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Author: National Museum of the American Indian (U.S.)
Publisher: National Museum of American Indian
ISBN: 9781933565071
Category : Indian art
Languages : en
Pages : 179
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Book Description
In Vision, Space, Desire: Global Perspectives and Cultural Hybridity, distinguished thinkers from around the globe explore the ever-changing realities of contemporary art and discuss new strategies to frame the ways Native contemporary artists are regarded in the international art world. This book, which grew out of a symposium held by the National Museum of the American Indian in December 2005, features a lively exchange of ideas among Native and non-Native museum directors and curators, artists, critics, and scholars from around the world, and opens new possibilities in contemporary art practice and engagement.
Author: National Museum of the American Indian (U.S.)
Publisher: National Museum of American Indian
ISBN: 9781933565071
Category : Indian art
Languages : en
Pages : 179
Get Book Here
Book Description
In Vision, Space, Desire: Global Perspectives and Cultural Hybridity, distinguished thinkers from around the globe explore the ever-changing realities of contemporary art and discuss new strategies to frame the ways Native contemporary artists are regarded in the international art world. This book, which grew out of a symposium held by the National Museum of the American Indian in December 2005, features a lively exchange of ideas among Native and non-Native museum directors and curators, artists, critics, and scholars from around the world, and opens new possibilities in contemporary art practice and engagement.
Author: Bénédicte Miyamoto
Publisher: Manchester University Press
ISBN: 1526149699
Category : Art
Languages : en
Pages : 449
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Book Description
This collection offers a response to the view that migration disrupts national heritage. Investigating the mediation provided by migrant art, it asks how we can rethink art history in a way that uproots its reliance on space and place as stable definitions of style. Beginning with an invaluable overview of migration studies terminology and concepts, Art and migration opens dialogues between academics of art history and migrations studies through a series of essays and interviews. It also re-evaluates the cultural understanding of borders and revisits the contours of the art world – a supposedly globalised community re-assessed here as structurally bordered by art market dynamics, career constraints, gatekeeping and patronage networks.
Author: Frank Sietzen
Publisher: Collector's Guide Publishing
ISBN:
Category : Nature
Languages : en
Pages : 298
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Book Description
This book looks at the inside deliberations that led to President George W Bush's space exploration initiative. The author team has been granted unprecedented access to senior policy makers as the plan was assembled during 2003 and 2004. Sietzen and Cowing will give exclusive details on the meetings between President George Bush, Vice President Richard Cheney, and senior members of the White House staff as the planning process began. In addition Sietzen and Cowing will examine how policy was translated from paper into hardware designs including the first outline of the plan's new space vehicle and how the inspiration behind the architecture once used in the Apollo program was summoned back to guide 21st century space planners. Sietzen and Cowing will describe how the Columbia accident and the political outcry for a new central goal for the US space program gave rise to what would become the most far reaching change in US space policy in a generation. Readers will have the most comprehensive look available on what this new space vision will do for human exploration of the Solar System -- and how nearly everything NASA does will change as a result. New Moon Rising: The Making of America's Space Vision and the Remaking of NASA, by Frank Sietzen, Jr. and Keith L. Cowing, to be published July 2004. The team broke the story on the space plan in the pages of the Washington Times and in the United Press International wire service. Portions of the book were serialised in the Times in a multi-part background article called "Why Some Said the Moon: The Exclusive Inside Story of the Bush Space Vision" published in January 2004.
Author: Hertha D. Sweet Wong
Publisher: UNC Press Books
ISBN: 1469640716
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text. Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.
Author: Martha Langford
Publisher: McGill-Queen's Press - MQUP
ISBN: 077355081X
Category : Art
Languages : en
Pages : 456
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Book Description
Somewhere between global and local, the nation still lingers as a concept. National art histories continue to be written – some for the first time – while innovative methods and practices redraw the boundaries of these imagined communities. Narratives Unfolding considers the mobility of ideas, transnationalism, and entangled histories in essays that define new ways to see national art in ever-changing nations. Examining works that were designed to reclaim or rethink issues of territory and dispossession, home and exile, contributors to this volume demonstrate that the writing of national art histories is a vital project for intergenerational exchange of knowledge and its visual formations. Essays showcase revealing moments of modern and contemporary art history in Canada, Egypt, Iceland, India, Ireland, Israel/Palestine, Romania, Scotland, Turkey, and the United Arab Emirates, paying particular attention to the agency of institutions such as archives, art galleries, milestone exhibitions, and artist retreats. Old and emergent art cities, including Cairo, Dubai, New York, and Vancouver, are also examined in light of avant-gardism, cosmopolitanism, and migration. Narratives Unfolding is both a survey of current art historical approaches and their connection to the source: art-making and art experience happening somewhere.
