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Author: Jacques Tardi
Publisher:
ISBN: 9781606992951
Category : Assassins
Languages : en
Pages : 0
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Book Description
George Gerfaut, aimless young executive and desultory family man, witnessesa murder and finds himself sucked into a spiral of violence involving an exiledwar criminal and two hired assassins. Adapting to the exigencies of his new lifeon the run with shocking ease, Gerfaut abandons his comfortable middle-classlife for several months, until, joined with a new ally, he finally returns tosettle all accounts... with brutal, bloody interest. Released in 2005, WestCoast Blues (Le Petit bleu de la côte ouest) is Tardi's adaptation ofa popular 1976 novel by the French crime writer Jean-Patrick Manchette. (Thenovel had been previously adapted to film under the more literal title Troishommes à abattre, and was released in English by the San Francisco-basedpublisher City Lights under the English version of the same title, 3 toKill.) Tardi's late-period, looser style infuses Manchette's dark story witha seething, malevolent energy; he doesn't shy away from the frequently grislygoings-on, while maintaining (particularly in the old-married-couple-stylebickering of the two killers who are tracking Gerfaut) the mordant wit thatcharacterizes his best work. This is the kind of graphic novel that QuentinTarantino would love, and a double shot of Scotch for any fan of unrelenting,uncompromising crime fiction
Author: Jacques Tardi
Publisher:
ISBN: 9781606992951
Category : Assassins
Languages : en
Pages : 0
Get Book
Book Description
George Gerfaut, aimless young executive and desultory family man, witnessesa murder and finds himself sucked into a spiral of violence involving an exiledwar criminal and two hired assassins. Adapting to the exigencies of his new lifeon the run with shocking ease, Gerfaut abandons his comfortable middle-classlife for several months, until, joined with a new ally, he finally returns tosettle all accounts... with brutal, bloody interest. Released in 2005, WestCoast Blues (Le Petit bleu de la côte ouest) is Tardi's adaptation ofa popular 1976 novel by the French crime writer Jean-Patrick Manchette. (Thenovel had been previously adapted to film under the more literal title Troishommes à abattre, and was released in English by the San Francisco-basedpublisher City Lights under the English version of the same title, 3 toKill.) Tardi's late-period, looser style infuses Manchette's dark story witha seething, malevolent energy; he doesn't shy away from the frequently grislygoings-on, while maintaining (particularly in the old-married-couple-stylebickering of the two killers who are tracking Gerfaut) the mordant wit thatcharacterizes his best work. This is the kind of graphic novel that QuentinTarantino would love, and a double shot of Scotch for any fan of unrelenting,uncompromising crime fiction
Author: DAVID BARRETT
Publisher: Mel Bay Publications
ISBN: 161065854X
Category : Music
Languages : en
Pages : 8
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Book Description
This book/2-CD set has been designed to help the guitarist with soloing studies. These 36 play-along rhythm tracks embody the electrifying feel of the West Coast Blues and provide you with the ability to place new licks and soloing concepts into context. They include slow blues, fast blues, jazzy blues, rumbas, songs with breaks, swings, marches, minor blues, boogies, and many more. A practice section is included featuring nine Play-Along Trax that start at a tempo of 40 beats per minute and go to 200 for progressive lick study. This is a great tool to help you master any lick or song that is too difficult to play at its original speed. the remaining backup tracks are arranged by key, single guitar or band, and tempo. Most of the examples will use the standard 12-bar blues format, while a few use common variations such as 16-bar blues. the book provides the chord progressions plus instruction on how to use the CDs to practice listening and breaks.
