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Author: Patricia Comitini
Publisher: Routledge
ISBN: 1315317729
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Patricia Comitini's study compels serious rethinking of how literature by women in the late-eighteenth and early-nineteenth centuries should be read. Beginning with a description of the ways in which evolving conceptions of philanthropy were foundational to constructions of class and gender roles, Comitini argues that these changes enabled a particular kind of feminine benevolence that was linked to women's work as writers. The term 'vocational philanthropy' is suggestive of the ways that women used their status as professional writers to instruct men and women in changing gender relations, and to educate the middling and laboring classes in their new roles during a socially and economically turbulent era. Examining works by Hannah More, Mary Wollstonecraft, Maria Edgeworth, and Dorothy Wordsworth, whose writing crosses generic, political, and social boundaries, Comitini shows how women from diverse backgrounds shared a commitment to philanthropy - fostering the love of mankind - and an interest in the social nature of literacy. Their writing fosters sentiments that they hoped would be shared between the sexes and among the classes in English society, forging new reading audiences among women and the lower classes. These writers and their writing exemplify the paradigm of vocational philanthropy, which gives people not money, but texts to read, in order to imagine societal improvement. The effect was to permit the emergence of middle-class values linking private notions of morality, family, and love to the public needs for good citizens, industrious laborers, and class consolidation.
Author: Patricia Comitini
Publisher: Routledge
ISBN: 1315317729
Category : Literary Criticism
Languages : en
Pages : 289
Get Book Here
Book Description
Patricia Comitini's study compels serious rethinking of how literature by women in the late-eighteenth and early-nineteenth centuries should be read. Beginning with a description of the ways in which evolving conceptions of philanthropy were foundational to constructions of class and gender roles, Comitini argues that these changes enabled a particular kind of feminine benevolence that was linked to women's work as writers. The term 'vocational philanthropy' is suggestive of the ways that women used their status as professional writers to instruct men and women in changing gender relations, and to educate the middling and laboring classes in their new roles during a socially and economically turbulent era. Examining works by Hannah More, Mary Wollstonecraft, Maria Edgeworth, and Dorothy Wordsworth, whose writing crosses generic, political, and social boundaries, Comitini shows how women from diverse backgrounds shared a commitment to philanthropy - fostering the love of mankind - and an interest in the social nature of literacy. Their writing fosters sentiments that they hoped would be shared between the sexes and among the classes in English society, forging new reading audiences among women and the lower classes. These writers and their writing exemplify the paradigm of vocational philanthropy, which gives people not money, but texts to read, in order to imagine societal improvement. The effect was to permit the emergence of middle-class values linking private notions of morality, family, and love to the public needs for good citizens, industrious laborers, and class consolidation.
Author: Patricia Comitini
Publisher: Routledge
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Patricia Comitini's study compels serious rethinking of how literature by women in the late-eighteenth and early-nineteenth centuries should be read. Beginning with a description of the ways in which evolving conceptions of philanthropy were foundational to constructions of class and gender roles, Comitini argues that these changes enabled a particular kind of feminine benevolence that was linked to women's work as writers. The term 'vocational philanthropy' is suggestive of the ways that women used their status as professional writers to instruct men and women in changing gender relations, and to educate the middling and laboring classes in their new roles during a socially and economically turbulent era. Examining works by Hannah More, Mary Wollstonecraft, Maria Edgeworth, and Dorothy Wordsworth, whose writing crosses generic, political, and social boundaries, Comitini shows how women from diverse backgrounds shared a commitment to philanthropy - fostering the love of mankind - and an interest in the social nature of literacy. Their writing fosters sentiments that they hoped would be shared between the sexes and among the classes in English society, forging new reading audiences among women and the lower classes. These writers and their writing exemplify the paradigm of vocational philanthropy, which gives people not money, but texts to read, in order to imagine societal improvement. The effect was to permit the emergence of middle-class values linking private notions of morality, family, and love to the public needs for good citizens, industrious laborers, and class consolidation.
