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Author: Rachel S. Harris
Publisher: Wayne State University Press
ISBN: 0814339689
Category : Performing Arts
Languages : en
Pages : 395
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Book Description
Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
Author: Rachel S. Harris
Publisher: Wayne State University Press
ISBN: 0814339689
Category : Performing Arts
Languages : en
Pages : 395
Get Book Here
Book Description
Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
Author: Rachel Sylvia Harris
Publisher:
ISBN: 9780814339671
Category : Feminism and motion pictures
Languages : en
Pages : 0
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Book Description
Feminist reading of women's representation and activism in Israeli cinema.
Author: S. K. Mendoza Forrest
Publisher: University of Texas Press
ISBN: 0292742495
Category : Religion
Languages : en
Pages : 246
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Book Description
Early Iranians believed evil had to have a source outside of God, which led to the concept of an entity as powerful and utterly evil as God is potent and good. These two forces, good and evil, which have always vied for superiority, needed helpers in this struggle. According to the Zoroastrians, every entity had to take sides, from the cosmic level to the microcosmic self. One of the results of this battle was that certain humans were thought to side with evil. Who were these allies of that great Evil Spirit? Women were inordinately singled out. Male healers were forbidden to deal with female health disorders because of the fear of the polluting power of feminine blood. Female healers, midwives, and shamans were among those who were accused of collaborating with the Evil Spirit, because they healed women. Men who worked to prepare the dead were also suspected of secret evil. Evil even showed up as animals such as frogs, snakes, and bugs of all sorts, which scuttled to the command of their wicked masters. This first comprehensive study of the concept of evil in early Iran uncovers details of the Iranian struggle against witchcraft, sorcery, and other "evils," beginning with their earliest texts.
Author: Rachel S. Harris
Publisher: Wayne State University Press
ISBN: 0814338046
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
Students and teachers of Israeli studies will appreciate Narratives of Dissent.
Author: Kristen J. Sollée
Publisher: Threel Media
ISBN: 9780996485272
Category : HISTORY
Languages : en
Pages : 176
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Book Description
Exposing how "witch" and "slut" are used to police female sexuality, the author rehabilitates these sex positive archetypes.
Author: Norma Jones
Publisher: Rowman & Littlefield
ISBN: 1442231505
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
As portrayals of heroic women gain ground in film, television, and other media, their depictions are breaking free of females as versions of male heroes or simple stereotypes of acutely weak or overly strong women. Although heroines continue to represent the traditional roles of mothers, goddesses, warriors, whores, witches, and priestesses, these women are no longer just damsels in distress or violent warriors. In Heroines of Film and Television: Portrayals in Popular Culture,award-winning authors from a variety of disciplines examine the changing roles of heroic women across time. In this volume, editors Norma Jones, Maja Bajac-Carter, and Bob Batchelor have assembled a collection of essays that broaden our understanding of how heroines are portrayed across media, offering readers new ways to understand, perceive, and think about women. Contributors bring fresh readings to popular films and television shows such as The Girl with the Dragon Tattoo, Kill Bill, Buffy the Vampire Slayer, Weeds, Mad Men, and Star Trek. The representations and interpretations of these heroines are important reflections of popular culture that simultaneously empower and constrain real life women. These essays help readers gain a more complete understanding of female heroes, especially as related to race, gender, power, and culture. A companion volume to Heroines of Comic Books and Literature, this collection will appeal to academics and broader audiences that are interested in women in popular culture.
Author: Rachel S. Harris
Publisher: Wayne State University Press
ISBN: 0814346782
Category : History
Languages : en
Pages : 739
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Book Description
Whether planning a new course or searching for new teaching ideas, this collection is an indispensable compendium for anyone teaching the Arab-Israeli conflict.
Author: Max Dashu
Publisher:
ISBN: 9780692740286
Category : Folk religion
Languages : en
Pages : 408
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Book Description
Swa wiccan taeca?: ?as the witches teach.' So, explained the Old English translator, it was witches who counseled people to ?bring their offerings to earth-fast stone and also to trees and to wellsprings.' His contextualizing commentary on a Frankish penitential reveals the witches? intimate association with animist, earth-based ceremonies, contradicting the now-engrained idea that they were ?wicked.' In a compelling exploration of language, archaeology, early medieval literature and art, Max Dashu pulls the covers off ethnic lore known to few except scholarly specialists. She shows that the old ethnic names for ?witch? signify wisewoman, prophetess, diviner, healer, shapeshifter, and dreamer. She fleshes out the spiritual culture of the Norse völur (?staff-women?), with their oracular ceremonies, incantations, and ?sitting-out? on the land for wisdom. She examines archaeological finds of women's ritual staffs, many of which symbolize the distaff, a spinning tool that connects with broader European themes of goddesses, fates, witches, and female power. Ecclesiastical records show that these aspects of European women's spiritual culture survived state conversions to Christianity. Witches and Pagans plunges into the megalithic taproot of the elder kindreds, and the ancestral Old Woman known as the Cailleach. It draws on priestly Frankish and German sources to trace the foundational witch-legend of the Women Who Go by Night with the Goddess'and her links to women's spinning sacraments in the orature of Holle, Fraw Percht, and Swanfooted Berthe. The book also looks at the sexual politics of early witch burnings and the female ordeal of treading red-hot iron. Anglo-Saxon ?mystery-singers? shed light on ancestor veneration in early medieval Europe.The webs of Wyrd, weavers? ceremonies, herb-chanters, crystal balls and the Völuspá: this book uncovers the authentic ethnic roots of witchcraft. Putting the common woman at the center results in a very different view of European history than the one we have been taught. Sagas, ecclesiastical canons, laws, chronicles, charms, manuscripts and sculpture show the spiritual leadership of women and the goddesses, fates, and ancestors they revered. These strands can help to reweave the ripped webs of women's culture.
Author: Shaina Hammerman
Publisher: Indiana University Press
ISBN: 0253031702
Category : Religion
Languages : en
Pages : 192
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Book Description
“A valuable contribution to a growing body of scholarly work on Jewish visibility in cinema.” —American Jewish History Motivated by Woody Allen’s brief comedic transformation into a Hasidic Jew in Annie Hall, cultural historian Shaina Hammerman examines the effects of real and imagined representations of Hasidic Jews in film, television, theater, and photography. Although these depictions could easily be dismissed as slapstick comedies and sexy dramas about forbidden relationships, Hammerman uses this ethnic imagery to ask meaningful questions about how Jewish identity, multiculturalism, belonging, and relevance are constructed on the stage and silver screen—questions relevant to any minority in present-day America and Europe.
Author: Kate Hodges
Publisher: White Lion Publishing
ISBN: 1781319278
Category : History
Languages : en
Pages : 224
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Book Description
Meet mythology’s fifty fiercest females in this modern retelling of the world’s greatest legends. From feminist fairies to bloodsucking temptresses, half-human harpies and protective Vodou goddesses, these are women who go beyond long-haired, smiling stereotypes. Their stories are so powerful, so entrancing, that they have survived for millennia. Lovingly retold and updated, Kate Hodges places each heroine, rebel and provocateur firmly at the centre of their own narrative. Players include: Bewitching, banished Circe, an introvert famed and feared for her transfigurative powers. The righteous Furies, defiantly unrepentant about their dedication to justice. Fun-loving Ame-no-Uzume who makes quarrelling friends laugh and terrifies monsters by flashing at them. The fateful Morai sisters who spin a complex web of birth, life and death. Find your tribe, fire your imagination and be empowered by this essential anthology of notorious, demonised and overlooked women.
