Why Do My Ellipses Look Like Doughnuts? Plus 25 Solutions to Other Still Life Painting Peeves PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Why Do My Ellipses Look Like Doughnuts? Plus 25 Solutions to Other Still Life Painting Peeves PDF full book. Access full book title Why Do My Ellipses Look Like Doughnuts? Plus 25 Solutions to Other Still Life Painting Peeves by Rachel Shirley. Download full books in PDF and EPUB format.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1460922506
Category : Art
Languages : en
Pages : 71
Get Book Here
Book Description
Producing still life artwork can be a satisfying experience, as the artist is easily able to paint from life without the pressures of the shifting light or inclement weather. Not only that, any object can be selected, shifted about or the light source modified at will, meaning the artist has complete control over what lies in front.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises.In total, twenty-six common Speeves associated with still life painting are tackled within this book. In six clear sections, a myriad of other matters relating to still life painting are explained, such as how to paint textures in food, composing a still life, colour mixing, lighting an arrangement and a section on the essentials of oil painting, in total, with over 100 full colour illustrations and twenty diagrams.If the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.List of chapters in this book:1. How can I paint a still life without odours or mess?2. I haven "t the confidence to paint my first still life3. What art techniques can I use for different textures on objects?4. I have no interesting objects to paint5. My still life looks as though a child had painted it6. My backgrounds are bland and featureless7. My still life arrangement looks contrived8. My still life composition seems trite and uninspired9. I can never mix the colours I want10. How do I darken the colour of tomatoes?11. The flowers in my still life look wish-washy12. How can I paint detail without feeling overwhelmed?13. My study of tones looks like a hotchpotch14. The porcelain in my still life looks more like clay15. The food in my still life resemble plastic toys16. How do I make glass look real in my painting?17. My highlights resemble cut-out bits of paper18. How do I suggest moisture or pectin on fruit?19. Worn objects in my still life look new20. Objects in my still life appear flattened and lack form21. Why do my ellipses look like doughnuts?22. The spout on my teapot painting looks skewed23. My cuboid objects always look wrong24. My still life painting lacks atmosphere25. Indoor lighting makes my still life look dreary26. I can "t paint quick enough to capture the shifting lightA step by step demonstrationGlossaryPaintings featuredn this bookOther oil painting medic booksIf the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1460922506
Category : Art
Languages : en
Pages : 71
Get Book Here
Book Description
Producing still life artwork can be a satisfying experience, as the artist is easily able to paint from life without the pressures of the shifting light or inclement weather. Not only that, any object can be selected, shifted about or the light source modified at will, meaning the artist has complete control over what lies in front.But challenges are certain to present themselves during the journey. Examples might be why ellipses end up looking like doughnuts, why porcelain looks more like clay or why fruit looks plastic. Some of these challenges may prove more difficult than others and unchecked, might cause a creative block. This is where this book comes in. With down to earth advice on common practices at fault, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises.In total, twenty-six common Speeves associated with still life painting are tackled within this book. In six clear sections, a myriad of other matters relating to still life painting are explained, such as how to paint textures in food, composing a still life, colour mixing, lighting an arrangement and a section on the essentials of oil painting, in total, with over 100 full colour illustrations and twenty diagrams.If the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.List of chapters in this book:1. How can I paint a still life without odours or mess?2. I haven "t the confidence to paint my first still life3. What art techniques can I use for different textures on objects?4. I have no interesting objects to paint5. My still life looks as though a child had painted it6. My backgrounds are bland and featureless7. My still life arrangement looks contrived8. My still life composition seems trite and uninspired9. I can never mix the colours I want10. How do I darken the colour of tomatoes?11. The flowers in my still life look wish-washy12. How can I paint detail without feeling overwhelmed?13. My study of tones looks like a hotchpotch14. The porcelain in my still life looks more like clay15. The food in my still life resemble plastic toys16. How do I make glass look real in my painting?17. My highlights resemble cut-out bits of paper18. How do I suggest moisture or pectin on fruit?19. Worn objects in my still life look new20. Objects in my still life appear flattened and lack form21. Why do my ellipses look like doughnuts?22. The spout on my teapot painting looks skewed23. My cuboid objects always look wrong24. My still life painting lacks atmosphere25. Indoor lighting makes my still life look dreary26. I can "t paint quick enough to capture the shifting lightA step by step demonstrationGlossaryPaintings featuredn this bookOther oil painting medic booksIf the problem sought after is not in this book, it might be in one of my other Oil Painting Medic books within this series due to come out in 2011 and 2012.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1456422553
