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Author: Peter Ogden Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76
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Book Description
"First published 2009 in conjunction with the exhibition Walter Goodman's The printseller's window: solving a painter's puzzle, on view at the Memorial Art Gallery of the University of Rochester from August 14-November 8, 2009"--T.p. verso.
Author: Peter Ogden Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76
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Book Description
"First published 2009 in conjunction with the exhibition Walter Goodman's The printseller's window: solving a painter's puzzle, on view at the Memorial Art Gallery of the University of Rochester from August 14-November 8, 2009"--T.p. verso.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 484
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Book Description
Author: Pierre Rosenberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Publisher description
Author:
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 1014
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1282
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Book Description
Author: Ken Aptekar
Publisher: Gallery
ISBN:
Category : Art
Languages : en
Pages : 22
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Book Description
Author: Adam Abraham
Publisher: Cambridge University Press
ISBN: 1108493076
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Views the Victorian novel through the prism of literary imitations that it inspired.
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1144
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Author:
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 580
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Book Description
Author: Walter Scott
Publisher: 1st World Library - Literary Society
ISBN: 9781421894973
Category : History
Languages : en
Pages : 456
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Book Description
The Republic of Plato is the longest of his works with the exception of the Laws, and is certainly the greatest of them. There are nearer approaches to modern metaphysics in the Philebus and in the Sophist; the Politicus or Statesman is more ideal; the form and institutions of the State are more clearly drawn out in the Laws; as works of art, the Symposium and the Protagoras are of higher excellence. But no other Dialogue of Plato has the same largeness of view and the same perfection of style; no other shows an equal knowledge of the world, or contains more of those thoughts which are new as well as old, and not of one age only but of all. Nowhere in Plato is there a deeper irony or a greater wealth of humour or imagery, or more dramatic power. Nor in any other of his writings is the attempt made to interweave life and speculation, or to connect politics with philosophy. The Republic is the centre around which the other Dialogues may be grouped; here philosophy reaches the highest point (cp, especially in Books V, VI, VII) to which ancient thinkers ever attained. Plato among the Greeks, like Bacon among the moderns, was the first who conceived a method of knowledge, although neither of them always distinguished the bare outline or form from the substance of truth; and both of them had to be content with an abstraction of science which was not yet realized. He was the greatest metaphysical genius whom the world has seen; and in him, more than in any other ancient thinker, the germs of future knowledge are contained. The sciences of logic and psychology, which have supplied so many instruments of thought to after-ages, are based upon the analyses of Socrates and Plato.
