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Author: Michael Wallis
Publisher: University of Oklahoma Press
ISBN: 0806183535
Category : History
Languages : en
Pages : 284
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Book Description
A deeply sympathetic, colorful evocation of life on the American prairies In Way Down Yonder in the Indian Nation—a title inspired by the lyrics of Woody Guthrie—best-selling author Michael Wallis creates a brilliant tableau of America’s heartland. Featuring a new introduction by the author, this collection of sixteen essays reflects the finest examples of Wallis’s writing and harkens back to a time before fast food and malls replaced family-owned diners along Route 66. From tales of the notorious Oklahoma panhandle, where “the only law was the colt and the carbine,” to the fate of Woody Guthrie’s mother Nora, who, burdened by depression, set fire to her kids and spent the last years of her life in an asylum, Way Down Yonder in the Indian Nation brings to life some of Oklahoma’s most memorable characters—the famous and infamous, the ordinary and down-home. “Enclosed within the covers of this book are some of my favorite spoonfuls of Oklahoma,” says Wallis. The result is a quintessential American book—a crazy quilt of stories and a powerful portrait of Okie identity.
Author: Michael Wallis
Publisher: University of Oklahoma Press
ISBN: 0806183535
Category : History
Languages : en
Pages : 284
Get Book Here
Book Description
A deeply sympathetic, colorful evocation of life on the American prairies In Way Down Yonder in the Indian Nation—a title inspired by the lyrics of Woody Guthrie—best-selling author Michael Wallis creates a brilliant tableau of America’s heartland. Featuring a new introduction by the author, this collection of sixteen essays reflects the finest examples of Wallis’s writing and harkens back to a time before fast food and malls replaced family-owned diners along Route 66. From tales of the notorious Oklahoma panhandle, where “the only law was the colt and the carbine,” to the fate of Woody Guthrie’s mother Nora, who, burdened by depression, set fire to her kids and spent the last years of her life in an asylum, Way Down Yonder in the Indian Nation brings to life some of Oklahoma’s most memorable characters—the famous and infamous, the ordinary and down-home. “Enclosed within the covers of this book are some of my favorite spoonfuls of Oklahoma,” says Wallis. The result is a quintessential American book—a crazy quilt of stories and a powerful portrait of Okie identity.
Author: Simon Warner
Publisher: Bloomsbury Publishing USA
ISBN: 1501323342
Category : Music
Languages : en
Pages : 481
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Book Description
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds � from the blues to Broadway ballads � and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work � from singer-songwriters to rock bands. Some of the greatest transatlantic names � Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more � credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.
Author: Herb Boyce
Publisher: iUniverse
ISBN: 1475981031
Category : Fiction
Languages : en
Pages : 306
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Book Description
Medicare and Social Security are in trouble, and no one can agree on how to fund it, manage it, or control it. Thats what certain elements within the United States government want people to believe. But in the secret back rooms of power, a diabolical plan has been hatched. These hushed negotiations propose a true fix to the Medicare and Social Security cash crunch: kill thirty million baby boomers. Their plan is all the more insidious for its methodology; the deaths will be masked as the unfortunate cost of a terrible act of nature. In Project Bluebird, the CIA developed a man-made avian flu to be used against terrorist cells plotting attacks against the United States. Once it was ready for use, however, the government deemed it too draconian, and the entire project was buried. Now, years later, Project Bluebird has been reborn and repurposed. The powerful and ambitious sociopath behind the plan, White House Chief of Staff Carrington B. Massengale III, intends to use it to rid the US of baby boomers while catapulting himself into highest office in the land. Much to his consternation, Cynthia Wood, the nations first female president, stands firmly in his way. Only two men outside this inner circle know of the plot, and now they are running for their lives. They must do everything they can to stay ahead of the government assassins and share the evidence before its too late.
Author: Cliff Trafzer
Publisher: Rowman & Littlefield
ISBN: 1793645418
Category : History
Languages : en
Pages : 191
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Book Description
Indigenous Activism profiles eighteen American Indian women of the twentieth century who distinguished themselves through their political activism. Authors analyze the colorful careers of selected Indigenous women of North America during the last century, including Ramona Bennet, Mary Crow Dog, Ada Deer, LaDonna Harris, Wilma Mankiller, Alyce Spotted Bear, Irene Toledo, Marie Potts, Gertrude Simmons Bonnin, Harriette Shelton Dover, Lucy Covington, Dolly Smith Cusker Akers, Leslie Marmon Silko, Bea Medicine, and Elizabeth Cook-Lynn.
Author: Amy M. Ware
Publisher: University Press of Kansas
ISBN: 0700621008
Category : Social Science
Languages : en
Pages : 328
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Book Description
Early in the twentieth century, the political humorist Will Rogers was arguably the most famous cowboy in America. And though most in his vast audience didn't know it, he was also the most famous Indian of his time. Those who know of Rogers's Cherokee heritage and upbringing tend to minimize its importance, or to imagine that Rogers himself did so—notwithstanding his avowal in interviews: "I'm a Cherokee and they're the finest Indians in the World." The truth is, throughout his adult life and his work the Oklahoma cowboy made much of his American Indian background. And in doing so, as Amy Ware suggests in this book, he made Cherokee artistry a fundamental part of American popular culture. Rogers, whose father was a prominent and wealthy Cherokee politician and former Confederate slaveholder, was born into the Paint Clan in the town of Oolagah in 1879 and raised in the Cooweescoowee District of the Cherokee Nation. Ware maps out this milieu, illuminating the familial and social networks, as well as the Cherokee ranching practices, educational institutions, popular publications and heated political debates that so firmly grounded Rogers in the culture of the Cherokee. Through his early career, from Wild West and vaudeville performer to Ziegfeld Follies headliner in the late 1910s, she reveals how Rogers embodied the seemingly conflicting roles of cowboy and Indian, in effect enacting the blending of these identities in his art. Rogers's work in the film industry also reflected complex notions of American Indian identity and history, as Ware demonstrates in her reading of the clearest examples, including Laughing Billy Hyde, in which Rogers, an Indian, portrayed a white prospector married to an Indian woman—who was played by a white actress. In his work as a columnist for the New York Times, and in his radio performances, Ware continues to trace the Cherokee influence on Rogers's material—and in turn its impact on his audiences. It is in these largely uncensored performances that we see another side of Rogers's Cherokee persona—a tribal elitism that elevated the Cherokee above other Indian nations. Ware's exploration of this distinction exposes still-common assumptions regarding Native authenticity in the history of American culture, even as her in-depth look at Will Rogers's heritage and legacy reshapes our perspective on the Native presence in that history, and in the life and work of a true American icon.
