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Author: Roger Allen
Publisher:
ISBN: 9781783272839
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
A pathbreaking, new intellectual biography of the composer and conductor Wilhelm Furtwängler.
Author: Roger Allen
Publisher:
ISBN: 9781783272839
Category : Biography & Autobiography
Languages : en
Pages : 286
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Book Description
A pathbreaking, new intellectual biography of the composer and conductor Wilhelm Furtwängler.
Author: Sam H. Shirakawa
Publisher: Oxford University Press
ISBN: 0195065085
Category : Conducting (Music)
Languages : en
Pages : 542
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Book Description
From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But his decision to remain in Germany when the Nazis came to power earned him condemnation as a Nazi collaborator--"The Devil's Music Master". 30 halftones.
Author: Wilhelm Furtwängler
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
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Book Description
Author: Ronald Taylor
Publisher: Routledge
ISBN: 1351566148
Category : Music
Languages : en
Pages : 199
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Book Description
Wilhelm Furtw ler left not only some of the greatest interpretations of operatic and symphonic music on record, but also expressed his views on musical issues of the moment in a number of outspoken essays and talks. His writings range from practical matters of performance and interpretation to aesthetic reflections on what he saw as the alarming direction in which music was developing in the wake of Schoenberg and the twelve-tone system of composition. Professor Ronald Taylor has here, for the first time, translated and annotated a selection of Furtw ler's writings covering the four decades from the First World War to the conductor's death in 1954, and prefaced them with an essay on Furtw ler's controversial career and complicated personality. The result is a collection of stimulating pieces with a claim on our attention, made all the greater for reflecting the musical and philosophical ideals of one of the great conductors of the twentieth century.
Author: Fred K. Prieberg
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
When the great conductor Wilhelm Furtwangler (1886-1954) decided to remain in Germany under the Third Reich, he was widely and bitterly condemned as a Nazi collaborator who gave cultural and moral credibility to Hitler's regime. Although Furtwangler was exonerated at a de-nazification trial in 1947, his reputation as a Nazi sympathizer continued to darken both his personal and professional life. In this meticulously researched book, Fred K. Prieberg thoroughly investigates the renowned musician's uneasy position in Nazi Germany. Prieberg reveals in fascinating detail that Furtwangler, by persisting with his direction of the Berlin Philharmonic Orchestra and the Berlin Staatsoper, waged a heroic struggle to preserve and nurture the masterpieces of German music. For Furtwangler, the sacred traditions of German art transcended politics. Prieberg argues that Furtwangler resisted efforts by the Third Reich to exploit him as a propaganda tool. As the preeminent conductor in Germany, he used his influence to protect Jewish musicians and staff in his orchestra. He never gave the obligatory Nazi salute at concerts, even when Hitler was present, and avoided performing in occupied countries or for grand Nazi Party occasions. Furtwangler's unquestioning belief in the higher ideals of German art gave him the strength and courage to sustain his quiet yet effective opposition to the Third Reich. Trial of Strength presents convincing evidence that Wilhelm Furtwangler was neither Nazi nor Nazi sympathizer. It also illuminates the perils of artistic collaboration with a totalitarian regime.
Author: John Ardoin
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 396
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Book Description
The Furtwangler Record is an attempt to analyze and explain this phenomenon, a study of Furtwangler's subjective, compelling, and creative style of music-making. The introductory Part One is devoted to an overview of Furtwangler's place in the mainstream of the German school of conducting, his career and personality, and the quality of his art. Part Two, the bulk of the book, consists of detailed, illuminating commentaries on each of his recorded performances.
Author: Fritz Trümpi
Publisher: University of Chicago Press
ISBN: 022625142X
Category : History
Languages : en
Pages : 334
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Book Description
This is a groundbreaking study of the prestigious Berlin and Vienna Philharmonics during the Third Reich. Making extensive use of archival material, including some discussed here for the first time, Fritz Trümpi offers new insight into the orchestras’ place in the larger political constellation. Trümpi looks first at the decades preceding National Socialist rule, when the competing orchestras, whose rivalry mirrored a larger rivalry between Berlin and Vienna, were called on to represent “superior” Austro-German music and were integrated into the administrative and social structures of their respective cities—becoming vulnerable to political manipulation in the process. He then turns to the Nazi period, when the orchestras came to play a major role in cultural policies. As he shows, the philharmonics, in their own unique ways, strengthened National Socialist dominance through their showcasing of Germanic culture in the mass media, performances for troops and the general public, and fictional representations in literature and film. Accompanying these propaganda efforts was an increasing politicization of the orchestras, which ranged from the dismissal of Jewish members to the programming of ideologically appropriate repertory—all in the name of racial and cultural purity. Richly documented and refreshingly nuanced, The Political Orchestra is a bold exploration of the ties between music and politics under fascism.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
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Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
