What Makes Motown Bass Motown?

What Makes Motown Bass Motown? PDF Author: Jim Stinnett
Publisher:
ISBN: 9781939806048
Category :
Languages : en
Pages : 72

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Book Description
bass music bok

What Makes Motown Bass Motown?

What Makes Motown Bass Motown? PDF Author: Jim Stinnett
Publisher:
ISBN: 9781939806048
Category :
Languages : en
Pages : 72

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Book Description
bass music bok

Motown Bass Classics

Motown Bass Classics PDF Author:
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793588374
Category : Music
Languages : en
Pages : 0

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Book Description
(Bass Recorded Versions). Exact transcriptions with tab for 21 bass-heavy Motown faves: Ain't No Mountain High Enough * Baby Love * Dancing in the Street * Get Ready * I Just Want to Celebrate * My Girl * My Guy * Stop! in the Name of Love * Where Did Our Love Go * You Can't Hurry Love * and more.

Standing in the Shadows of Motown

Standing in the Shadows of Motown PDF Author: James Jamerson
Publisher: Hal Leonard Corporation
ISBN: 9780881888829
Category : Biography & Autobiography
Languages : en
Pages : 212

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Book Description
(Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD! Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award!

RnB, Soul & Motown Style Basslines

RnB, Soul & Motown Style Basslines PDF Author: Dan Hawkins
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789332438
Category :
Languages : en
Pages : 92

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Book Description
RnB, Soul & Motown Style Basslines is your complete guide to mastering the essential skills of Soul bass guitar.

Motown Encyclopedia

Motown Encyclopedia PDF Author: Graham Betts
Publisher: AC Publishing
ISBN: 1311441549
Category : Music
Languages : en
Pages : 811

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Book Description
Motown means different things to different people. The mere mention of perhaps the most iconic record label in history is often enough to invoke memories and mental images of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Jackson 5, The Supremes and numerous others. With each group recalled, there is an accompanying piece of music of the mind, from Baby Love, My Girl, Signed Sealed Delivered, I Heard It Through The Grapevine, ABC and Tears Of A Clown and countless more. Quite often, you can ask people what kind of music they like and they will simply answer ‘Motown’, and both they, and you, know exactly what is meant. Or rather, what is implied. The Motown they are invariably thinking of is the label that dominated the charts in the mid 1960s with a succession of radio friendly, dance orientated hits, most of which were written and produced by the trio of Brian Holland, Lamont Dozier and Eddie Holland. This period is referred to, naturally enough, as the Golden Era, when Motown was not only the dominant force in its home city of Detroit but carried The Sound of Young America all around the world. The kind of music that had them Dancing In the Street from Los Angeles to London, Miami to Munich and San Francisco to Sydney. It was the kind of music that attracted scores of imitators; some good, some not so good. The kind of music that appealed to the public and presidents alike, and still does. It was that Motown that this book was intended to be about. However, when you start digging deeper into the Motown story, you realise that throughout its life (which, for the purposes of this book, is its formation in 1959 through to its sale in 1988) it was constantly trying other musical genres, looking to grab hits out of jazz, country, pop, rock, middle of the road and whatever else might be happening at the time. Of course it wasn’t particularly successful at some of the other genres, although those who claim Motown never did much in the rock market conveniently overlook the healthy sales figures achieved by Rare Earth, the group, and focus instead on the total sales achieved on Rare Earth, the label. This book, therefore, contains biographies of all 684 artists who had releases on Motown and their various imprints, as well as biographies of 16 musicians, 23 producers, 19 writers and 13 executives. There are also details of the 50 or so labels that Motown owned, licensed to or licensed from. All nine films and the 17 soundtracks are also featured. Every Motown single and album and EP that made the Top Ten of the pop charts in either the US or UK also have their own entries, with 222 singles, 84 albums and five EPs being featured. Finally, there are 36 other entries, covering such topics as the Hollywood Walk of Fame, the Motortown Revues, Grammy Awards and the most played Motown songs on radio. The 1,178 entries cover every aspect of Motown and more – of the link between Granny in The Beverly Hillbillies and Wonder Woman, of the artists from Abbey Tavern Singers to Zulema, and the hits from ABC to You Really Got A Hold On Me. The Motown Encyclopedia is the story of Motown Records; Yesterday, Today, Forever.

Motown

Motown PDF Author: Gerald Posner
Publisher: Random House
ISBN: 0307538621
Category : Music
Languages : en
Pages : 386

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Book Description
In 1959, twenty-nine-year-old Berry Gordy, who had already given up on his dream to be a champion boxer, borrowed eight hundred dollars from his family and started a record company. A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown. Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002. Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation.

Pentatonic Scales for Jazz Improvisation

Pentatonic Scales for Jazz Improvisation PDF Author: Ramon Ricker
Publisher: Alfred Music
ISBN: 9781457494109
Category : Music
Languages : en
Pages : 88

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Book Description
More than a pattern book, this lays out the theory behind the use of pentatonic scales in jazz, and follows with transcribed solos and exercises. Still a favorite after 14 years, this book has become a standard in the field.

Best of Tower of Power for Bass (Songbook)

Best of Tower of Power for Bass (Songbook) PDF Author: Tower Of Power
Publisher: Hal Leonard Corporation
ISBN: 1603786678
Category : Music
Languages : en
Pages : 239

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Book Description
(Bass). 15 funky favorites for bassists in notes & tab from the horn-heavy Oakland soulsters: Can't You See (You're Doing Me Wrong) * Don't Change Horses (In the Middle of the Stream) * Down to the Nightclub * So Very Hard to Go * Soul Vaccination * This Time It's Real * What Is Hip * You Ought to Be Havin' Fun * more.

Building Walking Bass Lines

Building Walking Bass Lines PDF Author: Hal Leonard Publishing Corporation
Publisher: Hal Leonard Corporation
ISBN: 9780793542048
Category : Music
Languages : en
Pages : 72

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Book Description
El-basguitarskole.

I Hear a Symphony

I Hear a Symphony PDF Author: Andrew Flory
Publisher: University of Michigan Press
ISBN: 0472122878
Category : Music
Languages : en
Pages : 368

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Book Description
I Hear a Symphony opens new territory in the study of Motown’s legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit’s postwar black middle class; that Motown’s creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous “Motown Sound.” Throughout the book, Flory focuses on the central importance of “crossover” to the Motown story; first as a key concept in the company’s efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory’s work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.