Author: Jack Kinney
Publisher: Harmony
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
Book Description
Kinney tells of his years as an animator with Walt Disney Studio.
Walt Disney and Assorted Other Characters
Author: Jack Kinney
Publisher: Harmony
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
Book Description
Kinney tells of his years as an animator with Walt Disney Studio.
Publisher: Harmony
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
Book Description
Kinney tells of his years as an animator with Walt Disney Studio.
Learn to Draw Disney's Villains
Author: Disney Storybook Artists
Publisher: Walter Foster Jr.
ISBN: 1600582613
Category : Juvenile Nonfiction
Languages : en
Pages : 145
Book Description
Presents step-by-step instructions on how to draw famous Disney villains, and includes information on tools and materials and drawing exercises.
Publisher: Walter Foster Jr.
ISBN: 1600582613
Category : Juvenile Nonfiction
Languages : en
Pages : 145
Book Description
Presents step-by-step instructions on how to draw famous Disney villains, and includes information on tools and materials and drawing exercises.
Disney Junior Encyclopedia of Animated Characters
Author: M.L. Dunham
Publisher: Disney Press
ISBN: 9781423116707
Category : Reference
Languages : en
Pages : 0
Book Description
Did you know that O'Malley, the alley cat from The Aristocats, is actually named Abraham DeLacey Giuseppe Casey Thomas O'Malley? Or did you realize that Mickey Mouse has had many different careers, including firefighter, astronaut, detective, and truck driver? You will discover this and more in the brand-new, updated paperback edition of Disney Junior Encyclopedia of Animated Characters! Go from Abu to Zazu . . . with stops at Lightning McQueen, Tinker Bell, and Wall-e along the way. Get fun facts, tricky trivia, and cool quotes from the animated stars you’ve come to know and love. Find out when they made their debut, what films they have appeared in, what are their most famous character traits, and much, much more!
Publisher: Disney Press
ISBN: 9781423116707
Category : Reference
Languages : en
Pages : 0
Book Description
Did you know that O'Malley, the alley cat from The Aristocats, is actually named Abraham DeLacey Giuseppe Casey Thomas O'Malley? Or did you realize that Mickey Mouse has had many different careers, including firefighter, astronaut, detective, and truck driver? You will discover this and more in the brand-new, updated paperback edition of Disney Junior Encyclopedia of Animated Characters! Go from Abu to Zazu . . . with stops at Lightning McQueen, Tinker Bell, and Wall-e along the way. Get fun facts, tricky trivia, and cool quotes from the animated stars you’ve come to know and love. Find out when they made their debut, what films they have appeared in, what are their most famous character traits, and much, much more!
Funny Pictures
Author: Daniel Ira Goldmark
Publisher: Univ of California Press
ISBN: 0520950127
Category : Performing Arts
Languages : en
Pages : 341
Book Description
This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom’s earliest days through the twentieth century. Written by a who’s who of animation authorities, Funny Pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes many of the key filmic texts from the studio years that exemplify animated comedy. Funny Pictures also looks ahead to show how this vital American entertainment tradition still thrives today in works ranging from The Simpsons to the output of Pixar.
Publisher: Univ of California Press
ISBN: 0520950127
Category : Performing Arts
Languages : en
Pages : 341
Book Description
This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom’s earliest days through the twentieth century. Written by a who’s who of animation authorities, Funny Pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes many of the key filmic texts from the studio years that exemplify animated comedy. Funny Pictures also looks ahead to show how this vital American entertainment tradition still thrives today in works ranging from The Simpsons to the output of Pixar.
Mouse in Transition
Author: Steve Hulett
Publisher:
ISBN: 9781941500248
Category : Animated films
Languages : en
Pages : 182
Book Description
Steve Hulett's memoir of his decade at the Disney Studio is a one-of-a-kind chronicle of Disney's slow, painful transition from the days of Walt to the era of Eisner.
Publisher:
ISBN: 9781941500248
Category : Animated films
Languages : en
Pages : 182
Book Description
Steve Hulett's memoir of his decade at the Disney Studio is a one-of-a-kind chronicle of Disney's slow, painful transition from the days of Walt to the era of Eisner.
Forgotten Disney
Author: Kathy Merlock Jackson
Publisher: McFarland
ISBN: 1476689393
Category : Performing Arts
Languages : en
Pages : 263
Book Description
This work demonstrates that not everything that Disney touched turned to gold. In its first 100 years, the company had major successes that transformed filmmaking and culture, but it also had its share of unfinished projects, unmet expectations, and box-office misses. Some works failed but nevertheless led to other more stunning and lucrative ones; others shed light on periods when the Disney Company was struggling to establish or re-establish its brand. In addition, many Disney properties, popular in their time but lost to modern audiences, emerge as forgotten gems. By exploring the studio's missteps, this book provides a more complex portrayal of the history of the company than one would gain from a simple recounting of its many hits. With essays by writers from across the globe, it also asserts that what endures or is forgotten varies from person to person, place to place, or generation to generation. What one dismisses, someone else recalls with deep fondness as a magical Disney memory.
