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Author: Kevin Loring
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 100
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Book Description
Where the Blood Mixes is meant to expose the shadows below the surface of the author's First Nations heritage, and to celebrate its survivors. Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd's alcoholism, under the pain and isolation of the play's main character? Loring's title was inspired by the mistranslation of the N'lakap'mux (Thompson) place name Kumsheen. For years, it was believed to mean "the place where the rivers meet"--the confluence of the muddy Fraser and the brilliant blue Thompson Rivers. A more accurate translation is: "the place inside the heart where the blood mixes." But Kumsheen also refers to a story: Coyote was disemboweled there, along a great cliff in an epic battle with a giant shape-shifting being that could transform the world with its powers--to this day his intestines can still be seen strewn along the granite walls. In his rage the transformer tore Coyote apart and scattered his body across the nation, his heart landing in the place where the rivers meet. Floyd is a man who has lost everyone he holds most dear. Now after more than two decades, his daughter Christine returns home to confront her father. Set during the salmon run, Where the Blood Mixes takes us to the bottom of the river, to the heart of a People. In 2009 Where the Blood Mixes won the Jessie Richardson Award for Outstanding Original Script; the Sydney J. Risk Prize for Outstanding Original Script by an Emerging Playwright; and most recently the Governor General's Literary Award for Drama.
Author: Kevin Loring
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 100
Get Book Here
Book Description
Where the Blood Mixes is meant to expose the shadows below the surface of the author's First Nations heritage, and to celebrate its survivors. Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd's alcoholism, under the pain and isolation of the play's main character? Loring's title was inspired by the mistranslation of the N'lakap'mux (Thompson) place name Kumsheen. For years, it was believed to mean "the place where the rivers meet"--the confluence of the muddy Fraser and the brilliant blue Thompson Rivers. A more accurate translation is: "the place inside the heart where the blood mixes." But Kumsheen also refers to a story: Coyote was disemboweled there, along a great cliff in an epic battle with a giant shape-shifting being that could transform the world with its powers--to this day his intestines can still be seen strewn along the granite walls. In his rage the transformer tore Coyote apart and scattered his body across the nation, his heart landing in the place where the rivers meet. Floyd is a man who has lost everyone he holds most dear. Now after more than two decades, his daughter Christine returns home to confront her father. Set during the salmon run, Where the Blood Mixes takes us to the bottom of the river, to the heart of a People. In 2009 Where the Blood Mixes won the Jessie Richardson Award for Outstanding Original Script; the Sydney J. Risk Prize for Outstanding Original Script by an Emerging Playwright; and most recently the Governor General's Literary Award for Drama.
Author: Eric Wilson
Publisher: Thomas Nelson
ISBN: 1418571083
Category : Fiction
Languages : en
Pages : 417
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Book Description
Judas hung himself in a place known as the Akeldama or Field of Blood. But what if his death didn't end his betrayal? What if his tainted blood seeped deep into the earth, into burial caves, causing a counterfeit resurrection of the dead? Gina Lazarescu, a Romanian girl with a scarred past, has no idea she is being sought by the undead. The Collectors, those released from the Akeldama, feed on souls and human blood. But there are also the Nistarim, those who rose from their graves in the shadow of the Nazarene's crucifixion--and they still walk among us, immortal, left to protect mankind. Gina realizes her future will depend on her understanding of the past, yet how can she protect herself from Collectors who have already died once but still live? The Jerusalem's Undead Trilogy takes readers on a riveting journey, as imaginative fiction melds with biblical and archaeological history.
Author: Kevin Loring
Publisher:
ISBN: 9781772012187
Category : Drama
Languages : en
Pages : 160
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Book Description
In this intimate and restorative new play, the table is set and the main course is legacy, but the dessert is pumpkin pie.
Author: Kim Senklip Harvey
Publisher: Talonbooks
ISBN: 9781772012422
Category : Drama
Languages : en
Pages : 112
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Book Description
This high-energy Indigenous matriarchal story follows two urban Indigenous sisters and a lawless trickster who face the world head-on. Kamloopa explores the fearless love and passion of Indigenous women reconnecting with their homelands, ancestors, and stories. This boundary-blurring adventure will remind you to always dance like the ancestors are watching.
Author: Brian McClellan
Publisher: Hachette UK
ISBN: 1405519940
Category : Fiction
Languages : en
Pages : 574
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Book Description
'Just plain awesome' Brandon Sanderson **Winner of the David Gemmell Morningstar Award** It's a bloody business, overthrowing a king. Now, amid the chaos, a whispered rumour is spreading. A rumour about a broken promise, omens of death and the gods returning to walk the earth. No one really believes these whispers. Perhaps they should. Winner of the David Gemmell Morningstar Award, Promise of Blood is the explosive first novel in the most action-packed and acclaimed new fantasy series in years. 'Gunpowder and magic. An explosive combination' Peter Brett 'Brings a welcome breath of gunpowder-tinged air to epic fantasy' Anthony Ryan 'Tense action, memorable characters, rising stakes . . . Brian McClellan is the real thing' Brent Weeks The Powder Mage trilogy: Promise of Blood The Crimson Campaign The Autumn Republic The Gods of Blood and Powder series: Sins of Empire Wrath of Empire
Author: Kevin Loring
Publisher: Talonbooks
ISBN: 9781772012545
Category : Drama
Languages : en
Pages : 80
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Book Description
Humour allows the exploration of Indigenous relationships with settler law.
