Author: Victor I. Stoichita
Publisher: Reaktion Books
ISBN: 1861895445
Category : Art
Languages : en
Pages : 228
Book Description
In this original and lucid account of how Spanish painters of the 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to "represent the unrepresentable", Victor Stoichita aims to establish a theory of visionary imagery in Western art in general, and one for the Spanish Counter-Reformation in particular. He reveals how the spirituality of the Counter-Reformation was characterized by a rediscovery of the role of the imagination in the exercise of faith. This had important consequences for painters such as Velazquez, Zurbaran and El Greco, leading to the development of ingenious solutions for visual depictions of mystical experience. This was to crystallize into an overtly meditative and didactic pictorial language. That Spanish painting is both cerebral and passionate is due to the particular historical forces which shaped it. Stoichita's account will be of crucial interest not just to scholars of Spanish art but to anyone interested in how art responds to ideological pressures.
Visionary Experience in the Golden Age of Spanish Art
Author: Victor I. Stoichita
Publisher: Reaktion Books
ISBN: 1861895445
Category : Art
Languages : en
Pages : 228
Book Description
In this original and lucid account of how Spanish painters of the 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to "represent the unrepresentable", Victor Stoichita aims to establish a theory of visionary imagery in Western art in general, and one for the Spanish Counter-Reformation in particular. He reveals how the spirituality of the Counter-Reformation was characterized by a rediscovery of the role of the imagination in the exercise of faith. This had important consequences for painters such as Velazquez, Zurbaran and El Greco, leading to the development of ingenious solutions for visual depictions of mystical experience. This was to crystallize into an overtly meditative and didactic pictorial language. That Spanish painting is both cerebral and passionate is due to the particular historical forces which shaped it. Stoichita's account will be of crucial interest not just to scholars of Spanish art but to anyone interested in how art responds to ideological pressures.
Publisher: Reaktion Books
ISBN: 1861895445
Category : Art
Languages : en
Pages : 228
Book Description
In this original and lucid account of how Spanish painters of the 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to "represent the unrepresentable", Victor Stoichita aims to establish a theory of visionary imagery in Western art in general, and one for the Spanish Counter-Reformation in particular. He reveals how the spirituality of the Counter-Reformation was characterized by a rediscovery of the role of the imagination in the exercise of faith. This had important consequences for painters such as Velazquez, Zurbaran and El Greco, leading to the development of ingenious solutions for visual depictions of mystical experience. This was to crystallize into an overtly meditative and didactic pictorial language. That Spanish painting is both cerebral and passionate is due to the particular historical forces which shaped it. Stoichita's account will be of crucial interest not just to scholars of Spanish art but to anyone interested in how art responds to ideological pressures.
Visionary Experience in the Golden Age of Spanish Art
Author: Victor I. Stoichita
Publisher: Reaktion Books
ISBN: 9780948462757
Category : Art
Languages : en
Pages : 228
Book Description
Victor Stoichita shows how Spanish painters of the sixteenth and seventeenth centuries attempted to deal with mystic visions in their art. Artists studied include Velazquez, Zurburan and E1 Greco. This book will appeal to anyone interested in how art responds to ideological pressures.
Publisher: Reaktion Books
ISBN: 9780948462757
Category : Art
Languages : en
Pages : 228
Book Description
Victor Stoichita shows how Spanish painters of the sixteenth and seventeenth centuries attempted to deal with mystic visions in their art. Artists studied include Velazquez, Zurburan and E1 Greco. This book will appeal to anyone interested in how art responds to ideological pressures.
