Author: Anselm Berrigan
Publisher:
ISBN: 9781940696393
Category : LITERARY CRITICISM
Languages : en
Pages : 0
Book Description
A selection of interviews and rare photos from the legendary St. Mark's Poetry Project for its 50th anniversary season.
What is Poetry? (just Kidding, I Know You Know)
Author: Anselm Berrigan
Publisher:
ISBN: 9781940696393
Category : LITERARY CRITICISM
Languages : en
Pages : 0
Book Description
A selection of interviews and rare photos from the legendary St. Mark's Poetry Project for its 50th anniversary season.
Publisher:
ISBN: 9781940696393
Category : LITERARY CRITICISM
Languages : en
Pages : 0
Book Description
A selection of interviews and rare photos from the legendary St. Mark's Poetry Project for its 50th anniversary season.
Just Kidding
Author: Martin Pierce
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522841548
Category :
Languages : en
Pages : 24
Book Description
This book of funny poems will have you laughing out loud. There are rhymes about animals, school, weird monsters - in fact, anything that is unusual, silly or just plain daft. Definitely not a book to be missed by anyone who is under the age of 140 years old with a sense of the absurd.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781522841548
Category :
Languages : en
Pages : 24
Book Description
This book of funny poems will have you laughing out loud. There are rhymes about animals, school, weird monsters - in fact, anything that is unusual, silly or just plain daft. Definitely not a book to be missed by anyone who is under the age of 140 years old with a sense of the absurd.
On Poetry
Author: Glyn Maxwell
Publisher: Harvard University Press
ISBN: 0674265874
Category : Literary Criticism
Languages : en
Pages : 116
Book Description
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Publisher: Harvard University Press
ISBN: 0674265874
Category : Literary Criticism
Languages : en
Pages : 116
Book Description
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Readings in Contemporary Poetry
Author: Vincent Katz
Publisher: Yale University Press
ISBN: 030023001X
Category : Poetry
Languages : en
Pages : 313
Book Description
-Culled from Dia Art Foundation's -Readings in Contemporary Poetry- series, this anthology includes ninety-four poets who have participated in the reading series from 2010 to 2016. Edited by poet and author Vincent Katz, the book stresses the experimental aspects of contemporary poetic practice, highlighting commonalities among poets and placing their diverse voices in conversation with one another---
Publisher: Yale University Press
ISBN: 030023001X
Category : Poetry
Languages : en
Pages : 313
Book Description
-Culled from Dia Art Foundation's -Readings in Contemporary Poetry- series, this anthology includes ninety-four poets who have participated in the reading series from 2010 to 2016. Edited by poet and author Vincent Katz, the book stresses the experimental aspects of contemporary poetic practice, highlighting commonalities among poets and placing their diverse voices in conversation with one another---
Prose Poetry in Theory and Practice
Author: Anne Caldwell
Publisher: Taylor & Francis
ISBN: 1000583805
Category : Language Arts & Disciplines
Languages : en
Pages : 251
Book Description
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
Publisher: Taylor & Francis
ISBN: 1000583805
Category : Language Arts & Disciplines
Languages : en
Pages : 251
Book Description
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
Everything is Quiet
Author: Kendra Grant Malone
Publisher: Lulu.com
ISBN: 057806801X
Category :
Languages : en
Pages : 92
Book Description
"Everything is Quiet is a full-length poetry book comprised of individual poems about love, life, and loss. Just kidding. Everything is Quiet is a woman sitting calmly near a glass window, hungover and smoking a cigarette in the aftermath of dealing with strange lovers who shush her, smack her, ask her to be more vocal, and for some reason, really enjoy dirty period sex. Everything is Quiet is a person riding a train alone in a big world with an open sky, trying to remember what happened last night, but not really caring."--Matthew Savoca.
Publisher: Lulu.com
ISBN: 057806801X
Category :
Languages : en
Pages : 92
Book Description
"Everything is Quiet is a full-length poetry book comprised of individual poems about love, life, and loss. Just kidding. Everything is Quiet is a woman sitting calmly near a glass window, hungover and smoking a cigarette in the aftermath of dealing with strange lovers who shush her, smack her, ask her to be more vocal, and for some reason, really enjoy dirty period sex. Everything is Quiet is a person riding a train alone in a big world with an open sky, trying to remember what happened last night, but not really caring."--Matthew Savoca.
How I Became One of the Invisible, new edition
Author: David Rattray
Publisher: MIT Press
ISBN: 1635900727
Category : Literary Collections
Languages : en
Pages : 425
Book Description
The only collection of Rattray's prose: essays that offer a kind of secret history and guidebook to a poetic and mystical tradition. In order to become one of the invisible, it is necessary to throw oneself into the arms of God... Some of us stayed for weeks, some for months, some forever. —from How I Became One of the Invisible Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers. Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.” Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
Publisher: MIT Press
ISBN: 1635900727
Category : Literary Collections
Languages : en
Pages : 425
Book Description
The only collection of Rattray's prose: essays that offer a kind of secret history and guidebook to a poetic and mystical tradition. In order to become one of the invisible, it is necessary to throw oneself into the arms of God... Some of us stayed for weeks, some for months, some forever. —from How I Became One of the Invisible Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers. Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.” Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
IRL
Author: Tommy Pico
Publisher: Birds
ISBN: 9780991429868
Category : Poetry
Languages : en
Pages : 0
Book Description
Composed as a long text message, this poem asks what happens to a modern, queer indigenous person a few generations after his ancestors were alienated from their language, their religion, and their history.
Publisher: Birds
ISBN: 9780991429868
Category : Poetry
Languages : en
Pages : 0
Book Description
Composed as a long text message, this poem asks what happens to a modern, queer indigenous person a few generations after his ancestors were alienated from their language, their religion, and their history.
If You Want to Know what We are
Author: Carlos Bulosan
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 88
Book Description
Citizen Illegal
Author: José Olivarez
Publisher: Haymarket Books
ISBN: 1608469557
Category : Poetry
Languages : en
Pages : 83
Book Description
“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today
Publisher: Haymarket Books
ISBN: 1608469557
Category : Poetry
Languages : en
Pages : 83
Book Description
“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today