Author: Buzz Aldrin
Publisher: Simon and Schuster
ISBN: 1426210183
Category : Science
Languages : en
Pages : 249
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Book Description
Can astronauts reach Mars by 2035? Absolutely, says Buzz Aldrin, one of the first men to walk on the moon. Celebrated astronaut, brilliant engineer, bestselling author, Aldrin believes it is not only possibly but vital to America's future to keep pushing the space frontier outward for the sake of exploration, science, development, commerce, and security. What we need, he argues, is a commitment by the U.S. President as rousing as JFK's promise to reach the moon by the end of the 1960 - an audacious, inspiring goal-and a unified vision for space exploration. In Mission to Mars, Aldrin plots that trajectory, stressing that American-led space exploration is essential to the economic and technological vitality of the nation and the world. Do you dare to dream big? Then join Aldrin in his thought provoking and inspiring Mission to Mars.
Author: David Summers
Publisher: UNC Press Books
ISBN: 1469626047
Category : Art
Languages : en
Pages : 224
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Book Description
Spanning more than 2,500 years in the history of art, Vision, Reflection, and Desire in Western Painting demonstrates how the rise and diffusion of the science of optics in ancient Greece and the Mediterranean world correlated to pictorial illusion in the development of Western painting from Hellenistic Greece to the present. Using examples from the late Middle Ages and the Renaissance, David Summers argues that scene-painting (architectural backdrops) and shadow-painting (in which forms are modeled or shown as if in relation to a source of light) not only evolved in close association with geometric optics toward the end of the fifth century B.C.E., but also contributed substantially to the foundations of the new science. The spread of understanding of how light is transmitted, reflected, and refracted is evident in the works of artists such as Brunelleschi, van Eyck, Alberti, and Leonardo. The interplay between optics and painting that influenced the course of Western art, Summers says, persisted as a framework for the realism of Caravaggio, Rembrandt, and Goya and continues today in modern photography and film.
Author: Daniel Bernardi
Publisher: Routledge
ISBN: 1135976457
Category : Performing Arts
Languages : en
Pages : 417
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Book Description
The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.
Author: Jessica L. Horton
Publisher: Duke University Press
ISBN: 0822372797
Category : Art
Languages : en
Pages : 260
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Book Description
In Art for an Undivided Earth Jessica L. Horton reveals how the spatial philosophies underlying the American Indian Movement (AIM) were refigured by a generation of artists searching for new places to stand. Upending the assumption that Jimmie Durham, James Luna, Kay WalkingStick, Robert Houle, and others were primarily concerned with identity politics, she joins them in remapping the coordinates of a widely shared yet deeply contested modernity that is defined in great part by the colonization of the Americas. She follows their installations, performances, and paintings across the ocean and back in time, as they retrace the paths of Native diplomats, scholars, performers, and objects in Europe after 1492. Along the way, Horton intervenes in a range of theories about global modernisms, Native American sovereignty, racial difference, archival logic, artistic itinerancy, and new materialisms. Writing in creative dialogue with contemporary artists, she builds a picture of a spatially, temporally, and materially interconnected world—an undivided earth.
Author: Emily Merson
Publisher: Rowman & Littlefield
ISBN: 1785523228
Category : Political Science
Languages : en
Pages : 231
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Book Description
Historically, artwork has played a powerful role in shaping settler colonial subjectivity and the political imagination of Westphalian sovereignty through the canonization of particular visual artworks, aesthetic theories, and art institutions’ methods of display. Creative Presence contributes a transnational feminist intersectional analysis of visual and performance artwork by Indigenous contemporary artists who directly engage with colonialism and decolonization. This book makes the case that decolonial aesthetics is a form of labour and knowledge production that calls attention to the foundational violence of settler colonialism in the formation of the world order of sovereign states. Creative Presence analyzes how artists’ purposeful selection of materials, media forms, and place-making in the exhibitions and performances of their work reveals the limits of conventional International Relations theories, methods, and debates on sovereignty and participates in Indigenous reclamations of lands and waterways in world politics. Brian Jungen’s sculpture series Prototypes for New Understanding and Rebecca Belmore’s filmed performances Vigil and Fountain exhibit how colonial power has been imagined, visualized and institutionalized historically and in contemporary settler visual culture. These contemporary visual and performance artworks by Indigenous artists that name the political violence of settler colonial claims to exclusive territorial sovereignty introduce possibilities for decolonizing audiences’ sensibilities and political imagination of lands and waterways.