Visionary Experience in the Golden Age of Spanish Art
Author: Victor Stoichita
Publisher:
ISBN: 9782948642757
Category :
Languages : en
Pages : 0
Book Description
Account of how Spanish painters of th 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to 'represent the unrepresentable'
Publisher:
ISBN: 9782948642757
Category :
Languages : en
Pages : 0
Book Description
Account of how Spanish painters of th 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to 'represent the unrepresentable'
Visionary Experience in the Golden Age of Spanish Art
Author: Victor Stoichita
Publisher:
ISBN: 9782948642757
Category :
Languages : en
Pages : 208
Book Description
Account of how Spanish painters of th 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to 'represent the unrepresentable'
Publisher:
ISBN: 9782948642757
Category :
Languages : en
Pages : 208
Book Description
Account of how Spanish painters of th 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to 'represent the unrepresentable'
The Spanish Eye
Author: Robert Havard
Publisher: Tamesis Books
ISBN: 9781855661431
Category : Art
Languages : en
Pages : 196
Book Description
The guiding principle of this title is that the 'sister arts' of painting and poetry are mutually illuminating, their common currency being the visual image. Five masters - El Greco, Velazquez, Goya, Picasso and Dali - are discussed, with a view to distinguishing what is peculiarly Spanish in their way of looking at reality.
Publisher: Tamesis Books
ISBN: 9781855661431
Category : Art
Languages : en
Pages : 196
Book Description
The guiding principle of this title is that the 'sister arts' of painting and poetry are mutually illuminating, their common currency being the visual image. Five masters - El Greco, Velazquez, Goya, Picasso and Dali - are discussed, with a view to distinguishing what is peculiarly Spanish in their way of looking at reality.
Quid est secretum?
Author: Ralph Dekoninck
Publisher: BRILL
ISBN: 9004432264
Category : Art
Languages : en
Pages : 780
Book Description
Quid est secretum? Visual Representation of Secrets in Early Modern Europe, 1500–1700 is the companion volume to Intersections 65.1, Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700. Whereas the latter volume focused on sacramental mysteries, the current one examines a wider range of secret subjects. The book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it. In the early modern period, the discursive and symbolical sites for the representation of secrets were closely related to epistemic changes that transformed conceptions of the transmissibility of knowledge. Contributors: Monika Biel, Alicja Bielak, C. Jean Campbell, Tom Conley, Ralph Dekoninck, Peter G.F. Eversmann, Ingrid Falque, Agnès Guiderdoni, Koenraad Jonckheere, Suzanne Karr Schmidt, Stephanie Leitch, Carme López Calderón, Mark A. Meadow, Walter S. Melion, Eelco Nagelsmit, Lars Cyril Nørgaard, Alexandra Onuf, Bret L. Rothstein, Xavier Vert, Madeleine C. Viljoen, Mara R. Wade, Lee Palmer Wandel, and Caecilie Weissert.
Publisher: BRILL
ISBN: 9004432264
Category : Art
Languages : en
Pages : 780
Book Description
Quid est secretum? Visual Representation of Secrets in Early Modern Europe, 1500–1700 is the companion volume to Intersections 65.1, Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700. Whereas the latter volume focused on sacramental mysteries, the current one examines a wider range of secret subjects. The book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it. In the early modern period, the discursive and symbolical sites for the representation of secrets were closely related to epistemic changes that transformed conceptions of the transmissibility of knowledge. Contributors: Monika Biel, Alicja Bielak, C. Jean Campbell, Tom Conley, Ralph Dekoninck, Peter G.F. Eversmann, Ingrid Falque, Agnès Guiderdoni, Koenraad Jonckheere, Suzanne Karr Schmidt, Stephanie Leitch, Carme López Calderón, Mark A. Meadow, Walter S. Melion, Eelco Nagelsmit, Lars Cyril Nørgaard, Alexandra Onuf, Bret L. Rothstein, Xavier Vert, Madeleine C. Viljoen, Mara R. Wade, Lee Palmer Wandel, and Caecilie Weissert.
Sins of the Fathers
Author: Hilaire Kallendorf
Publisher: University of Toronto Press
ISBN: 144266102X
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
Sins of the Fathers considers sins as nodes of cultural anxiety and explores the tensions between competing organizational categories for moral thought and behaviours, namely the Seven Deadly Sins and the Ten Commandments. Hilaire Kallendorf explores the decline and rise of these organizational categories against critical transformations of the early modern period, such as the accession of Spain to a position of world dominance and the arrival of a new courtly culture to replace an old warrior ethos. This ground-breaking study is the first to consider Spanish Golden Age comedias as an archive of moral knowledge. Kallendorf has examined over 800 of these plays to illustrate how they provide insight into aspects of early modern experience such as food, sex, work, and money. Finally, Kallendorf engages the theoretical terminology of Marxist literary criticism to demonstrate the inherent ambiguity of cultural change.