Category : Crafts & Hobbies
Languages : en
Pages : 83
Get Book Here
Book Description
Indeed why do clouds sometimes look like cotton wool in landscape paintings? And why do mountains sometimes end up resembling pointed cones topped with cream? This handy-sized artbook aims to offer guidance.Such frustrations and many others are occasionally encountered by professional landscape artists and novices alike, whether it is to capture a bright sunset or the greens of foliage. It is all part of learning to paint.If the issue persists, however, the problem is likely to become a creative block. This is where this book comes in.With no-nonsense and at times direct advice, each issue is tackled in-depth: a diagnostic of the problem, suggested solutions in the form of recommended art materials and remedial painting exercises, as well as an oil painting demonstration.In total, twenty-six common "peeves" associated with landscape painting are tackled within this book, including why shadows look like black splodges, trees like lollypops and why flowers look garish. In five clear sections, a myriad of other matters relating to landscape painting are explained, such as the colour theory, the rules of perspectives and introductory chapters on the essentials of oil painting, in total, with around 120 colour illustrations and several diagrams.The chapters offering solutions to common problems are:1. I haven't the room or funds to pursue oil painting.2. Oil painting techniques for landscape art seems complicated.3. I don't have the confidence to begin landscape painting.4. My landscape painting looks childish.5. How do I loosen my style for expressive. landscapes?6. How do I get smooth effects for water and skies?7. What do I do about background to my landscape paintings?8. How do I erase a mistake from my painting?9. Painting impasto uses too much pigment10. Why do my landscape paintings look dull?11. Why are my colour mixes dirty?12. Why do my greens look artificial?13. My landscape paintings look insipid.14. My skies are bland and empty.15. My clouds look like cotton wool.16. My moonlit landscapes look dingy.17. My sunset paintings look tarnished.18. My landscape scenes lack depth and drama.19. My trees look like lollypops.20. How do I make water look like water?21. The ripples in my lake painting look harsh.22. My flower studies are garish23. My shadows look like black splodges.24. How do I darken the colour of snow?25. The perspectives of my buildings look crooked.26. My mountains resemble pointed cones.An oil painting demonstration.If the problem sought after is not in this book, it might be in my other Oil Painting Medic book, Why do my Ellipses look Like Doughnuts?Book's dimensions: 5.75inx8.75in (140mmx220mm), 167 pages, 25,000 words, 120 colour illustrations and 10 black and white diagrams.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492727830
Category : Art
Languages : en
Pages : 83
Get Book Here
Book Description
Learn how to mix skin colours, paint hair and techniques for painting eyes in this oil painting book. Portrait painting is often seen as the last frontier of representational art as every detail has huge consequences upon whether a portrait looks like the person depicted. The beginner need not venture far before encountering a possible minefield of problems. Common issues might be why a portrait painting looks childish, eyes look like marbles, hair looks like a wig or noses appear skewed. Such frustrations and many others might be encountered by professional and amateur portraitists alike, whether it is to capture the highlights in eyes or to make skin tones appear three-dimensional. It is all part of learning to paint. If the issue persists, however, the problem is likely to become a creative block in portraiture. This is where this book comes in. Each issue is tackled candidly and in-depth, consisting of a description of the issue concerned, suggested solutions via the art materials required and painting exercises. In total, 26 “peeves” associated with portraiture are tackled within this book. A myriad of other matters relating to portraiture are explained, including suggested pigments to use for ethnic subjects, painting from life, portrait photography and more – in total, with countless colour images. Sections I and II within the after matter of this book provides step-by-step demonstrations for first-time explorers of skin tones. Some of the images within this book can be found in my other Oil Painting Medic Book, Portrait Painting in Oil: Ten Step by Step Guides from Old Masters. Other images have been sourced from my fine art paintings and commissions. My other book on portraiture, Portrait Painting in Oil 10 Step by Step Guides offers in-progress demos on painting old master subjects, such as that from Botticelli, Rossetti, Vermeer, Gauguin and more. Dimensions of large edition: 10x8in and 84 pages. The author has a BA Hons Degree in Fine Art from London as well as a PCET teaching qualification from Warwick.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492742287
Category : Art
Languages : en
Pages : 233
Get Book Here
Book Description