Author: Tim Killick
Publisher: Routledge
ISBN: 1317171462
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
Author: Linda Zionkowski
Publisher: Routledge
ISBN: 1317240472
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This book analyzes why the most influential novelists of the long eighteenth century centered their narratives on the theory and practice of gift exchange. Throughout this period, fundamental shifts in economic theories regarding the sources of individual and national wealth along with transformations in the practices of personal and institutional charity profoundly altered cultural understandings of the gift's rationale, purpose, and function. Drawing on materials such as sermons, conduct books, works of political philosophy, and tracts on social reform, Zionkowski challenges the idea that capitalist discourse was the dominant influence on the development of prose fiction. Instead, by shifting attention to the gift system as it was imagined and enacted in the formative years of the novel, the volume offers an innovative understanding of how the economy of obligation shaped writers' portrayals of class and gender identity, property, and community. Through theoretically-informed readings of Richardson's Clarissa and Sir Charles Grandison, Burney's Cecilia and The Wanderer, and Austen's Mansfield Park and Emma, the book foregrounds the issues of donation, reciprocity, indebtedness, and gratitude as it investigates the conflicts between the market and moral economies and analyzes women's position at the center of these conflicts. As this study reveals, the exchanges that eighteenth-century fiction prescribed for women confirm the continuing power and importance of gift transactions in the midst of an increasingly commercial culture. The volume will be essential reading for scholars of the eighteenth-century novel, economic literary criticism, women and gender studies, and book history.
Author: A. Ginsberg
Publisher: Springer
ISBN: 0230603084
Category : Education
Languages : en
Pages : 268
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Book Description
This book explores the complex questions facing funding agencies and foundations as they grapple to understand and define gender equity in education. It covers different approaches funders use to define gender equity, target limited resources, and create collaborative relationships that will ultimately make schools equitable and engaging for all.
Author: C. Klekar
Publisher: Springer
ISBN: 0230618413
Category : Social Science
Languages : en
Pages : 263
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Book Description
The Culture of the Gift in Eighteenth-Century England analyzes the long overlooked role of gift exchange in literary texts and cultural documents and provides innovative readings of how gift transactions shaped the institutions and practices that gave this era its distinctive identity.
Author: Hugh Cunningham
Publisher: Manchester University Press
ISBN: 1526146371
Category : History
Languages : en
Pages : 316
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Book Description
Philanthropy, a 'love of humankind', is now thought of as the rich giving to good causes. The Reputation of Philanthropy explores how this came about and asks why praise for philanthropists has always been matched by criticism. Original and accessible, the book will inform thinking about the proper role for philanthropy today.
Author: Orianne Smith
Publisher: Cambridge University Press
ISBN: 1107027063
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This book challenges our current critical understanding of the relations between gender, genre, and literary authority in this period.
Author: Ann R. Hawkins
Publisher: Taylor & Francis
ISBN: 1317041747
Category : Literary Criticism
Languages : en
Pages : 609
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Book Description
The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.
Author: Tamara Wagner
Publisher: Routledge
ISBN: 1317978617
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Charlotte Yonge, a dedicated religious, didactic, and domestic novelist, has become one of the most effectively rediscovered Victorian women writers of the last decades. Her prolific output of fiction does not merely give a fascinatingly different insight into nineteenth-century popular culture; it also yields a startling complexity. This compels a reappraisal of the parameters that have long been limiting discussion of women writers of the time. Situating Yonge amidst developments in science, technology, imperialism, aesthetics, and the book market at her time, the individual contributions in this book explore her critical and often self-conscious engagement with current fads, controversies, and possible alternatives. Her marketing of her missionary stories, the wider significance of her contribution to Tractarian aesthetics, the impact of Darwinian science on her domestic chronicles, and her work as a successful editor of a newly established magazine show this self-confidently anti-feminist and domestic writer exert a profound influence on Victorian literature and culture. This book was previously published as a special issue of Women's Writing.