Publisher: McFarland
ISBN: 1476689393
Category : Performing Arts
Languages : en
Pages : 263
Book Description
This work demonstrates that not everything that Disney touched turned to gold. In its first 100 years, the company had major successes that transformed filmmaking and culture, but it also had its share of unfinished projects, unmet expectations, and box-office misses. Some works failed but nevertheless led to other more stunning and lucrative ones; others shed light on periods when the Disney Company was struggling to establish or re-establish its brand. In addition, many Disney properties, popular in their time but lost to modern audiences, emerge as forgotten gems. By exploring the studio's missteps, this book provides a more complex portrayal of the history of the company than one would gain from a simple recounting of its many hits. With essays by writers from across the globe, it also asserts that what endures or is forgotten varies from person to person, place to place, or generation to generation. What one dismisses, someone else recalls with deep fondness as a magical Disney memory.
Animating Culture
Author: Eric Loren Smoodin
Publisher: Rutgers University Press
ISBN: 9780813519494
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Long considered "children's entertainment" by audiences and popular media, Hollywood animation has received little serious attention. Eric Smoodin's Animating Culture is the first and only book to thoroughly analyze the animated short film. Usually running about seven or eight minutes, cartoons were made by major Hollywood studios--such as MGM, Warner Bros., and Disney--and shown at movie theaters along with a newsreel and a feature-length film. Smoodin explores animated shorta and the system that mass-produced them. How were cartoons exhibited in theaters? How did they tell their stories? Who did they tell them to? What did they say about race, class, and gender? How were cartoons related to the feature films they accompanied on the evening's bill of fare? What were the social functions of cartoon stars like Donald Duck and Minnie Mouse? Smoodin argues that cartoons appealed to a wide audience--not just children--and did indeed contribute to public debate about political matters. He examines issues often ignored in discussions of animated film--issues such as social control in the U.S. army's "Private Snafu" cartoons, and sexuality and race in the "sites" of Betty Boop's body and the cartoon harem. Smoodin's analysis of the multiple discourses embedded in a variety of cartoons reveals the complex and sometimes contradictory ways that animation dealt with class relations, labor, imperialism, and censorship. His discussion of Disney and the Disney Studio's close ties with the U.S. government forces us to rethink the place of the cartoon in political and cultural life. Smoodin reveals the complex relationship between cartoons and the Hollywood studio system, and between cartoons and their audiences.
Publisher: Rutgers University Press
ISBN: 9780813519494
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Long considered "children's entertainment" by audiences and popular media, Hollywood animation has received little serious attention. Eric Smoodin's Animating Culture is the first and only book to thoroughly analyze the animated short film. Usually running about seven or eight minutes, cartoons were made by major Hollywood studios--such as MGM, Warner Bros., and Disney--and shown at movie theaters along with a newsreel and a feature-length film. Smoodin explores animated shorta and the system that mass-produced them. How were cartoons exhibited in theaters? How did they tell their stories? Who did they tell them to? What did they say about race, class, and gender? How were cartoons related to the feature films they accompanied on the evening's bill of fare? What were the social functions of cartoon stars like Donald Duck and Minnie Mouse? Smoodin argues that cartoons appealed to a wide audience--not just children--and did indeed contribute to public debate about political matters. He examines issues often ignored in discussions of animated film--issues such as social control in the U.S. army's "Private Snafu" cartoons, and sexuality and race in the "sites" of Betty Boop's body and the cartoon harem. Smoodin's analysis of the multiple discourses embedded in a variety of cartoons reveals the complex and sometimes contradictory ways that animation dealt with class relations, labor, imperialism, and censorship. His discussion of Disney and the Disney Studio's close ties with the U.S. government forces us to rethink the place of the cartoon in political and cultural life. Smoodin reveals the complex relationship between cartoons and the Hollywood studio system, and between cartoons and their audiences.