Author: Stephen M. Young
Publisher: Taylor & Francis
ISBN: 1040092047
Category : Law
Languages : en
Pages : 184
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Book Description
This book examines how, in response to crises, law tends to construct singular ‘events’ that obscure the underlying structural causes that any adequate response needs to acknowledge and address. Litigation is the main legal process that constructs events through a narrative that describes what happened and prescribes what should happen. Courts are theatres with competing stories and intense controversies. The legal event is compelling. But, through the examination of several cases from a range of jurisdictions, this book argues that the ability to construct and reconstruct legal events is so strong, appealing, and powerful that it limits our ability to engage in structural analysis. The difficulty of seeing beyond what is here called ‘the event horizon of legality’ interprets aspects of life as exceptional rather than structural, as it focuses attention on a limited range of possible causes, and so a limited range of possible interventions. So, if issues like famine, obesity, poverty, a rising cost of living, and climate change are even partially produced through non-eventful modalities of power, like colonialism, imperialism, or global capitalism, then, as this book analyzes, the event horizon of legality can only ensure that those issues continue. The book therefore calls for a critical re-evaluation of the role of law in shaping our representation of, and response, to crises; and so, for a rethinking of the power and promise of law. This original analysis of the operation of law will appeal to sociolegal scholars and legal theorists, as well as others working in relevant areas in critical and social theory.
Author: Arnold Krupat
Publisher: Modern Library
ISBN: 0375751386
Category : Social Science
Languages : en
Pages : 449
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Book Description
Here First is an important new collection of essays by Native American writers compiled by Arnold Krupat and Brian Swann, the editors of I Tell You Now: Autobiographical Essays by Native American Writers. In Here First, authors such as Sherman Alexie, Greg Sarris, and Elizabeth Woody tell the stories of their lives and their art. Each essay demonstrates the breadth of experience of twenty-seven individuals united in the creative expression of a Native American heritage. Each has a different relation to that heritage, and in describing it through personal and family history, with verse and in anecdotes, the writers give a strong image of the different cultures that have shaped them. This is living history and the kind of collective memoir that makes for fascinating and rewarding reading--one of the most vivid and diverse portraits of Native American culture available today.
Author: Louis Owens
Publisher: University of Oklahoma Press
ISBN: 9780806133812
Category : Social Science
Languages : en
Pages : 292
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Book Description
In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D'Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves. As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental — as well as cultural—survival, and to explore and share these messages by writing and reading across cultural boundaries.
Author: Gene Lees
Publisher: Pantheon
ISBN: 0307489698
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
An intimate biography of the great songwriter, this is also a deeply affectionate memoir by one of Johnny Mercer’s best friends. “Moon River,” “Laura,” “Skylark,” ”That Old Black Magic,” “One for My Baby,” “Accentuate the Positive,” “Satin Doll,” “Days of Wine and Roses,” “Something’s Gotta Give”—the honor roll of Mercer’s songs is endless. Both Oscar Hammerstein II and Alan Jay Lerner called him the greatest lyricist in the English language, and he was perhaps the best-loved and certainly the best-known songwriter of his generation. But Mercer was also a complicated and private man. A scion of an important Savannah family that had lost its fortune, he became a successful Hollywood songwriter (his primary partners included Harold Arlen and Jerome Kern), a hit recording artist, and, as co-founder of Capitol Records, a successful businessman, but he remained forever nostalgic for his idealized childhood (with his “huckleberry friend”). A gentleman, a nasty drunk, funny, tender, melancholic, tormented—Mercer was a man immensely talented yet plagued by self-doubt, much admired and loved but never really understood. In music historian and songwriter Gene Lees, Mercer has his perfect biographer, who deals tactfully but directly with Mercer’s complicated relationships with his domineering mother; his tormenting wife, Ginger; and Judy Garland, who was the great love of his life. Lees’s highly personal examination of Mercer’s life is sensitive as only the work of a friend of many years could be to the conflicts in Mercer’s nature. And it is filled with insights into Mercer’s work that could come only from a fellow lyricist (whose own lyrics were much admired by Mercer). A poignant, candid, revelatory portrait of Johnny.
Author: Vincent L. Mendoza
Publisher: U of Nebraska Press
ISBN: 9780803282575
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
vividly portrays his Mexican and Indian relatives and his confusing, often painful, childhood interactions with the dominant white society. He left childhood behind when he was sent to Vietnam. There he found hatred, terror, and camaraderie in equal measure. On returning from Vietnam, Mendoza faced professional, economic, and personal struggles but found consolation in love, family, and friendship. His moving account of his first wife's courageous, losing battle with.
