly pursuing Winona. With the arrival of Archie Frazer, the son of an old military friend, there is a violent crisis, and the scene shifts southward as Archie takes the foster-sisters via Toronto to his family's estate in the Thousand Islands region of the St. Lawrence River. Farmer follows, and the narrative moves towards a sensational climax. The critical introduction and appendices to this edition place Winona in the contexts of Crawford's career, the contemporary market for serialized fiction, the sensation novel of the 1860s, nineteenth-century representations of women and North American indigenous peoples, and the emergence of Canadian literary nationalism in the era following Confederation.
Author: Isabella Valancy Crawford
Publisher: Broadview Press
ISBN: 1460404327
Category : Fiction
Languages : en
Pages : 337
Get Book Here
Book Description
The prize-winning entry in a national competition for distinctively Canadian fiction, Winona was serialized in a Montreal story paper in 1873. The novel focuses on the lives of two foster-sisters raised in the northern Ontario wilderness: Androsia Howard, daughter of a retired military officer, and Winona, the daughter of a Huron chief. As the story begins, both have come under the sway of the mysterious and powerful Andrew Farmer, who has proposed to Androsia while secretly pursuing Winona. With the arrival of Archie Frazer, the son of an old military friend, there is a violent crisis, and the scene shifts southward as Archie takes the foster-sisters via Toronto to his family's estate in the Thousand Islands region of the St. Lawrence River. Farmer follows, and the narrative moves towards a sensational climax. The critical introduction and appendices to this edition place Winona in the contexts of Crawford's career, the contemporary market for serialized fiction, the sensation novel of the 1860s, nineteenth-century representations of women and North American indigenous peoples, and the emergence of Canadian literary nationalism in the era following Confederation.
Author: Janice Anne Fiamengo
Publisher: University of Toronto Press
ISBN: 0802095372
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
In the late nineteenth and early twentieth centuries, journalism, politics, and social advocacy were largely male preserves. Six women, however, did manage to come to prominence through their writing and public performance: Agnes Maule Machar, Sara Jeannette Duncan, E. Pauline Johnson, Kathleen Blake Coleman, Flora MacDonald Denison, and Nellie L. McClung. The Woman's Page is a detailed study of these six women and their respective works. Focusing on the diverse sources of their rhetorical power, Janice Fiamengo assesses how popular poetry, journalism, essays, and public speeches enabled these women to play major roles in the central debates of their day. A few of their names, particularly those of McClung and Johnson, are still well known today, although studies of their writings and speeches are limited. Others are almost entirely unknown, an unfortunate fact given the wit, intelligence, and passion of their writing and self-presentation. Seeking to return their words to public attention, The Woman's Page demonstrates how these women influenced readers and listeners regarding their society's most controversial issues.
Author: Jason R. Rudy
Publisher: JHU Press
ISBN: 1421423928
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
A ground-breaking study of nineteenth-century British colonial poetry. Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada—often disparaged as derivative and uncouth—should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical—including Tennyson, Browning, Longfellow, and Hemans—and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.
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Author: Colleen Boyett
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 1823
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Book Description
Indispensable for the student or researcher studying women's history, this book draws upon a wide array of cultural settings and time periods in which women displayed agency by carrying out their daily economic, familial, artistic, and religious obligations. Since record keeping began, history has been written by a relatively few elite men. Insights into women's history are left to be gleaned by scholars who undertake careful readings of ancient literature, examine archaeological artifacts, and study popular culture, such as folktales, musical traditions, and art. For some historical periods and geographic regions, this is the only way to develop some sense of what daily life might have been like for women in a particular time and place. This reference explores the daily life of women across civilizations. The work is organized in sections on different civilizations from around the world, arranged chronologically. Within each society, the encyclopedia highlights the roles of women within five broad thematic categories: the arts, economics and work, family and community life, recreation and social customs, and religious life. Included are numerous sidebars containing additional information, document excerpts, images, and suggestions for further reading.
Author: Melissa Edmundson
Publisher: Springer
ISBN: 3319769170
Category : Social Science
Languages : en
Pages : 265
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Book Description
This book explores women writers’ involvement with the Gothic. The author sheds new light on women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book investigates how women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.
