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Author: Gary Rosenshield
Publisher: Univ of Wisconsin Press
ISBN: 0299209334
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Gary Rosenshield offers a new interpretation of Dostoevsky's greatest novel, The Brothers Karamazov. He explores Dostoevsky's critique and exploitation of the jury trial for his own ideological agenda, both in his journalism and his fiction, contextualizing his portrayal of trials and trial participants (lawyers, jurors, defendants, judges) in the political, social, and ideological milieu of his time. Further, the author presents Dostoevsky's critique in terms of the main notions of the critical legal studies movement in the United States, showing how, over one hundred and twenty years ago, Dostoevsky explicitly dealt with the same problems that the law-and-literature movement has been confronting over the past two decades. This book should appeal to anyone with an interest in Russian literature, Russian history and culture, legal studies, law and literature, narratology, or metafiction and literary theory.
Author: Gary Rosenshield
Publisher: Univ of Wisconsin Press
ISBN: 0299209334
Category : Literary Criticism
Languages : en
Pages : 322
Get Book Here
Book Description
Gary Rosenshield offers a new interpretation of Dostoevsky's greatest novel, The Brothers Karamazov. He explores Dostoevsky's critique and exploitation of the jury trial for his own ideological agenda, both in his journalism and his fiction, contextualizing his portrayal of trials and trial participants (lawyers, jurors, defendants, judges) in the political, social, and ideological milieu of his time. Further, the author presents Dostoevsky's critique in terms of the main notions of the critical legal studies movement in the United States, showing how, over one hundred and twenty years ago, Dostoevsky explicitly dealt with the same problems that the law-and-literature movement has been confronting over the past two decades. This book should appeal to anyone with an interest in Russian literature, Russian history and culture, legal studies, law and literature, narratology, or metafiction and literary theory.
Author:
Publisher: Статут
ISBN:
Category :
Languages : en
Pages : 208
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Book Description
The “Russian Law Journal” (RLJ) magazine is one of the first English-language legal academic editions regularly published in Russia. It is an All-Russian interuniversity platform designed to promote Russian legal researches abroad. The magazine is meant for both Russian and foreign readers including major world legal libraries, academics and practicing lawyers. International editorial board and editorial team are represented by professors from leading world centers of legal education and legal science, like Harvard, Yale, Cambridge and La Sorbonne, as well as by scientists from Russian law schools (Moscow State University, Kutafin Moscow State Law University, Saint-Petersburg State University, Higher School of Economics).
Author:
Publisher: Dmitry Maleshin
ISBN:
Category :
Languages : en
Pages : 208
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Book Description
Author: David M. Crowe
Publisher: Bloomsbury Publishing
ISBN: 1350083364
Category : History
Languages : en
Pages : 257
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Book Description
From the 'show' trials of the 1920s and 1930s to the London Conference, this book examines the Soviet role in the Nuremberg IMT trial through the prism of the ideas and practices of earlier Soviet legal history, detailing the evolution of Stalin's ideas about the trail of Nazi war criminals. Stalin believed that an international trial for Nazi war criminals was the best way to show the world the sacrifices his country had made to defeat Hitler, and he, together with his legal mouthpiece Andrei Vyshinsky, maintained tight control over Soviet representatives during talks leading up to the creation of the Nuremberg IMT trial in 1945, and the trial itself. But Soviet prosecutors at Nuremberg were unable to deal comfortably with the complexities of an open, western-style legal proceeding, which undercut their effectiveness throughout the trial. However, they were able to present a significant body of evidence that underscored the brutal nature of Hitler's racial war in Russia from 1941-45, a theme which became central to Stalin's efforts to redefine international criminal law after the war. Stalin's Soviet Justice provides a nuanced analysis of the Soviet justice system at a crucial turning point in European history and it will be vital reading for scholars and advanced students of the legal history of the Soviet Union, the history of war crimes and the aftermath of the Second World War.
Author: Christopher Marsh
Publisher: Lexington Books
ISBN: 9780739103593
Category : Education
Languages : en
Pages : 206
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Book Description
More than a decade has passed since path-breaking policies aimed at liberalizing post-Soviet society were first introduced in Russia. Today, these promises of freedom, equality, and justice remain largely unfulfilled and Russia's political system continues to exhibit signs of the deep-rooted problems that may well retard, if not completely derail, any possibility of future reform. Against this stark background, Civil Society and the Search for Justice in Russia explores the various dimensions of Russia's civil society: the meaning of, and search for, justice; the role of the Orthodox church as a principal unifier in civil society; the need for new freedoms for women and ethnic minorities; and the role of mass education and the free press in inculcating and articulating new civic values. Expertly blending the historical with the theoretical, the recent with the empirical this work offers new insight and analysis into the ability of a nascent Russian civil society to engage effectively with the twenty-first century Russian state to ensure social, religious, and political justice.
