Violin Techniques in Western and South Indian Classical Music PDF Download
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Author: Muthuswamy Lalitha
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 338
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Book Description
The First Of Its Kind, This Book Is An Encyclopedia On The Different Techniques In Violin Playing In Both The Systems-The Western And The South Indian Classical Music.
Author: Muthuswamy Lalitha
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 338
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Book Description
The First Of Its Kind, This Book Is An Encyclopedia On The Different Techniques In Violin Playing In Both The Systems-The Western And The South Indian Classical Music.
Author: Robert Riggs
Publisher: Boydell & Brewer
ISBN: 1580465064
Category : Music
Languages : en
Pages : 327
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Book Description
Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature. With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD, Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).
Author: Sisirkana Dhar Choudhury
Publisher:
ISBN: 9789380568065
Category : Violin
Languages : en
Pages :
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Book Description
Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 9780521399234
Category : Music
Languages : en
Pages : 326
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Book Description
Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth
Author: David P. Nelson
Publisher: Wesleyan University Press
ISBN: 0819574481
Category : Music
Languages : en
Pages : 161
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Book Description
Solkattu, the spoken rhythms and patterns of hand-clapping used by all musicians and dancers in the classical traditions of South India, is a subject of worldwide interest—but until now there has not been a textbook for students new to the practice. Designed especially for classroom use in a Western setting, the manual begins with rudimentary lessons in the simplest South Indian tala, or metric cycle, and proceeds step-by-step into more challenging material. The book then provides lessons in the eight-beat adi tala, arranged so that by the end, students will have learned a full percussion piece they can perform as an ensemble. Solkattu Manual includes web links to video featuring performances of all 150 lessons, and full performances of all three of the outlined small-ensemble pieces. Ideal for courses in world music and general musicianship, as well as independent study. Book lies flat for easy use.
Author: Richard Wolf
Publisher: Oxford University Press
ISBN: 0190450231
Category : Music
Languages : en
Pages : 344
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Book Description
Over the past four decades, the "globalized" aspects of cultural circulation have received the majority of scholarly-and consumer-attention, particularly in the study of South Asian music. As a result, a broad range of community-based and other locally focused performance traditions in the regions of South Asia have remained relatively unexplored. Theorizing the Local provides a challenging and compelling counterperspective to the “globalized,” arguing for the value of comparative microstudies that are not concerned primarily with the flow of capital and neoliberal politics. What does it mean for musical activities to be local in an increasingly interconnected world? To what extent can theoretical activity be localized to the very acts of making music, interacting, and composing? Theorizing the Local offers glimpses into rich musical worlds of south and west Asia, worlds which have never before been presented in a single volume. The authors cross the traditional borders of scholarship and region, exploring in unmatched detail a vast array of musical practices and significant ethnographic discoveries-from Nepal to India, India to Sri Lanka, Pakistan to Iran. Enriched by audio and video tracks on an extensive companion Web site, Theorizing the Local is an important study of South Asian musical traditions that offers a broader understanding of 21st-century music of the world.
Author: Amanda J. Weidman
Publisher: Duke University Press
ISBN: 0822388057
Category : Music
Languages : en
Pages : 367
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Book Description
While Karnatic music, a form of Indian music based on the melodic principle of raga and time cycles called tala, is known today as South India’s classical music, its status as “classical” is an early-twentieth-century construct, one that emerged in the crucible of colonial modernity, nationalist ideology, and South Indian regional politics. As Amanda J. Weidman demonstrates, in order for Karnatic music to be considered classical music, it needed to be modeled on Western classical music, with its system of notation, composers, compositions, conservatories, and concerts. At the same time, it needed to remain distinctively Indian. Weidman argues that these contradictory imperatives led to the emergence of a particular “politics of voice,” in which the voice came to stand for authenticity and Indianness. Combining ethnographic observation derived from her experience as a student and performer of South Indian music with close readings of archival materials, Weidman traces the emergence of this politics of voice through compelling analyses of the relationship between vocal sound and instrumental imitation, conventions of performance and staging, the status of women as performers, debates about language and music, and the relationship between oral tradition and technologies of printing and sound reproduction. Through her sustained exploration of the way “voice” is elaborated as a trope of modern subjectivity, national identity, and cultural authenticity, Weidman provides a model for thinking about the voice in anthropological and historical terms. In so doing, she shows that modernity is characterized as much by particular ideas about orality, aurality, and the voice as it is by regimes of visuality.
Author: Rafael Reina
Publisher: Routledge
ISBN: 1317180135
Category : Music
Languages : en
Pages : 477
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Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings
Author: Ludwig Pesch
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 562
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Book Description
This is a completely revised and updated edition of The [Oxford] Illustrated Companion to South Indian Classical Music, which includes the latest available information on the subject. Acclaimed as the most authoritative reference work on South Indian classical music, the Companion:* provides an overview of the historical and cultural contexts of the music, its instruments, composers, leading practitioners, and schools* contains more than 120 line drawings and photographs of all the instruments discussed, as well as of major composers; includes a special colour plates section* includes detailed biographical notes on musicians and composers* contains Guide to Pronunciation and Transliteration, Select bibliography and Further Reading, Glossary-cum-Index* includes Alphabetical Index of Ragas and Scales, Index of NamesAn indispensable and enriching reference work for the connoisseur, practicing musician, interested amateur, impresario, teacher, and student, the Companion will be of interest to anybody keen to learn about Indian culture.
Author: Chester Music
Publisher: Chester Music
ISBN: 1787591352
Category : Music
Languages : en
Pages : 46
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Book Description
Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successful cinema career, and to date he has scored over fifty movies. First Classics contains five of Glass's ground-breaking works from the late 1960s. Performable by anything from solo to large group, with flexible tempos, durations, repeats and ensembles, these show the burgeoning talent of a true master composer. This beautifully engraved and carefully arranged title also includes introductory notes, performance notes for each piece and source notes. Songlist: - Music In Similar Motion - Music In Fifths - 1 + 1 - Two Pages - Music In Contrary Motion
