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Author: Nancy Worman
Publisher: Bloomsbury Publishing
ISBN: 1474277810
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
In Woolf's writings Greece and Greek tragedy in particular shape an exoticized aesthetic space that both emerges from and enables critique of the cosy settings and colonialist conceits of elite (and largely male) British attitudes toward culture and politics. Rather than highlighting Woolf's exclusion from male intellectual purviews, as so many scholars have emphasized, this book urges attention on how her engagements with Greek tragedy both collude with and challenge modernist aesthetics and contemporary politics. Woolf's encounters with and uses of Greek tragedy fantasize an alternative perceptual capacity that correlates to feminine (and feminist) modes, which are depicted in her writings as alternately defiant and choral. In this scheme, Greek tragedy is something of a dreamland, the mysterious dynamics of which Woolf treats as transcending cultural attitudes that hinge upon imperialist adventuring and violence. As scholars have recognized, especially in recent decades, the exoticizing gestures central to the work of so many modernists have uncomfortable political underpinnings, since they frequently inhabit imperialist and colonialist perspectives while appearing to critique them. Unlike most scholars, Nancy Worman argues that Woolf is no exception, although the feminism and humour that inflects so many "Greek" elements in her work saves it from the worst offenses.
Author: Nancy Worman
Publisher: Bloomsbury Publishing
ISBN: 1474277810
Category : Literary Criticism
Languages : en
Pages : 196
Get Book Here
Book Description
In Woolf's writings Greece and Greek tragedy in particular shape an exoticized aesthetic space that both emerges from and enables critique of the cosy settings and colonialist conceits of elite (and largely male) British attitudes toward culture and politics. Rather than highlighting Woolf's exclusion from male intellectual purviews, as so many scholars have emphasized, this book urges attention on how her engagements with Greek tragedy both collude with and challenge modernist aesthetics and contemporary politics. Woolf's encounters with and uses of Greek tragedy fantasize an alternative perceptual capacity that correlates to feminine (and feminist) modes, which are depicted in her writings as alternately defiant and choral. In this scheme, Greek tragedy is something of a dreamland, the mysterious dynamics of which Woolf treats as transcending cultural attitudes that hinge upon imperialist adventuring and violence. As scholars have recognized, especially in recent decades, the exoticizing gestures central to the work of so many modernists have uncomfortable political underpinnings, since they frequently inhabit imperialist and colonialist perspectives while appearing to critique them. Unlike most scholars, Nancy Worman argues that Woolf is no exception, although the feminism and humour that inflects so many "Greek" elements in her work saves it from the worst offenses.
Author: Samuel Crisp
Publisher:
ISBN:
Category : English drama (Tragedy)
Languages : en
Pages : 92
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Book Description
Author: Samuel CRISP (of Chesington.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: Alma Halbert Bond
Publisher: Alma Bond
ISBN: 9780595002054
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Who, if anyone, was responsible when Virginia Woolf wandered across the water-meadows and threw herself in the river Ouse? By examining the various strains which led to Woolf's tragically ending her life — the true nature of her marriage, her complex relationship with Vita Sackville-West, the pangs of sexual insecurity, and the lack of self-esteem —noted psychoanalyst Alma H. Bond illustrates how these influences coalesced to bring Woolf's life to a logical ending. “…a masterpiece of its kind—a brilliant, original book that not only gives the reader new understanding of why Virginia Woolf committed suicide but also brings him new depths in the understanding of his own life…A flowing, emphatic style of writing that keeps you turning the page to learn more of the torment in Woolf’s life from infancy on that drove her to kill herself.” —Lucy Freeman, past President of Mystery Writers of America and author of The Beloved Prison: A Journey Through the Unknown Mind (St. Martin’s Press, 1989) “Alma Bond’s work on Virginia Woolf and the relationship between her early life experience and her profound creative talents is a tour de force.” —Natatlie Shainess, M.D., New York, New York “Outstanding—a profound and in-depth presentation.” —Barry M. Panter, M.D., Ph.D., President, American Institute of Medical Education, Burbank, California
Author: Ben Agger
Publisher: Rowman & Littlefield
ISBN: 9780742561304
Category : Education
Languages : en
Pages : 280
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Book Description
On April 16, 2007, a Virginia Tech student killed 32 of his classmates and professors and then turned the gun on himself. The media focused their power and our attention on the campus, the students and faculty of Virginia Tech, and the gunman and his victims. But we have yet to understand fully what happened in Blacksburg. There is a Gunman on Campus brings our thoughts back to the shocking campus shootings and the public reactions to the event, shining needed light on what occurred at the university, how American society reacted, and how it all fits into contemporary culture.