Author: Jean-Patrick Manchette
Publisher: City Lights Publishers
ISBN: 0872866661
Category : Fiction
Languages : en
Pages : 148
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Book Description
"His books are all action, unfolding with a laconic efficiency that would make his killers proud."—The Economist Businessman Georges Gerfaut witnesses a murder—and is pursued by the killers. His conventional life knocked off the rails, Gerfaut turns the tables and sets out to track down his pursuers. Along the way, he learns a thing or two about himself. . . . Manchette—masterful stylist, ironist, and social critic—limns the cramped lives of professionals in a neoconservative world. "Manchette has appropriated and subverted the classic thriller [with] descriptions of undiluted action, violence and suspense [and] a perspective on evil, a disenchanted world of manipulation and fury. . . ."—Times Literary Supplement "The petty exigencies of the classic thriller find themselves summarily reduced to cremains by the fiery blue jets of Jean-Patrick Manchette's concision, intelligence, tension, and style."—Jim Nisbet, author of Lethal Injection and Prelude to a Scream "Manchette is a must for the reading lists of all noir fans. . . . Manchette deserves a higher profile among noir fans."—Publishers Weekly "Manchette . . . performs miracles within this simple story. His style is very matter of fact, stark and almost cool like the jazz his hero or anti-hero Gerfaut devours at every opportunity. Yet in this short novel there is no lack of atmosphere, excitement, characters or descriptive writing, it is just the total lack of unnecessary material that makes the story seem so lean and mean."—Norman Price, EuroCrime "A social satire cum suspense equally interested in dissecting everyday banalities and manufacturing thrills. Writing with economy, deadpan irony, and an eye for the devastating detail, Manchette spins pulp fiction into literature."—Kirkus Reviews "While there isn’t much that’s obviously moral—in the good-versus-evil sense—[this novel] demonstrate[s] why Manchette is hailed as the man who kicked the French crime novel or 'polar' out of the apolitical torpor into which it had fallen by the time he started publishing his 'neo-polars' in the 1970s. . . . Grim and cerebral as they feel, it’s remarkable how comic—in an absurdist, laugh-or-you’ll-cry way—these books are, as if Manchette had decided that poking fun at the products of the capitalist system were the fittest way to attack the system itself."—Jennifer Howard, Boston Review "The pace is fast, the action sequences are superb, and the effect is just as striking as it must have been when the book was first published in 1976."—Laura Wilson, The Guardian "[T]he novel is brilliantly written, replete with allusions to art, literature, and music, papered with the very texture and furniture of our lives. Manchette is Camus on overdrive, at one and the same time white-hot, ice-cold. He deserves much the same attention."—James Sallis, Review of Contemporary Fiction Jean-Patrick Manchette (1942—1995) rescued the French crime novel from the grip of stodgy police procedurals—restoring the noir edge by virtue of his post-1968 leftism. Today, Manchette is a totem to the generation of French mystery writers who came in his wake. Jazz saxophonist, political activist, and screen writer, Manchette was influenced as much by Guy Debord as by Gustave Flaubert. City Lights has published more of his work, including The Gunman.
Author: Hal Leonard Corporation
Publisher:
ISBN: 9780793586578
Category : Guitar music (Blues)
Languages : en
Pages : 88
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Book Description
A collection of 15 great songs from the best contemporary blues, swing and rockabilly bands in California! Includes songs of William Clarke (Cash Money * Chasin' the Gator * more), Johnny Heartsman (Please Don't Be Scared of My Love * Serpent's Touch), Little Charlie and the Nightcats (Buzzsaw * Gerontology * Jump Start * On the Loose) * Charlie Musselwhite (River Hip Mama * more), Johnny Otis (Drinkin' Wine Spo-Dee-O-Dee) * and The Paladins (Let's Buzz * Untamed Melody).
Author: Ted Gioia
Publisher: Univ of California Press
ISBN: 9780520217294
Category : Art
Languages : en
Pages : 450
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Book Description
Ted Gioia tells the story of jazz as it has never been told before, in a book that brilliantly portrays the legendary players, the breakthrough styles, and the world in which it evolved. Gioia provides readers with lively portraits of great musicians, intertwined with vibrant commentary on the music they created. 9 photos.
Author: Elijah Wald
Publisher: Oxford University Press
ISBN: 9780199752874
Category : Music
Languages : en
Pages : 152
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Book Description
Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.