A bulky, comprehensive book on oil painting various subject matter. Ever had trouble drawing ellipses, mixing skin colours or painting skies? This bumper oil painting book tackles 78 such painting ‘peeves’ with suggested solutions. The Ultimate Oil Painting Solution comprise three full-length art books: Why do my Clouds Look Like Cotton Wool? a problem-solver for landscape painting; Why do my Skin Tones Look Lifeless? a problem-solver for portrait painting, and Why do my Ellipses Look Like Doughnuts? a problem-solver for still life painting. Each book can be purchased singly if interested in just one subject area. However, purchasing the three in this bundle book will work out a little cheaper than buying the three books individually. Each book comprises 26 common ‘peeves’ (in the form of chapters) associated with the oil painting area concerned, and therefore you will find 78 such peeves and suggested solutions collectively within. The book has 73,000 words, 78 chapters and around 400 images. Each book also possesses a step by step painting demonstration associated with the subject area. These are Castlerigg Stone Circle (for landscape art); David’s Oath of the Horatii (for portraiture) and painting strawberries (for still life). The ‘peeves’ selected represent common problem areas that students have experienced in my art classes. Such peeves include the rendering of foreshortenings, darkening skin colours, suggesting ripples in water, painting clouds, mixing greens, suggesting soft hair, painting noses, reflections in eyes, moisture on fruit, portrait photography, measuring tones, darkening snow colours and a myriad of other peeves. As each book are in themselves separate entities, where applicable, similar information is presented in context of landscape art, portraiture and still life painting, although the information is presented differently. Examples of this are the art materials needed for painting and the nature of pigments. However, such occurrences are mostly confined to the introductory chapters of each book and occur seldom elsewhere. Key chapters in this book cover the colour theory, perspectives, drawing ellipses, the golden section, tonal values, underglazing, art techniques, the nature of pigments, essential art materials, monochromatic painting, composing an arrangement, negative shapes, painting en plein air, drawing foreshortenings, creating mood, making a viewfinder, colour temperatures, drawing methods, the rules of reflections, painting on a budget, types of gessoes, skin colours and much, much more. The aim of this book is to find a ‘cure’ for a given issue and enable the developing artist to improve in the future. Most of all, to encourage creativity and growing confidence. Dimensions of print book: 10x8in and 234 pages.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1537664808
Category : Art
Languages : en
Pages : 82
Get Book Here
Book Description
What does the artist paint after receiving oil painting materials? Find 10 simple oil painting demonstrations with step by step images and instructions to get the paint brush moving..The projects include landscapes, still life, animals and a colour mixing exercise. Achievable within 2 hours. Includes a guide to the art materials and glossary. With 360 images.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492175218
Category : Art
Languages : en
Pages : 84
Get Book Here
Book Description
How do I complete my first oil painting step by step? This book outlines 20 oil painting demonstrations featuring landscape art from the simple to the challenging (taken from my hardback Oil Paintings from the Landscape published by GMC Publications 2003). Subject matter include a stone circle, a church, a cornfield, a lake, a castle, a coast, plus more exotic subject matter as a desert, Toronto, lightning and more. Techniques such as wet-into-wet, impasto and glazing are explored. All demonstrations have been completed with a mere 10 oil colours, 6 brush types, artboards and a few household materials. Guidance on what to buy and how to prepare can be found in the first section of this book. Projects may be tackled in any order but for guidance, are divided into four levels, beginning with level 1 progressing to level 4. Each project within the demonstration section of this book is clearly set out. You will find: An image of the finished painting presenting a challenge. Between 6 and 10 step by step images of how the painting was completed. A list of the oil painting materials used for the project. Corresponding instructions to each image-in-progress on how the painting was done. Tips along the way. The preliminary section covers the art materials required for the projects within, as well as guidance on preparing the art materials for the demonstrations. Troubleshooting advice is given at the end of this book if a painting does not work out as planned. Dimensions of large edition: 10x8in and 84 pages. 'The Artist's Garden in Oil: 18 Step by Step Guides' similarly outlines art demonstrations sourced from inspiration from the garden. Also available in hard copy in pocket sized and large edition.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492274798
Category : Art
Languages : en
Pages : 77
Get Book Here
Book Description
