Wagner as Man and Artist PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Wagner as Man and Artist PDF full book. Access full book title Wagner as Man and Artist by Ernest Newman. Download full books in PDF and EPUB format.
Author: Ernest Newman
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 428
Get Book Here
Book Description
Author: Ernest Newman
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 428
Get Book Here
Book Description
Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 1442692952
Category : Performing Arts
Languages : en
Pages : 153
Get Book Here
Book Description
Richard Wagner's Die Meistersinger has always called forth superlatives from those who have fallen under its spell. Toscanini wanted to lay his baton down for the last time only after he had conducted a performance of it. Paderewski called it 'the greatest work of genius ever achieved by any artist in any field of human endeavour.' H.L. Mencken declared, 'It took more skill to plan and write it than it took to plan and write the whole canon of Shakespeare.' And yet Wagner's many-splendoured comedy has come under severe criticism in recent years for what has been called its 'dark underside,' its 'fascist brutality,' and its 'ugly anti-Semitism.' In Wagner and the Wonder of Art, renowned opera expert M. Owen Lee addresses that criticism. He also provides an introduction to the opera and an analysis that will surprise even those veteran operagoers who may not have explored the work's intricate structure and the emotional drama at its centre. The book includes the on-air commentary that Father Lee gave during the first radio broadcast from the Metropolitan Opera after the events of 9/11. He thought it necessary, after attempting to refute the charges leveled against Wagner's opera, to say something about its truthfulness, its life-affirming music, its insight into the madness that can destroy human lives, and its witness to the importance of art for the survival of our civilizations.
Author: Ernest Newman
Publisher: Cambridge University Press
ISBN: 1108073875
Category : Biography & Autobiography
Languages : en
Pages : 425
Get Book Here
Book Description
In this 1914 work, Newman attempts 'a complete and impartial psychological estimate' of a complex and frequently misinterpreted genius.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
Get Book Here
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Ethan Wagner
Publisher: Phaidon Press
ISBN: 9780714849775
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
"This book offers clear advice on how to navigate the contemporary art world, from assessing sales information and dealing with galleries to discovering new talent and accessing the best work."--P. [4] of cover.
Author: Ronald Taylor
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312
Get Book Here
Book Description
"Ronald Taylor has set out to provide in a single volume a substantial all-round life-and-work to place alongside the many specialist and partial studies of Wagner. He essays to cover all main aspects of Wagner within a coherent biographical framework, basing his account on primary sources such as Wagner's autobiographical writings and letters, the reminiscences of Liszt, Nietzsche and other friends and associates, and the complete diary of Cosima, first published in 1977. The restless existence that Wagner led from his schooldays to the end of his life, his revolutionary activity, his love affairs, his pursuit of luxury and his perpetual debts, his extraordinary self-centredness and manipulation of others, the famous men and women around him, the heaven-sent patronage of the lonely and eccentric arch-romantic King Ludwig II of Bavaria, the building of his personal temple, the Festival Theatre in Bayreuth--this is the stuff of absorbing biography. And there can be scarcely any other composer whose life was so bound up with the events of his time, and so compellingly illustrative of them, as Wagner's. The 1830 Revolution in France and the European revolutions of 1848 and 1849, the heady radical and hedonistic notions of the Young German movement, the philosophy of Schopenhauer, the urge towards German political unification--these played crucial parts in moulding his mind. Ronald Taylor not only discusses Wagner's compositions as works of art, but shows how each of them, from Die Feen to Parsifal, is grounded in its creator's intellectual and spiritual development. He considers, for example, the allegorical significance of The Ring in terms of Wagner's views on society and human relationships, the indelible mark left by the experience of being spurned by the bourgeois taste of 1830s Paris, and demonstrates how a work which contains such nationalistic elements can at the same time be one of the overwhelming achievements in European culture. The elaborate structure of ideas and theories that surrounds Wagner's music is further revealed by succinct accounts of his political, social, and musical thinking at all periods of his career as expressed in his key writings on culture and society, the role of the artist in the community, the musical scene in nineteenth-century Europe, and many other subjects. In a postscript the main lines of the controversies--musical, philosophical and psychological--that have raged over Wagner from his lifetime onwards are shown in a balanced selection of statements by prominent, and diverse, figures such as Nietzsche, Tolstoy, Debussy, Stravinsky, Thomas Mann, George Bernard Shaw, Bruno Walter, Adorno and Boulez." --Jacket.
Author: Anne M. Wagner
Publisher: Univ of California Press
ISBN: 0520268474
Category : Art
Languages : en
Pages : 301
Get Book Here
Book Description
“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL “In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art
Author: Jean-Jacques Nattiez
Publisher: Princeton University Press
ISBN: 1400863244
Category : Music
Languages : en
Pages : 380
Get Book Here
Book Description
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especially the Ring of the Nibelung, which is shown to contain a metaphorical transposition of Wagner's conception of the history of music: Siegfried appears as the poet, Brunnhilde, as music, and their union is an androgynous one in which individual identity fades and the lovers revert to a preconflictual, presexual state. Nattiez traces the androgynous symbol in Wagner's theoretical writings throughout his career. Looking to explain how this idea, so closely bound up with sexuality, took root in Wagner's mind, the author considers the possibility of Freudian and Jungian interpretations. In particular he explores the composer's relationship with his mother, a distant woman who discouraged his interest in the theater, and his stepfather, a loving man whom Wagner suspected was not only his real father but also a Jew. Along with psychoanalysis, Nattiez critically applies various structuralist and feminist theories to Wagner's creative enterprise to demonstrate how the nature of twentieth-century hermeneutics is itself androgynous. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Laurence Dreyfus
Publisher: Harvard University Press
ISBN: 0674018818
Category : History
Languages : en
Pages : 285
Get Book Here
Book Description
Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal. Daring to represent erotic stimulation, passionate ecstasy, and the torment of sexual desire, Wagner sparked intense reactions from figures like Baudelaire, Clara Schumann, Nietzsche, and Nordau, whose verbal tributes and censures disclose what was transmitted when music represented sex. Wagner himself saw the cultivation of an erotic high style as central to his art, especially after devising an anti-philosophical response to Schopenhauer’s “metaphysics of sexual love.” A reluctant eroticist, Wagner masked his personal compulsion to cross-dress in pink satin and drench himself in rose perfumes while simultaneously incorporating his silk fetish and love of floral scents into his librettos. His affection for dominant females and surprising regard for homosexual love likewise enable some striking portraits in his operas. In the end, Wagner’s achievement was to have fashioned an oeuvre which explored his sexual yearnings as much as it conveyed—as never before—how music could act on erotic impulse.
Author: Timothy Peter Martin
Publisher: Cambridge University Press
ISBN: 0521394872
Category : Literary Criticism
Languages : en
Pages : 310
Get Book Here
Book Description
Timothy Martin documents Joyce's exposure to Wagner's operas, and defines a pervasive Wagnerian presence in his work.