Author: Richard A. Kaye
Publisher: University of Virginia Press
ISBN: 0813922003
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
In the flirtation plots of novels by Jane Austen, Charlotte Brontë, and W. M. Thackeray, heroines learn sociability through competition with naughty coquette-doubles. In the writing of George Eliot and Thomas Hardy, flirting harbors potentially tragic consequences, a perilous game then adapted by male flirts in the novels of Oscar Wilde and Henry James. In revising Gustave Flaubert’s Sentimental Education in The Age of Innocence, Edith Wharton critiques the nineteenth-century European novel as morbidly obsessed with deferred desires. Finally, in works by D. H. Lawrence and E. M. Forster, flirtation comes to reshape the modernist representation of homoerotic relations. In The Flirt’s Tragedy: Desire without End in Victorian and Edwardian Fiction, Richard Kaye makes a case for flirtation as a unique, neglected species of eros that finds its deepest, most elaborately sustained fulfillment in the nineteenth-century and early twentieth-century novel. The author examines flirtation in major British, French, and American texts to demonstrate how the changing aesthetic of such fiction fastened on flirtatious desire as a paramount subject for distinctly novelistic inquiry. The novel, he argues, accentuated questions of ambiguity and ambivalence on which an erotics of deliberate imprecision thrived. But the impact of flirtation was not only formal. Kaye views coquetry as an arena of freedom built on a dialectic of simultaneous consent and refusal, as well as an expression of "managed desire," a risky display of female power, and a cagey avenue for the expression of dissident sexualities. Through coquetry, novelists offered their response to important scientific and social changes and to the rise of the metropolis as a realm of increasingly transient amorous relations. Challenging current trends in gender, post-gender, and queer-theory criticism, and considering texts as diverse as Darwin’s The Descent of Man and Gilbert and Sullivan’s The Mikado, Kaye insists that critical appraisals of Victorian and Edwardian fiction must move beyond existing paradigms defining considerations of flirtation in the novel. The Flirt’s Tragedy offers a lively, revisionary, often startling assessment of nineteenth-century fiction that will alter our understanding of the history of the novel.
Author: Lucinda Roy
Publisher: Crown
ISBN: 0307451704
Category : True Crime
Languages : en
Pages : 338
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Book Description
The world watched in horror in April 2007 when Virginia Tech student Seung-Hui Cho went on a killing rampage that resulted in the deaths of thirty-two students and faculty members before he ended his own life. Former Virginia Tech English department chair and distinguished professor Lucinda Roy saw the tragedy unfold on the TV screen in her home and had a terrible realization. Cho was the student she had struggled to get to know–the loner who found speech torturous. After he had been formally asked to leave a poetry class in which he had shared incendiary work that seemed directed at his classmates and teacher, Roy began the difficult task of working one-on-one with him in a poetry tutorial. During those months, a year and a half before the massacre, Roy came to realize that Cho was more than just a disgruntled young adult experimenting with poetic license; he was, in her opinion, seriously depressed and in urgent need of intervention. But when Roy approached campus counseling as well as others in the university about Cho, she was repeatedly told that they could not intervene unless a student sought counseling voluntarily. Eventually, Roy’s efforts to persuade Cho to seek help worked. Unbelievably, on the three occasions he contacted the counseling center staff, he did not receive a comprehensive evaluation by them–a startling discovery Roy learned about after Cho’s death. More revelations were to follow. After responding to questions from the media and handing over information to law enforcement as instructed by Virginia Tech, Roy was shunned by the administration. Papers documenting Cho’s interactions with campus counseling were lost. The university was suddenly on the defensive. Was the university, in fact, partially responsible for the tragedy because of the bureaucratic red tape involved in obtaining assistance for students with mental illness, or was it just, like many colleges, woefully underfunded and therefore underequipped to respond to such cases? Who was Seung-Hui Cho? Was he fully protected under the constitutional right to freedom of speech, or did his writing and behavior present serious potential threats that should have resulted in immediate intervention? How can we balance students’ individual freedom with the need to protect the community? These are the questions that have haunted Roy since that terrible day. No Right to Remain Silent is one teacher’s cri de coeur–her dire warning that given the same situation today, two years later, the ending would be no less terrifying and no less tragic.