Author: Kerry Coast
Publisher: SCB Distributors
ISBN: 0986036234
Category : Political Science
Languages : en
Pages : 377
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Book Description
No treaties were made with indigenous nations residing in those territories where now there is a Canadian province called British Columbia. Instead, a breathtaking policy of criminalization, assimilation and land rights and sovereignty extinguishment has been vigorously carried out against them. Present day governments continue that approach, now 150 years old, in processes which have recently been re-named and cosmetically improved but remain unconstitutional and are prohibited by the 1948 Genocide Convention, which terms as genocide, inter alia, deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part. Neither Britain nor Canada nor the settlers of British Columbia themselves have ever honourably addressed the peoples whose lands and resources form British Columbia. The indigenous nations in what is now called British Columbia have never joined Canada but had citizenship imposed on them. The province of BC has never fulfilled Canada’s constitutional requirements of purchasing lands from the indigenous owners before settling. The ongoing colonization of British Columbia relies on the settler population’s indifference to the indigenous peoples’ plights and rights. The Colonial Present documents the colonizer’s manufacture of a new mythology to dehumanize the native peoples and strip them of their rightful place. The interests of resource industries have dominated accounts of indigenous peoples throughout the mainstream media, the academic presses and the courts. They have substantially corrupted and impoverished the non-native understanding of indigenous peoples on whose homelands they live and work, and to which they seem to feel entitled. The indigenous nations and individuals have suffered excruciating losses. But the highest expression of official BC aspirations for reconciliation is only that they should release title to their homelands, accept a small financial, land and program funding settlement, and submit to the British Columbia Treaty Commission agenda reducing them, in legal terms, to incorporated associations exercising management capacities barely distinguishable from those of BC municipalities, while by fee simple title, their lands and rich resources are ceded to the Queen. This book is an exploration of how such a stunning string of events has happened, and British Columbians continuing attempts to rationalize them.
Author: Peter Edwards
Publisher: Random House Canada
ISBN: 1039006167
Category : Biography & Autobiography
Languages : en
Pages : 377
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Book Description
From bestselling true-crime author Peter Edwards and Governor General's Award-winning playwright Kevin Loring, two sons of Lytton, BC, the town that burned to the ground in 2021, comes a meditation on hometown―when hometown is gone. “It’s dire,” Greta Thunberg retweeted Mayor JanPolderman. “The whole town is on fire. It took a whole 15 minutes from the first sign of smoke to, all of a sudden, there being fire everywhere.” Before it made global headlines as the small town that burned down during a record-breaking heatwave in June 2021, while briefly the hottest placeon Earth, Lytton, British Columbia, had a curious past. Named for the author of the infamous line, “It was a dark and stormy night,” Lytton was also where Peter Edwards, organized-crime journalist and author of seventeen non-fiction books, spent his childhood. Although only about 500 people lived in Lytton, Peter liked to joke that he was only the second-best writer to come from his tiny hometown. His grade-school classmate’s nephew Kevin Loring, Nlaka’pamux from Lytton First Nation, had grown up to be a Governor General’s Award–winning playwright. The Nlaka’pamux called Lytton “The Centre of the World,” a view Buddhists would share in the late twentieth century, as they set up a temple just outside town. A gold rush in 1858 saw conflict with a wave of Californians come to a head with the Canyon War at the junction of the mighty Fraser and Thompson rivers. The Nlaka’pamux lost over thirty lives in that conflict, as did the American gold seekers. In modern times, many outsiders would seek shelter there, often people who just didn’t fit anywhere else and were hoping for a little anonymity in the mountains. Told from the shared perspective of an Indigenous playwright and the journalist son of a settler doctor who pushed back against the divisions that existed between populations, Lytton portrays all the warmth, humour and sincerity of small-town life. A colourful little town that burned to the ground could be every town’s warning if we don’t take seriously what this unique place has to teach us.
Author: David Gaertner
Publisher: UBC Press
ISBN: 0774865385
Category : Social Science
Languages : en
Pages : 321
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Book Description
The Canadian public largely understands reconciliation as the harmonization of Indigenous–settler relations for the benefit of the nation. But is this really happening? Reconciliation politics, as developed in South America and South Africa, work counter to retributive justive in order to redress the divide opened up between survivors and perpetrators as a result of historical violence. The Theatre of Regret asks whether, within the context of settler colonialism, this approach will ultimately favour the state over the needs and requirements of Indigenous peoples. Interweaving literature, art, and other creative media throughout his analysis, David Gaertner questions the state-centred frameworks of reconciliation by exploring the critical roles that Indigenous and allied authors, artists, and thinkers play in defining, challenging, and refusing settler regret. Through close examination of its core concepts – acknowledgement, apology, redress, and forgiveness – this study exposes the colonial ideology at the root of reconciliation in Canada.
Author:
Publisher: Rex Bookstore, Inc.
ISBN: 9789712344008
Category :
Languages : en
Pages : 562
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Book Description
