Author: Harold Hurlbut
Publisher: Forgotten Books
ISBN: 9780266235958
Category : Music
Languages : en
Pages : 54
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Book Description
Excerpt from Voice Fundamentals The principles advocated in the following pages are not the method of the Italians, the Germans or the French, nor of any other race of singers. The writer does not believe that the myriads of different vocal problems can be solved by any stereotyped method. Voice Training is a matter of Diagnosis and Treatment. However, there does exist a System of Fundamentals that is absolutely essential to correct singing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur L. Manchester
Publisher: Forgotten Books
ISBN: 9781333879082
Category : Music
Languages : en
Pages : 104
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Book Description
Excerpt from Twelve Lessons in the Fundamentals of Voice Production The following series of lessons, appearing first in The Musi cian, has been revised and published in this form at the request of many readers. The book is not intended to be a treatise on singing, nor does it profess to be an exhaustive treatment of tone production. It deals only with the fundamentals, the basis on which all more advanced work must rest. Its purpose is to present simply and in easily understood terms the essentials - and essentials only of good tone production in such order, and the accompanying instruction and exercises with such definiteness, that the dificul ties which discourage so many earnest voice students may be, at least, minimized. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Harold Hurlbut
Publisher: Forgotten Books
ISBN: 9781330017340
Category : Music
Languages : en
Pages : 55
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Book Description
Excerpt from Voice Fundamentals Voice Fundamentals was written by Harold Hurlbut in 1916. This is a 47 page book, containing 6455 words. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Rollo La Verne Lyman
Publisher: Forgotten Books
ISBN: 9780260264213
Category : Music
Languages : en
Pages : 66
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Book Description
Excerpt from Fundamentals of Oral English: A Course for Secondary Schools The second principle follows from the first. A modifi cation oi vocal expression is made comparatively easy, if the mind Of the pupil can be fixed on the desired change. It is almost impossible to take the. Dullness and monotony out Of the voice of one who is totally deaf. It is likewise just about as difficult to improve the vocalization of a pupil who has no ear. The ear is the educator Of the muscles Of the throat and the other organs which control the voice. Let a teacher get his pupil into the habit of listening to his own vocaliza tion. Pu't each boy whose voice is hard and unpleasant, into the position of another person who is compelled to listen to that voice. Make him hear his Own defects; compel him to listen for improvement. Something can be done even with a pupil who cannot hear his own voice, even if not very much. With such a voice, the teacher's problem is much more dith cult. The best he can do is to suggest physical modifications in the position of the various parts Of the vocal apparatus, listen himself for improvement in the voice, and when he no tices that improvement, call the attention Of the pupil to the specific positions Of the organs which improve the tone. However, but few pupils will fail to recognize their own im provement Even if some make. No progress, the teacher must not be discouraged. Many a pupil who has no ear has been known to develop the power Of distinguishing between various notes, by careful attention to just such work as is outlined later in this manual. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Hallock
Publisher: Forgotten Books
ISBN: 9780656081912
Category : Music
Languages : en
Pages : 48
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Book Description
Excerpt from Voice Production and Analysis Thousands of persons whose voices naturally are pleasant, sweet, acceptable, find, as the result of train ing, of learning to sing, that their voices are ruined. The result of their efforts is ability to perform all sorts of vocal gymnastics. They have the trill and tremolo and arpeggio and many other accomplishments. Their singing, however, has no heart, no soul. The voice is merely the wreck of its former self, and the vocal organs are irreparably damaged. This result of the present methods of voice-culture is all the more remarkable when it is remembered that other physical training, if properly conducted, does not injure the bodily organs. Any one by gymnastics can be made a better athlete than he is naturally. A person who is taught to play the piano may not always develop into an artist. The muscular exercise required by such training does not, however, result in cramped fingers or in loss of sensation. Why, then, do the present meth ods of instruction in vocal music result so frequently in irretrievable injury to the voice and vocal organs To answer this question, not empirically, but scientifically, is the purpose of this series of articles. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: S. S. Curry
Publisher: Forgotten Books
ISBN: 9780365348245
Category : Music
Languages : en
Pages : 452
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Book Description
Excerpt from Mind and Voice: Principles and Methods in Vocal Training The ablest authorities, when the two methods must be directly compared, contend that Newton's example has been followed, consciously or unconsciously, by nearly all leading investigators since his day. It is not too much to claim that the great discoveries of modern times have been achieved by his method. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Albert Baker Cheney
Publisher: Forgotten Books
ISBN: 9780267791217
Category : Music
Languages : en
Pages : 64
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Book Description
Excerpt from The Tone-Line: Principles of Voice Development The First Principle to be established in learning to sing is, that the mind controls the body. Singing is a physical act, and before the act, must be the mental mandate. The place to begin is at the beginning; our first attention should be directed to the mind. Now, the mind has ever one object in view, the truth. In learning to sing, therefore, we at once ally ourselves with the great souls of all ages; we are seekers after truth. Such is the dignity, the worth, of tone study and tone production; and on no smaller terms can we hope for the development of a great singer. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frank Ebenezer Miller
Publisher: Forgotten Books
ISBN: 9780282820961
Category : Music
Languages : en
Pages : 210
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Book Description
Excerpt from The Voice, Its Production, Care and Preservation Dr. Frank E. Miller, the author of this book, is one of the leading New York specialists on throat, nose and ear. He numbers many singers among his patients and is physician to the Man hattan Opera House, Mr. Oscar Hammerstein's company. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Charles Henry Woolbert
Publisher: Forgotten Books
ISBN: 9780282503796
Category : Language Arts & Disciplines
Languages : en
Pages : 216
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Book Description
Excerpt from Fundamentals of Speaking: A Text Book of the Foundations of Speech, Public Address, Reading, and Acting Experience teaches that a certain word of caution is due to students who study the subject. Many young people have the idea that in the teaching of expression, speaking, and dramatic reading the student can absorb the ability to speak and read by merely listening to the teacher talk. A greater mistake can hardly be made. Public speaking and interpretation of literature can not be learned by simply harkening to the words of the teacher. The only possible chance the student has of getting any thing valuable out of this subject is found in the amount of work that he himself does in vocal practice and actual speaking. The only way to improve the voice is to use it, and the only way to learn to speak is to speak. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Wesley Mills
Publisher: Forgotten Books
ISBN: 9780332111315
Category : Music
Languages : en
Pages : 344
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Book Description
Excerpt from Voice Production in Singing and Speaking: Based on Scientific Principles In this review the psychological aspects of the subject have not been neglected, and the whole has been related to practice to as great an extent as the character of the book permits. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