Author: Beth J. Lueders
Publisher: Penguin
ISBN: 144062237X
Category : Religion
Languages : en
Pages : 155
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Book Description
Virginia Tech’s soul is in the ministry of Campus Crusade for Christ, which in turn found one of its strong hearts in an effervescent Christian student named Lauren McCain. Then on an unforgettable April morning, Lauren lost her life with thirty-one others at the hands of a gunman in the largest mass murder in modern U.S. history. But one thing couldn’t be destroyed: an unyielding faith and spirit that lives on in Lauren’s memory, one which she so joyously championed. Yet the challenging and inevitable questions persist: How could God allow evil to shatter the lives of these good people? What’s to become of our trust in Him when it seems as if He’s not there to protect us? Through exclusive interviews with Lauren’s own parents and others, this book offers answers—found in a community joined in immeasurable sorrow, anger, and grief; in the healing and heartening words of survivors, clergy, and counsel. Most of all, it is Lauren’s own lasting legacy—a ray of light that illuminates the goodness above—that inspires now more than ever before. Foreword by Darrell Scott. Includes photographs and an appendix of resources for those coping with tragedy. “A person’s view of God determines the way they will respond in times of crises. Beth Lueders has done us a great service by finding God’s stories of grace and hope in an otherwise horrific event. I encourage you to read this book and find your faith strengthened by first-hand stories of God’s presence and peace.”—Vonette Z. Bright, cofounder, Campus Crusade for Christ “When tragedy strikes in such devastating proportions, it’s only natural for us to look heavenward and ask, ‘Why?’ And that’s exactly where this book turns—to God. From a very personal yet eternal perspective, this book offers real hope and healing in the aftermath of inexplicable suffering.” —Ed Young, author of Outrageous Joy and Senior Pastor, Fellowship Church, Grapevine, Texas
Author: Sybil Oldfield
Publisher: Rutgers University Press
ISBN: 9780813535609
Category : Novelists, English
Languages : en
Pages : 272
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Book Description
Just when it may seem that nothing else could be said about Virginia Woolf and the ambiguous details of her suicide, "Afterwords" provides an entirely fresh perspective. It makes available to a wide readership for the first time letters sent to Leonard Woolf and Vanessa Bell (Virginia Woolf's sister) in the aftermath of the event. This unique volume brings together over two hundred letters from T. S. Eliot, H. G. Wells, May Sarton, Vita Sackville-West, Edith Sitwell, E. M. Forster, Radclyffe Hall, and many others, including political figures and religious leaders. In addition, informative annotations reveal the identities of many unexpected condolence-letter writers from among the general public.
Author: Tim Couzens
Publisher: University of Virginia Press
ISBN: 9780813925295
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
Who killed Jacottet? Drawing on teh gret tradition of the "locked room" detective story, Tim Couzens sets out, eighty years after the event, to solve the crime.