Drawing the Line
Author: Tom Sito
Publisher: University Press of Kentucky
ISBN: 0813138361
Category : Performing Arts
Languages : en
Pages : 440
Book Description
Some of the most beloved characters in film and television inhabit two-dimensional worlds that spring from the fertile imaginations of talented animators. The movements, characterizations, and settings in the best animated films are as vivid as any live action film, and sometimes seem more alive than life itself. In this case, Hollywood's marketing slogans are fitting; animated stories are frequently magical, leaving memories of happy endings in young and old alike. However, the fantasy lands animators create bear little resemblance to the conditions under which these artists work. Anonymous animators routinely toiled in dark, cramped working environments for long hours and low pay, especially at the emergence of the art form early in the twentieth century. In Drawing the Line, veteran animator Tom Sito chronicles the efforts of generations of working men and women artists who have struggled to create a stable standard of living that is as secure as the worlds their characters inhabit. The former president of America's largest animation union, Sito offers a unique insider's account of animators' struggles with legendary studio kingpins such as Jack Warner and Walt Disney, and their more recent battles with Michael Eisner and other Hollywood players. Based on numerous archival documents, personal interviews, and his own experiences, Sito's history of animation unions is both carefully analytical and deeply personal. Drawing the Line stands as a vital corrective to this field of Hollywood history and is an important look at the animation industry's past, present, and future. Like most elements of the modern commercial media system, animation is rapidly being changed by the forces of globalization and technological innovation. Yet even as pixels replace pencils and bytes replace paints, the working relationship between employer and employee essentially remains the same. In Drawing the Line, Sito challenges the next wave of animators to heed the lessons of their predecessors by organizing and acting collectively to fight against the enormous pressures of the marketplace for their class interests -- and for the betterment of their art form.
Publisher: University Press of Kentucky
ISBN: 0813138361
Category : Performing Arts
Languages : en
Pages : 440
Book Description
Some of the most beloved characters in film and television inhabit two-dimensional worlds that spring from the fertile imaginations of talented animators. The movements, characterizations, and settings in the best animated films are as vivid as any live action film, and sometimes seem more alive than life itself. In this case, Hollywood's marketing slogans are fitting; animated stories are frequently magical, leaving memories of happy endings in young and old alike. However, the fantasy lands animators create bear little resemblance to the conditions under which these artists work. Anonymous animators routinely toiled in dark, cramped working environments for long hours and low pay, especially at the emergence of the art form early in the twentieth century. In Drawing the Line, veteran animator Tom Sito chronicles the efforts of generations of working men and women artists who have struggled to create a stable standard of living that is as secure as the worlds their characters inhabit. The former president of America's largest animation union, Sito offers a unique insider's account of animators' struggles with legendary studio kingpins such as Jack Warner and Walt Disney, and their more recent battles with Michael Eisner and other Hollywood players. Based on numerous archival documents, personal interviews, and his own experiences, Sito's history of animation unions is both carefully analytical and deeply personal. Drawing the Line stands as a vital corrective to this field of Hollywood history and is an important look at the animation industry's past, present, and future. Like most elements of the modern commercial media system, animation is rapidly being changed by the forces of globalization and technological innovation. Yet even as pixels replace pencils and bytes replace paints, the working relationship between employer and employee essentially remains the same. In Drawing the Line, Sito challenges the next wave of animators to heed the lessons of their predecessors by organizing and acting collectively to fight against the enormous pressures of the marketplace for their class interests -- and for the betterment of their art form.
Myth in Modern Media Management and Marketing
Author: Kreft, Jan
Publisher: IGI Global
ISBN: 1522591028
Category : Business & Economics
Languages : en
Pages : 333
Book Description
The development of communication technology and the proliferation of centers that collect, interpret, and transmit information does not mean that communities have become a more transparent and enlightened environment. If anything, the pioneering research of modern communication signifies the ambiguity of individual and collective existence. Myth in Modern Media Management and Marketing is an essential reference source that discusses the analysis of the role of myth and mythical thinking in the operation of media organizations and their functioning on the media market. Featuring research on topics such as social media, brand management, and advertising, this book is ideally designed for social media analysts, media specialists, public relations managers, media managers, marketers, advertisers, students, researchers, and professionals involved with media and new media management.
Publisher: IGI Global
ISBN: 1522591028
Category : Business & Economics
Languages : en
Pages : 333
Book Description
The development of communication technology and the proliferation of centers that collect, interpret, and transmit information does not mean that communities have become a more transparent and enlightened environment. If anything, the pioneering research of modern communication signifies the ambiguity of individual and collective existence. Myth in Modern Media Management and Marketing is an essential reference source that discusses the analysis of the role of myth and mythical thinking in the operation of media organizations and their functioning on the media market. Featuring research on topics such as social media, brand management, and advertising, this book is ideally designed for social media analysts, media specialists, public relations managers, media managers, marketers, advertisers, students, researchers, and professionals involved with media and new media management.
Seven Minutes
Author: Norman M. Klein
Publisher: Verso
ISBN: 9781859841501
Category : Performing Arts
Languages : en
Pages : 300
Book Description
He traces the development of the art at Disney, the forces that led to full animation, the whiteness of Snow White and Mickey Mouse becoming a logo.
Publisher: Verso
ISBN: 9781859841501
Category : Performing Arts
Languages : en
Pages : 300
Book Description
He traces the development of the art at Disney, the forces that led to full animation, the whiteness of Snow White and Mickey Mouse becoming a logo.