Western European Art, Russian Art and Culture PDF Download
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Author: Vitaly Suslov
Publisher:
ISBN:
Category :
Languages : en
Pages : 879
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Book Description
Author: Vitaly Suslov
Publisher:
ISBN:
Category :
Languages : en
Pages : 879
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Book Description
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
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Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
Author: Rosalind Polly Blakesley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"This book addresses the lively artistic dialogue that took place between Russia and the West - in particular with the United States, Britain, and France - from the 1860s to the Khrushchev Thaw. Offering new readings of cross-cultural exchange, it illuminates Russia's compelling, and sometimes combative, relation with western art in this period of profound cultural transformation." "This illustrated volume will appeal to students, scholars, and general readers seeking to understand the fuller context of Russian artistic culture during a remarkable century of social and political change."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Galina Mardilovich
Publisher: Routledge
ISBN: 0429639783
Category : Art
Languages : en
Pages : 215
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Book Description
This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.
Author: Carol Adlam
Publisher: Peter Lang
ISBN: 9783039115563
Category : Art
Languages : en
Pages : 428
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Book Description
This collection examines the development of art criticism across Russia and Western Europe in the eighteenth and nineteenth centuries. Art criticism articulated local ideas about functions of art but, more importantly, it also became one of the most responsive fields in which a larger, transnational European exchange of ideas about the role of critical discourse could take place. Art criticism of this period was also rich in rhetorical strategies and textual diversity. International contributors to this volume, who include art historians, cultural historians, and specialists in critical and philosophical discourse, examine the emergence of art critical discourse in a variety of cultural and geo-political contexts.
Author: Gosudarstvennyj Ėrmitaž
Publisher:
ISBN:
Category :
Languages : en
Pages : 910
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Book Description
Author: Mikhail B. Piotrovsky
Publisher: Booth-Clibborn
ISBN: 9781873968031
Category : Art
Languages : en
Pages : 1572
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Book Description
Author: Tim Harte
Publisher: Univ of Wisconsin Press
ISBN: 0299233235
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.
Author: Jonas Gerwing
Publisher: BoD – Books on Demand
ISBN: 3735720501
Category : Art
Languages : en
Pages : 157
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Book Description
The main concern of this culture-historical study consists in the critical analysis of the evolution and development of Modern art in China following the demise of the Qing-dynasty (1911) up to the ideological dissociation of the People’s Republic from the Soviet Union during “the Great Leap Forward” (1958-62). Hereby, the focus will be put on illustrating different analytical approaches in order to understand the mechanisms of producing national culture and arts in China of the first half of the 20th century. Relating to the given topic of this analysis, the process of remodeling or modernizing Chinese national identity uttered the essential question of how artistic and cultural traditions should be perceived by the people in the future. The question remains if a specific (national) cultural identity can be created without the preservation of or self-reference to cultural heritages of the nation’s past. Following Communist ideological reasoning, the collective national identity of the Chinese society should be remodeled in the manners of Socialism. Cultural spheres created by arts and literature should, therefore, accelerate the people’s transition towards a ‘classless’ society. In its historical appearance, Mao's interpretation and perception of 'Socialism' had a lasting effect on defining or limiting the society’s collective (national) identity.