Publisher: University of Toronto Press
ISBN: 144266102X
Category : Literary Criticism
Languages : en
Pages : 540
Book Description
Sins of the Fathers considers sins as nodes of cultural anxiety and explores the tensions between competing organizational categories for moral thought and behaviours, namely the Seven Deadly Sins and the Ten Commandments. Hilaire Kallendorf explores the decline and rise of these organizational categories against critical transformations of the early modern period, such as the accession of Spain to a position of world dominance and the arrival of a new courtly culture to replace an old warrior ethos. This ground-breaking study is the first to consider Spanish Golden Age comedias as an archive of moral knowledge. Kallendorf has examined over 800 of these plays to illustrate how they provide insight into aspects of early modern experience such as food, sex, work, and money. Finally, Kallendorf engages the theoretical terminology of Marxist literary criticism to demonstrate the inherent ambiguity of cultural change.
Tintoretto
Author: Tom Nichols
Publisher: Reaktion Books
ISBN: 9781861891204
Category : Art
Languages : en
Pages : 296
Book Description
The Venetian painter Jacopo Tintoretto (1518 94) is an ambiguous figure in the history of art. Critics and writers such as Vasari, Ruskin and Sartre all placed him in opposition to the established artistic practice of his time, noting that he had abandoned the values that typified the venerable Venetian Renaissance tradition, even being expelled as an apprentice from the workshop of Titian. This generously illustrated book offers a long-overdue re-evaluation of Tintoretto. Tom Nichols charts the artist's life and work in the context of Venetian art and the culture of the Cinquecento. He shows how the artist created a new manner of painting, which for all its originality and sophistication made its first appeal to the shared emotions of the widest-possible viewing audience. The book deals extensively with Tintoretto's greatest works, including the paintings at the Scuola di San Rocco in Venice."
Publisher: Reaktion Books
ISBN: 9781861891204
Category : Art
Languages : en
Pages : 296
Book Description
The Venetian painter Jacopo Tintoretto (1518 94) is an ambiguous figure in the history of art. Critics and writers such as Vasari, Ruskin and Sartre all placed him in opposition to the established artistic practice of his time, noting that he had abandoned the values that typified the venerable Venetian Renaissance tradition, even being expelled as an apprentice from the workshop of Titian. This generously illustrated book offers a long-overdue re-evaluation of Tintoretto. Tom Nichols charts the artist's life and work in the context of Venetian art and the culture of the Cinquecento. He shows how the artist created a new manner of painting, which for all its originality and sophistication made its first appeal to the shared emotions of the widest-possible viewing audience. The book deals extensively with Tintoretto's greatest works, including the paintings at the Scuola di San Rocco in Venice."
Praying to Portraits
Author: Adam Jasienski
Publisher: Penn State Press
ISBN: 0271094621
Category : Art
Languages : en
Pages : 426
Book Description
In Praying to Portraits, art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain and its colonies. Highly original and persuasive, Praying to Portraits profoundly revises our understanding of early modern portraiture. It will intrigue art historians across geographical boundaries, and it will also find an audience among scholars of architecture, history, and religion in the early modern Hispanic world.
Publisher: Penn State Press
ISBN: 0271094621
Category : Art
Languages : en
Pages : 426
Book Description
In Praying to Portraits, art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain and its colonies. Highly original and persuasive, Praying to Portraits profoundly revises our understanding of early modern portraiture. It will intrigue art historians across geographical boundaries, and it will also find an audience among scholars of architecture, history, and religion in the early modern Hispanic world.
Portraiture in South Asia since the Mughals
Author: Crispin Branfoot
Publisher: Bloomsbury Publishing
ISBN: 1838608966
Category : History
Languages : en
Pages : 512
Book Description
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.
Publisher: Bloomsbury Publishing
ISBN: 1838608966
Category : History
Languages : en
Pages : 512
Book Description
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.