Werner's Readings and Recitations; PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Werner's Readings and Recitations; PDF full book. Access full book title Werner's Readings and Recitations; by Anonymous. Download full books in PDF and EPUB format.
Author: Anonymous
Publisher: Sagwan Press
ISBN: 9781296931124
Category : History
Languages : en
Pages : 172
Get Book
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Anonymous
Publisher: Sagwan Press
ISBN: 9781296931124
Category : History
Languages : en
Pages : 172
Get Book
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
Publisher:
ISBN:
Category : Anthologies
Languages : en
Pages : 236
Get Book
Book Description
Author: Edgar S. Werner
Publisher: Forgotten Books
ISBN: 9780483858756
Category :
Languages : en
Pages : 194
Get Book
Book Description
Excerpt from Werner's Readings and Recitations, Vol. 22 All of the larger prose articles have been cut and arranged by me in the way that has seemed most effective when I have either given them myself or watched them given before an audience. I beg pardon of the author and the public for passages where I have substituted words of my own in place of those originally printed. Often that which is perfectly clear when read is not so when spoken. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 396
Get Book
Book Description
Author: Otto Arthur Rothert
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 576
Get Book
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 672
Get Book
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Get Book
Book Description
Author:
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 232
Get Book
Book Description
Author:
Publisher:
ISBN:
Category : Kentucky
Languages : en
Pages : 576
Get Book
Book Description
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472126016
Category : Literary Criticism
Languages : en
Pages : 426
Get Book
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