Author: Paul Martin
Publisher: University of Alberta
ISBN: 0888647352
Category : Education
Languages : en
Pages : 345
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Book Description
"There is no such thing as 'the ivory tower.' Rather, there sit side by side numerous windowless towers of knowledge, each seeming to have only a small entrance and no discernable exit." -Paul Martin Multilingual, multicultural, and vast, Canada enjoys a rich diversity of literatures. So, why does "Canadian Literature," as it has been taught, fail to encompass a common geography, history, and government, yet reveal the diverse experiences of its immigrants, long-term residents, and original peoples? Martin's research-interviews with 95 professors in 27 universities-maps the institutional chasms in communication and the nature of their persistence. His own example of venturing out from his "tower" to dialogue with colleagues shows a way toward cultivating a conception of the literatures of Canada that is expansive and inclusive. Canadianists, professors of English, French, Postcolonial and Comparative Literatures, and leaders in education will profit from Martin's frank investigations.
Author: L.M. Montgomery
Publisher: University of Toronto Press
ISBN: 1487544138
Category : Literary Criticism
Languages : en
Pages : 421
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Book Description
Although L.M. Montgomery (1874–1942) is best remembered for the twenty-two book-length works of fiction that she published in her lifetime, from Anne of Green Gables (1908) to Anne of Ingleside (1939), she also contributed some five hundred short stories and serials to a wide range of North American and British periodicals from 1895 to 1940. While most of these stories demonstrate her ability to produce material that would fit the mainstream periodical fiction market as it evolved across almost half a century, many of them also contain early incarnations of characters, storylines, conversations, and settings that she would rework for inclusion in her novels and collections of linked short stories. In Twice upon a Time, the third volume in The L.M. Montgomery Library, Benjamin Lefebvre collects and discusses over two dozen stories from across Montgomery’s career as a short fiction writer, many of them available in book form for the first time. The volume offers a rare glimpse into Montgomery’s creative process in adapting her periodical work for her books, which continue to fascinate readers all over the world.
Author: Michael A. Peterman
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773555668
Category : Biography & Autobiography
Languages : en
Pages : 417
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Book Description
James McCarroll (1814–1892) was a talented Irish poet, journalist, humorist, musician, and arts critic who left his mark on nineteenth-century Canada by seemingly engaging with anything topical in every medium. Often writing anonymously or under pseudonyms, McCarroll's best-known nom de plume was "Terry Finnegan," who wrote weekly comic letters to his "cousin" Thomas D'Arcy McGee, offering advice on political and social matters. Yet, since his death, McCarroll's contributions to early Canadian writing and culture have largely been forgotten. Making a case for the recuperation of Canada's lost Irish voice, Delicious Mirth seeks to gather and contextualize the extant fragments of this outspoken and flamboyant entertainer and commentator. Adept in the rich excesses of the Paddy brogue, McCarroll spoke for his beloved but broken country and sought to bring the Irish legacy of expansive prose and lyric poetry to Canada. Following the fluctuations of his personal hope, ambition, and talent through the years, Michael Peterman maps McCarroll's responses to the main events of the late nineteenth century such as Irish emigration, the settlement and growth of Upper Canada, the extension of the railway network, little magazine culture, reform politics and responsible government, the spiritualist movement, nascent Canadian theatre, classical and Celtic folk music, the US Civil War, Confederation, and most notably the Fenian movement, in which he became involved. His travels took him to many places, in particular Peterborough, Cobourg, Niagara Falls, Toronto, Buffalo, and New York City. Revealing a man of immense creative energy and cultural significance who has been lost to Canadian literary historians for over a hundred years, Delicious Mirth shows that McCarroll's life and works are outstanding achievements and deserve fresh attention today.
Author: Reingard M. Nischik
Publisher: Camden House
ISBN: 9781571133595
Category : History
Languages : en
Pages : 622
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Book Description
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.
Author: Carole Gerson
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582393
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
Canadian Women in Print, 1750—1918 is the first historical examination of women’s engagement with multiple aspects of print over some two hundred years, from the settlers who wrote diaries and letters to the New Women who argued for ballots and equal rights. Considering women’s published writing as an intervention in the public sphere of national and material print culture, this book uses approaches from book history to address the working and living conditions of women who wrote in many genres and for many reasons. This study situates English Canadian authors within an extensive framework that includes francophone writers as well as women’s work as compositors, bookbinders, and interveners in public access to print. Literary authorship is shown to be one point on a spectrum that ranges from missionary writing, temperance advocacy, and educational texts to journalism and travel accounts by New Woman adventurers. Familiar figures such as Susanna Moodie, L.M. Montgomery, Nellie McClung, Pauline Johnson, and Sara Jeannette Duncan are contextualized by writers whose names are less well known (such as Madge Macbeth and Agnes Laut) and by many others whose writings and biographies have vanished into the recesses of history. Readers will learn of the surprising range of writing and publishing performed by early Canadian women under various ideological, biographical, and cultural motivations and circumstances. Some expressed reluctance while others eagerly sought literary careers. Together they did much more to shape Canada’s cultural history than has heretofore been recognized.
