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Author: Charles Altieri
Publisher:
ISBN: 9780801478727
Category : Phenomenology in literature
Languages : en
Pages : 0
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Book Description
Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.
Author: Charles Altieri
Publisher:
ISBN: 9780801478727
Category : Phenomenology in literature
Languages : en
Pages : 0
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Book Description
Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.
Author: Charles Altieri
Publisher:
ISBN: 9780801451676
Category : Phenomenology in literature
Languages : en
Pages : 0
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Book Description
Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.
Author: Bart Eeckhout
Publisher: Cambridge University Press
ISBN: 1108976743
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
The New Wallace Stevens Studies introduces a range of fresh voices and promising topics to the study of this great American poet. It is organized into three sections. The first explores concepts that have begun to emerge in Stevens criticism: imperialism and colonialism, his politics of utopia, his ideas about community-building and audience, his secularism, and his transnationalism. The second section applies recent methodological and theoretical advances that have left a prominent mark on literary studies - from world literature and ecocriticism to urban studies, queer studies, intersectional thinking, and cognitive literary studies. Essays in the third section reassess issues that have long inspired critics. Here investigations include Stevens's reception by later poets, his attitude toward modern fiction, different modes of his poetic thinking, aspects of his rhetoric and style, and his lyrical ethics. This volume captures a cross-section of the most striking recent developments in Stevens criticism.
Author: Cary Wolfe
Publisher: University of Chicago Press
ISBN: 022668802X
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case. Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.
Author: Jesse Zuba
Publisher: Princeton University Press
ISBN: 0691164479
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
An illuminating look at the poetic debut in twentieth-century American literary culture "We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand. Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
Author: Thomas Gould
Publisher: Springer
ISBN: 3319934791
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
This book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a series of diverse though interrelated readings, the study examines figures of broken silence and silent voice in the prose of Samuel Beckett, the notion of shared silence in Jean-Luc Nancy and Roland Barthes, and ways in which the poetry of Wallace Stevens mounts lyrical negotiations with forms of unsayability and speechlessness.
Author: George S. Lensing
Publisher: LSU Press
ISBN: 0807168955
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet’s progress in the creation of his body of work, considering its development, composition, and reception. Drawing on little-known sources and nuanced readings of Stevens’ texts, Lensing expands the customary view of the poet’s creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens’ work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem “Sea Surface Full of Clouds”—viewing it alongside his wife Elsie’s journal describing the sea voyage that inspired the poem—and an extensive, multiperspective treatment of the widely anthologized “The Idea of Order at Key West,” as well as a careful excavation of the poem “Mozart, 1935” in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens’ work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens’ Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.
Author: Joshua Kotin
Publisher: Princeton University Press
ISBN: 0691196540
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Introduction: utopias of one -- The United States of America. Learning from Walden -- W.E.B. Du Bois's hermeticism -- The Soviet Union. Osip and Nadezhda Mandel'shtam's utopian anti-utopianism -- Anna Akhmatova's complicity -- The world. Wallace Stevens's point of view -- Reading Ezra Pound and J.H. Prynne in Chinese -- Conclusion: utopias of two
Author: Nicholas Nace
Publisher: Northwestern University Press
ISBN: 0810136074
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
The Fate of Difficulty in the Poetry of Our Time offers original readings of poems composed in this century—poems that are challenging to follow, challenging to understand, challenging to discuss, and challenging to enjoy. Difficult poetry of the past relied on allusion, syntactic complexity, free association, and strange juxtapositions. The new poetry breaks with the old in its stunning variety; its questioning of inherited values, labels, and narratives; its multilingualism; its origin in and production of unnamed affects; and its coherence around critical and social theorists as much as other poets. The essays in this volume include poets writing on the works of a younger generation (Lyn Hejinian on Paolo Javier, Bob Perelman on Rachel Zolf, Roberto Tejada on Rosa Alcalá), influential writers addressing the work of peers (Ben Lerner on Maggie Nelson, Michael W. Clune on Aaron Kunin), critics making imaginative leaps to encompass challenging work (Brian M. Reed on Sherwin Bitsui, Siobhan Philips on Juliana Spahr), and younger scholars coming to terms with poets who continue to govern new poetic experimentation (Joseph Jeon on Myung Mi Kim, Lytle Shaw on Lisa Robertson). In pairings that are both intuitive (Marjorie Perloff on Craig Dworkin) and unexpected (Langdon Hammer on Srikanth Reddy), The Fate of Difficulty in the Poetry of Our Time illuminates the myriad pathways and strategies for exploring difficult poetry of the present.
Author: Toshiaki Komura
Publisher: Rowman & Littlefield
ISBN: 1793612633
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Lost Loss in American Elegiac Poetry: Tracing Inaccessible Grief from Stevens to Post-9/11 examines contemporary literary expressions of losses that are “lost” on us, inquiring what it means to “lose” loss and what happens when dispossessory experiences go unacknowledged or become inaccessible. Toshiaki Komura analyzes a range of elegiac poetry that does not neatly align with conventional assumptions about the genre, including Wallace Stevens’s “The Owl in the Sarcophagus,” Sylvia Plath’s last poems, Elizabeth Bishop’s Geography III, Sharon Olds’s The Dead and the Living, Louise Glück’s Averno, and poems written after 9/11. What these poems reveal at the intersection of personal and communal mourning are the mechanism of cognitive myth-making involved in denied grief and its social and ethical implications. Engaging with an assortment of philosophical, psychoanalytic, and psychological theories, Lost Loss in American Elegiac Poetry elucidates how poetry gives shape to the vague despondency of unrecognized loss and what kind of phantomic effects these equivocal grieving experiences may create.