Author: Gary Rosenshield
Publisher: Rowman & Littlefield
ISBN: 1498568467
Category : History
Languages : en
Pages : 217
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Book Description
It has been said that all great literature is about suffering. But before the twentieth century, physical pain, one of the most primal forms of human suffering, has rarely been represented on the stage and in fiction. But when it is foregrounded in works of literature, it is not only the most dramatic way of representing human suffering, it is also used to explore, in the most intense form, existential questions regarding the meaning of human existence and the justice of the universe. Perhaps it is not entirely coincidental, then, that imaginative works about physical pain, though few in number, figure prominently among the masterpieces of the western literary tradition. The best were written during two of the west's most astonishing periods of literary creativity, fifth-century-BC Athens and nineteenth-century Russia, and by the most prominent artists of their time: Prometheus Bound by Aeschylus, The Women of Trachis and Philoctetes by Sophocles; Notes from the House of the Dead by Dostoevsky; and The Death of Ivan Ilyich and War and Peace by Tolstoy. In all these works, physical pain is always portrayed as a dynamic process that includes the view point of the victim, the perpetrator (much of the physical pain is in the form of torture), and the onlooker or witness. In the Greek works, physical pain is the main vehicle for exposing the injustice of the gods and the world order, and in the Russian works for questioning the moral legitimacy of the state. In Prometheus Bound, Zeus delegitimizes his rule by torturing Prometheus for his service to mankind. In The Women of Trachis, the gods look indifferently upon the excruciating suffering of Hercules, the greatest Greek hero. In Philoctetes, the gods cruelly exploit the terrible pain of the hero as a means of winning victory at Troy for their Greek wards. In the Russian works, the mechanisms for inflicting the maximum amount of physical pain during corporal punishment undermine the moral foundations of the state and argue for its dissolution. Though the Greek and Russian works are separated by genre (plays vs novels) and by time (over two thousand years), they are united by the way they employ pain to investigate the justice—or rather injustice—of the world order.
Author: Elizabeth A. Blake
Publisher: Northwestern University Press
ISBN: 0810167565
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
While Dostoevsky’s relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake’s ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship. Previous commentators have traced a wide-ranging hostility in Dostoevsky’s understanding of Catholicism to his Slavophilism. Blake depicts a far more nuanced picture. Her close reading demonstrates that he is repelled and fascinated by Catholicism in all its medieval, Reformation, and modern manifestations. Dostoevsky saw in Catholicism not just an inspirational source for the Grand Inquisitor but a political force, an ideological wellspring, a unique mode of intellectual inquiry, and a source of cultural production. Blake’s insightful textual analysis is accompanied by an equally penetrating analysis of nineteenth-century European revolutionary history, from Paris to Siberia, that undoubtedly influenced the evolution of Dostoevsky’s thought.
Author: Robin Feuer Miller
Publisher: Yale University Press
ISBN: 0300151721
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Fyodor Dostoevsky completed his final novel— The Brothers Karamazov—in 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today “remains harrowingly alive in the face of our present day worries, paradoxes, and joys,” observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevsky’s masterpiece, offering keen insights and a celebration of the author’s unparalleled powers of imagination. Miller’s critical companion to The Brothers Karamazov explores the novel’s structure, themes, characters, and artistic strategies while illuminating its myriad philosophical and narrative riddles. She discusses the historical significance of the book and its initial reception, and in a new preface discusses the latest scholarship on Dostoevsky and the novel that crowned his career.
Author: Anna Schur
Publisher: Northwestern University Press
ISBN: 0810128489
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Anna Schur incorporates sources from philosophy, criminology, psychology, and history to argue that Dostoevsky's thinking was shaped not only by his Christian ethics but also by the debates on punishment theory and practice unfolding during his lifetime.
Author: Susanne Fusso
Publisher: Northwestern University Press
ISBN: 0810151901
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Most discussions of sexuality in the work of Dostoevsky have been framed in Freudian terms. But Dostoevsky himself wrote about sexuality from a decidedly pre-Freudian perspective. By looking at the views of human sexual development that were available in Dostoevsky's time and that he, an avid reader and observer of his own social context, absorbed and reacted to, Susanne Fusso gives us a new way of understanding a critical element in the writing of one of Russia's literary masters. Beyond discovering Dostoevsky's own views and representations of sexuality as a reflection of his culture and his time, Fusso also explores his artistic treatment of how children and adolescents discover sexuality as part of their growth. Some of the topics Fusso considers are Dostoevsky's search for an appropriate artistic language for sexuality, a young narrator's experimentation with homoerotic desire and unconventional narrative in A Raw Youth; and Dostoevsky's approach to a young man's sexual development in A Raw Youth and The Brothers Karamazov. She also explores his complex treatment of a child's secret sexuality in his account of the Kroneberg child abuse case in A Writer's Diary; and his conception of the ideal family, a type of family that appears in his works mainly by negative example. Focusing mainly on sexual practices considered "deviant" in Dostoevsky's time--both because these are the practices that his young characters confront and because they offer the most intriguing interpretive problems--Fusso decodes the author's texts and their social contexts. In doing so, she highlights one thread in the intricate thematic weave of Dostoevsky's novels and newly illuminates his artistic process.
