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Author: Carol Jacobi
Publisher: Manchester University Press
ISBN: 9780719072888
Category : Art
Languages : en
Pages : 334
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Book Description
This is a fundamental reassessment of the work of William Holman Hunt, and the first critical text to reproduce his pictures in color and set him on an international stage. Lavishly illustrated and engagingly written, this book answers the longstanding lack of any monograph on Hunt and will make compelling reading for undergraduate and graduate students of History of Art, Victorian Studies, English Literature and Religious Studies, as well as curators, conservators and the artist's many admirers.
Author: Carol Jacobi
Publisher: Manchester University Press
ISBN: 9780719072888
Category : Art
Languages : en
Pages : 334
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Book Description
This is a fundamental reassessment of the work of William Holman Hunt, and the first critical text to reproduce his pictures in color and set him on an international stage. Lavishly illustrated and engagingly written, this book answers the longstanding lack of any monograph on Hunt and will make compelling reading for undergraduate and graduate students of History of Art, Victorian Studies, English Literature and Religious Studies, as well as curators, conservators and the artist's many admirers.
Author: William Holman Hunt
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 132
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Book Description
Author: George P. Landow
Publisher: Routledge
ISBN: 1317534093
Category : Art
Languages : en
Pages : 268
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Book Description
In this study, first published in 1979, Landow contends that Hunt’s version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed. Like Ruskin, Hunt believed that a symbolism based on scriptural typology – the method of finding anticipations of Christ in Hebrew history – could produce an ideal art that would solve the problems of Victorian painting. According to Hunt, this elaborate symbolism could simultaneously avoid the dangers of materialism inherent in a realistic style, the dead conventionalism of academic art, and the sentimentality of much contemporary painting. George Landow examines Hunt’s work in the context of this argument and, drawing on much unknown or previously inaccessible material, shows how he used texts, frames, and symbols to create a complex art of mediation that became increasingly visionary as the artist grew older. This book is ideal for students of art history.
Author: Frederic William Farrar
Publisher:
ISBN:
Category : Hunt, William Holman, 1827-1910
Languages : en
Pages : 72
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Book Description
Author: William Holman Hunt
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 594
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Book Description
Author: Katharine Aileen Lochnan
Publisher: Art Gallery of Ontario
ISBN:
Category : Pre-Raphaelitism
Languages : en
Pages : 228
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Book Description
"This abundantly illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the artist's vision and its relevance to contemporary audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or significance." "The book illustrates paintings by Hunt and his associates, John Everett Millais, Dante Gabriel Rossetti and Arthur Hughes, and also includes drawings, prints, photographs and textiles. It examines Hunt's work in the context of the Brotherhood, and his ideas in relation to the artistic, spiritual, intellectual, emotional and social issues of his age."--Jacket.
Author: Frederic George Stephens
Publisher: Literary Licensing, LLC
ISBN: 9781498174497
Category :
Languages : en
Pages : 124
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Book Description
This Is A New Release Of The Original 1861 Edition.
Author: William Holman Hunt
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 120
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Book Description
Author: William Holman Hunt
Publisher: Legare Street Press
ISBN: 9781016303804
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Holman Hunt
Publisher: Theclassics.Us
ISBN: 9781230253756
Category :
Languages : en
Pages : 38
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1861 edition. Excerpt: ... WILLIAM HOLMAN HUNT, AND HIS WORKS. The son of a warehouseman of London, who had passed his life in the Manchester trade, "William Holman Hunt, even from the place of his birth, Wood Street, Cheapside, surrounded as he was by influences of the great English staple, seemed destined to no more enlarged rule of duty in the world than to follow the footsteps of his father, and become, primarily, a clerk in a great manufacturing house. His family, with this prospect for their eldest son, were more urgent that he should be committed to that career, from seeing how persistently he employed his leisure time, while at school, in practising drawing; the examples of, George Morland, and another painter of the same moral and social stamp, being those best known to them, and, consequently, dreaded beyond measure, as the necessary lives of all men who practised painting. Indeed, for some years, until old enough to act alone, their authority u compelled Hunt to that occupation, and the age of sixteen found him an assistant to the London agents of Mr. R. Cobden, then calico-printer of Manchester, subject to those desagremens which beset one who, with a heart and soul given to another pursuit, is compelled to perform tasks his mind is not interested in, while self-confidence urges to a wider flight. Born in April, 1827, 1842 found William Holman Hunt still so placed. Urged by the strong passion of a selfreliant mind, he broke through these family objections, and received, with the reluctant consent of his family, in the evenings of one day in each week, some instructions from a city portraitpainter. Fortunately, at the same time, they allowed him to visit the late John Varley, who, looking kindly over his amateur drawings, encouraged him, perhaps more...
