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Author: Ernest Newman
Publisher: Cambridge University Press
ISBN: 1108073875
Category : Biography & Autobiography
Languages : en
Pages : 425
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Book Description
In this 1914 work, Newman attempts 'a complete and impartial psychological estimate' of a complex and frequently misinterpreted genius.
Author: Ernest Newman
Publisher: Cambridge University Press
ISBN: 1108073875
Category : Biography & Autobiography
Languages : en
Pages : 425
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Book Description
In this 1914 work, Newman attempts 'a complete and impartial psychological estimate' of a complex and frequently misinterpreted genius.
Author: Ernest Newman
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 428
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Book Description
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784
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Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: M. Owen Lee
Publisher: University of Toronto Press
ISBN: 1442692952
Category : Performing Arts
Languages : en
Pages : 153
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Book Description
Richard Wagner's Die Meistersinger has always called forth superlatives from those who have fallen under its spell. Toscanini wanted to lay his baton down for the last time only after he had conducted a performance of it. Paderewski called it 'the greatest work of genius ever achieved by any artist in any field of human endeavour.' H.L. Mencken declared, 'It took more skill to plan and write it than it took to plan and write the whole canon of Shakespeare.' And yet Wagner's many-splendoured comedy has come under severe criticism in recent years for what has been called its 'dark underside,' its 'fascist brutality,' and its 'ugly anti-Semitism.' In Wagner and the Wonder of Art, renowned opera expert M. Owen Lee addresses that criticism. He also provides an introduction to the opera and an analysis that will surprise even those veteran operagoers who may not have explored the work's intricate structure and the emotional drama at its centre. The book includes the on-air commentary that Father Lee gave during the first radio broadcast from the Metropolitan Opera after the events of 9/11. He thought it necessary, after attempting to refute the charges leveled against Wagner's opera, to say something about its truthfulness, its life-affirming music, its insight into the madness that can destroy human lives, and its witness to the importance of art for the survival of our civilizations.
Author: Timothy Peter Martin
Publisher: Cambridge University Press
ISBN: 0521394872
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Timothy Martin documents Joyce's exposure to Wagner's operas, and defines a pervasive Wagnerian presence in his work.
Author: Jean-Jacques Nattiez
Publisher: Princeton University Press
ISBN: 1400863244
Category : Music
Languages : en
Pages : 380
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Book Description
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especially the Ring of the Nibelung, which is shown to contain a metaphorical transposition of Wagner's conception of the history of music: Siegfried appears as the poet, Brunnhilde, as music, and their union is an androgynous one in which individual identity fades and the lovers revert to a preconflictual, presexual state. Nattiez traces the androgynous symbol in Wagner's theoretical writings throughout his career. Looking to explain how this idea, so closely bound up with sexuality, took root in Wagner's mind, the author considers the possibility of Freudian and Jungian interpretations. In particular he explores the composer's relationship with his mother, a distant woman who discouraged his interest in the theater, and his stepfather, a loving man whom Wagner suspected was not only his real father but also a Jew. Along with psychoanalysis, Nattiez critically applies various structuralist and feminist theories to Wagner's creative enterprise to demonstrate how the nature of twentieth-century hermeneutics is itself androgynous. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ethan Wagner
Publisher: Phaidon Press
ISBN: 9780714849775
Category : Art
Languages : en
Pages : 0
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Book Description
"This book offers clear advice on how to navigate the contemporary art world, from assessing sales information and dealing with galleries to discovering new talent and accessing the best work."--P. [4] of cover.
Author: Ernest Newman
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Arthur Hasler
Publisher:
ISBN:
Category :
Languages : en
Pages : 117
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Book Description
Skip Wagner was an amazing showman with incredible musical, comedic and artistic abilities. He played at least 24 musical instruments capped by his unbelievable skill at playing two trumpets simultaneously in harmony. He played them all very well. He learned to play the instruments, as a child, in high school, in an Army band and throughout his career. He never stopped adding to and tuning his shows with new musical numbers, comic routines, jokes, costumes and props. He was also constantly improving the interaction with his band members and showing off their artistic talents. The stories, music and comedy were all woven together in a seamless manner. At 86, you can still see the engaging personality that has made him so successful over the years. Skip retired from regular nightly performances in 1999 and in 2000, moved permanently from Milwaukee to the small town of Three Lakes in Northern Wisconsin where he had started performing during the summer in 1964 continuing until his retirement. In 2014, his ex-wife, and now partner, Daisy, retired from her job in Milwaukee and joined him. Their private "Wagner Museum" in Three Lakes showcases Skip's artistic and craftsman skills with numerous framed photographs, stained-glass windows & lamps, drawings, custom made models and even a suit of armor made from scratch by Skip. He formed his first band when he was 11 and was still organizing bands 65 years later when he was 76. The regular Skip Wagner Band in numerous reincarnations played all over Wisconsin, but most frequently in Milwaukee in the winters and in Three Lakes in the summers. The regular Skip Wagner Band had a 35-year run in Three Lakes ending in 1999. The band often performed three sets each night seven days per week. No aspect of running his band was too small or too large to escape Skip's, organizational, musical, or artistic talents, whether it was the staging, sound, lights, signage, costuming, or props. He attracted extremely talented performers to assist him and kept them for many years. Skip was never jealous but promoted and developed the talents of his team, always for the betterment of the show. Skip continued the tradition of entertaining in his family begun by his famous vaudeville roller-skater father. In 1966 Skip and his first wife, Mary Ellen, accompanied their six-year-old daughter, Lori Ann, the National March of Dimes Poster Girl, on an 80,000-mile tour of the U.S. visiting every state and countless celebrities and politicians including the President, Lyndon Johnson. Lori Ann died from Spina Bifada at age 14. Skip had a short 1966 Las Vegas run in with the Keith Phillips Six and could have had a Las Vegas career, except for his commitment to Lori. Skip the artist, sign maker and craftsman has left his mark on Three Lakes with his Black Forest mural as well as signs for local businesses. This book is a photographic and narrative retrospective of Skip Wagner: His life, his bands and his friends. Through a year-long in-depth research effort, photographs of Skip Wagner's life and career have been selected with great care from his personal pictures, the Three Lakes Historical Society, his Oneida Village basement mural, newly discovered photos from the Vilas News Review, former band members and friends as well as numerous photos recently taken by the author in the Wagner home, of Skip's outdoor Black Forest mural, the Historical Society Wagner Exhibit and of Skip's performances. The historical photos have been carefully restored and all photos have been researched for captions with the most accurate possible names, places and dates. Skip Wagner is a legend in Three Lakes. However, not until I began my interviews did I truly understand the depth of his talent, how many lives his band had not only touched, but actually shaped. He was a kind, talented, innovative, and extremely talented musician and performer. He found a fabulous life in Three Lakes and Wisconsin.
Author: Ann Prentice Wagner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Celebrates the 75th anniversary of the U.S. Public Works of Art Program, created in 1934 against the backdrop of the Great Depression. The 55 paintings in this volume are a lasting visual record of America at a specific moment in time; a response to an economic situation that is all too familiar