Author: Anna Badkhen
Publisher: Penguin
ISBN: 1594634874
Category : Social Science
Languages : en
Pages : 306
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Book Description
NAMED A BEST BOOK OF THE YEAR BY THE CHRISTIAN SCIENCE MONITOR AND PASTE MAGAZINE An intimate account of life in a West African fishing village, tugged by currents ancient and modern, and dependent on an ocean that is being radically transformed. The sea is broken, fishermen say. The sea is empty. The genii have taken the fish elsewhere. For centuries, fishermen have launched their pirogues from the Senegalese port of Joal, where the fish used to be so plentiful a man could dip his hand into the grey-green ocean and pull one out as big as his thigh. But in an Atlantic decimated by overfishing and climate change, the fish are harder and harder to find. Here, Badkhen discovers, all boundaries are permeable--between land and sea, between myth and truth, even between storyteller and story. Fisherman's Blues immerses us in a community navigating a time of unprecedented environmental, economic, and cultural upheaval with resilience, ingenuity, and wonder.
Author: Phil Pastras
Publisher: Univ of California Press
ISBN: 9780520929739
Category : Music
Languages : en
Pages : 278
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Book Description
When Ferdinand "Jelly Roll" Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account "the only woman I ever loved," to whom he left almost all of his royalties in his will. In Dead Man Blues, Phil Pastras sets the record straight on the two periods (1917-1923 and 1940-1941) that Jelly Roll Morton spent on the West Coast. In addition to rechecking sources, correcting mistakes in scholarly accounts, and situating eyewitness narratives within the histories of New Orleans or Los Angeles, Pastras offers a fresh interpretation of the life and work of Morton, one of the most important and influential early practitioners of jazz. Pastras's discovery of a previously unknown collection of memorabilia—including a 58-page scrapbook compiled by Morton himself—sheds new light on Morton's personal and artistic development, as well as on the crucial role played by Anita Gonzales. In a rich, fast-moving, and fascinating narrative, Pastras traces Morton's artistic development as a pianist, composer, and bandleader. Among many other topics, Pastras discusses the complexities of racial identity for Morton and his circle, his belief in voodoo, his relationships with women, his style of performance, and his roots in black musical traditions. Not only does Dead Man Blues restore to the historical record invaluable information about one of the great innovators of jazz, it also brings to life one of the most colorful and fascinating periods of musical transformation on the West Coast.
Author: Felicia Angeja Viator
Publisher: Harvard University Press
ISBN: 0674976363
Category : Social Science
Languages : en
Pages : 353
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Book Description
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.
Author: Gerald W. Haslam
Publisher: Univ of California Press
ISBN: 052092262X
Category : Music
Languages : en
Pages : 393
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Book Description
California has been fertile ground for country music since the 1920s, nurturing a multitude of talents from Gene Autry to Glen Campbell, Rose Maddox to Barbara Mandrell, Buck Owens to Merle Haggard. In this affectionate homage to California's place in country music's history, Gerald Haslam surveys the Golden State's contributions to what is today the most popular music in America. At the same time he illuminates the lives of the white, working-class men and women who migrated to California from the Dust Bowl, the Hoovervilles, and all the other locales where they had been turned out, shut down, or otherwise told to move on. Haslam's roots go back to Oildale, in California's central valley, where he first discovered the passion for country music that infuses Workin' Man Blues. As he traces the Hollywood singing cowboys, Bakersfield honky-tonks, western-swing dance halls, "hillbilly" radio shows, and crossover styles from blues and folk music that also have California roots, he shows how country music offered a kind of cultural comfort to its listeners, whether they were oil field roustabouts or hash slingers. Haslam analyzes the effects on country music of population shifts, wartime prosperity, the changes in gender roles, music industry economics, and television. He also challenges the assumption that Nashville has always been country music's hometown and Grand Ole Opry its principal venue. The soul of traditional country remains romantically rural, southern, and white, he says, but it is also the anthem of the underdog, which may explain why California plays so vital a part in its heritage: California is where people reinvent themselves, just as country music has reinvented itself since the first Dust Bowl migrants arrived, bringing their songs and heartaches with them.