Oil paint step by step floral art, crockery and other interesting subject matter from the garden. Can a typical garden provide inspiration for oil painting? Look hard and such a haven may yield more than one may first expect. Every garden is unique in character and has something to offer: lawns, greenhouses, pots, hedges, pets, flowers, patios, trellises, sheds, children, tools, vegetables, deckchairs, furniture, trees, swings, hanging-baskets, urns, bird tables, fishponds and sunlight. Taken from my art instruction book, Oil paintings from your Garden (and which some images appear in my other Oil Painting Medic books), 18 oil painting demonstrations featuring such aforementioned subject matter can be found within. This book is divided into clear sections according to theme: shadows, nonorganic, harvest and flora. A preparatory section near the back of this book offers advice on oil painting materials and how to prepare the art surface for painting. All demonstrations have been completed with a mere 10 oil colours, 6 brush types, artboards and a few additional household materials. This section can be previewed within my other art book, Landscape Painting in Oils – 20 Step by Step Guides, as it is located at the front. Each demonstration is keyed according to 4 levels of difficulty. If the painting does not go to plan, a troubleshooting section at the back of this book can be referred to along with a glossary. Each project within the demonstration section of this book is clearly set out. You will find: An image of the finished painting, (which can be used as a visual resource during the demo). An accompanying challenge. Between 7 and 9 step by step images of how the painting was completed. A list of the oil painting materials used for the project. Corresponding instructions to each image-in-progress on how the painting was done. Tips along the way. Various oil painting techniques are explored, including scumbling, glazing, impasto and palette knife application. The aim of this book is to encourage a new way of viewing the garden. With mobile objects, the shifting light and seasons, compositions in one’s back yard are waiting to be discovered. My other oil painting demonstration book, Landscape Paintings in Oil – 20 Step by Step Guides similarly provides step by step guides. Dimensions of large edition: 10x8in and 78 pages. Available in large, small edition and Kindle.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1310391939
Category : Art
Languages : en
Pages : 102
Get Book Here
Book Description
Learn oil painting from the beginning with this art guide book. You have just purchased your first set of oil colours. Now what? A blank art surface may reflect an uncertainty of what to paint. Where does the beginner begin? Is an easel needed? What about a mahl stick, stretched canvases and a kidney-shaped palette? The aim of this book is to show that such paraphernalia are not essential. Oil paints can be odourless, clean and the starter kit may comprise just a few items that can be stored in a tool box. Infinite colours can be mixed with several pigments via a few brushes. This makes oil colours the ideal choice for the beginner who wishes to try a truly versatile art medium. Find basic oil painting exercises aimed at getting that brush moving, even if it means laying each pigment into rectangles to get to know each pigment. Exercises progress steadily onto shading, mark making and applying glazes. These rudimentary exercises provide the springboard from which to paint a first landscape and more. The myths of colour theory is dispelled, making dirty colour mixes a thing of the past. Find chapters that explore complementary colours, alla prima, glazing, using a limited palette, working with linseed oil and expressing a jigsaw of marks. Each chapter concludes with a summarizing bullet point list of what has been covered so far, helping to reinforce what has been learned. As will be seen, oil paints have many surprises in store and can be fun to try out – without the fuss, mess or cost. Includes a shopping list for the beginner, glossary and hundreds of colour images.
Author: Rachel Shirley
Publisher: Oil Painting Medic
ISBN: 1976347858
Category : Art
Languages : en
Pages : 131
Get Book Here
Book Description
Ten easy step by step oil painting projects with full instructions and ample images. Projects include a dog’s profile, a flamingo, woodlands, topiary gardens, a daffodil, an onion, a sunset, a Cezanne classic, a riverside retreat and a footbridge. No need to look for inspiration. Begin oil painting practice immediately with this book.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1977506569
Category : Art
Languages : en
Pages : 330
Get Book Here
Book Description
This art instruction tome forms the perfect companion to a new set of oil paints. It will be a long time before the prospecting artist need ever find inspiration on what to paint again. An amalgamation of 3 art instruction books: 10 Bite-Sized Oil Painting Projects Book: 1, 2 and 3 means a wealth of ideas can be found here in one place. Find over 1000 instructional images and in depth instructions amounting to 50,000 words. Learn how to paint a variety of subject matter including fruit, flowers, sunsets, water, woodlands, coasts, animals, snow, glass, gardens, vistas, old masters and more. Most of the demonstrations have been completed within a few hours, making these projects achievable for artists of various abilities. Select demonstrations provide further ventures in the form of glazing, impasto, pointillism, applying detail and mixing greens. Subject matter has been classified into 6 colour schemes due to the pervading hue or the focal point of the composition. Every essential oil painting pigment will therefore undergo the full workout. Art brushes will get worn, pigments will be used and the art surface will depict a scene. Projects open with an overview with supporting images before step-by-step images and in-depth instructions ensue, guiding the artist from start to finish. An essential guide on the art materials, preparatory processes and glossary are also included. Discover how to make oil painting cheap, clean and simple. This book is a must for the artist wishing to practice oil painting without having to find ideas on what to paint.