Author: Andrew Thomson
Publisher: Oxford University Press
ISBN: 9780198162209
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
Over sixty years after his death in 1931, Vincent d'Indy is still a misunderstood and maligned figure in French music. Previous biographers have left a portrait of the academic figure par excellence, who turned the seemingly inspired and selfless inspiration of his master Cesar Franck into a cold and authoritarian pedagogical system. This new study re-examines the evidence. D'Indy is revealed as a much more psychologically complex and turbulent character. A tireless propagandist for the spiritual revival of French musical civilization, he was confronted by the social and intellectual problems of the Third Republic, notably the uneasy position of religious and aesthetic values in modern liberal societies. Andrew Thomson's biography stresses the breadth of d'Indy's interests and preoccupations, and will be of interest to students and devotees of French music of the late nineteenth and early twentieth centuries. He lays particular emphasis on the importance of general philosophical ideas and literary works in the development of d'Indy's ideas and programmes. This is a significant contribution to the cultural history of the 'Proustian epoque'.
Vincent D'Indy and His World
Author: Andrew Thomson
Publisher: Oxford University Press
ISBN: 9780198162209
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
Over sixty years after his death in 1931, Vincent d'Indy is still a misunderstood and maligned figure in French music. Previous biographers have left a portrait of the academic figure par excellence, who turned the seemingly inspired and selfless inspiration of his master Cesar Franck into a cold and authoritarian pedagogical system. This new study re-examines the evidence. D'Indy is revealed as a much more psychologically complex and turbulent character. A tireless propagandist for the spiritual revival of French musical civilization, he was confronted by the social and intellectual problems of the Third Republic, notably the uneasy position of religious and aesthetic values in modern liberal societies. Andrew Thomson's biography stresses the breadth of d'Indy's interests and preoccupations, and will be of interest to students and devotees of French music of the late nineteenth and early twentieth centuries. He lays particular emphasis on the importance of general philosophical ideas and literary works in the development of d'Indy's ideas and programmes. This is a significant contribution to the cultural history of the 'Proustian epoque'.
Publisher: Oxford University Press
ISBN: 9780198162209
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
Over sixty years after his death in 1931, Vincent d'Indy is still a misunderstood and maligned figure in French music. Previous biographers have left a portrait of the academic figure par excellence, who turned the seemingly inspired and selfless inspiration of his master Cesar Franck into a cold and authoritarian pedagogical system. This new study re-examines the evidence. D'Indy is revealed as a much more psychologically complex and turbulent character. A tireless propagandist for the spiritual revival of French musical civilization, he was confronted by the social and intellectual problems of the Third Republic, notably the uneasy position of religious and aesthetic values in modern liberal societies. Andrew Thomson's biography stresses the breadth of d'Indy's interests and preoccupations, and will be of interest to students and devotees of French music of the late nineteenth and early twentieth centuries. He lays particular emphasis on the importance of general philosophical ideas and literary works in the development of d'Indy's ideas and programmes. This is a significant contribution to the cultural history of the 'Proustian epoque'.
Debussy and His World
Author: Jane F. Fulcher
Publisher: Princeton University Press
ISBN: 9780691090429
Category : History
Languages : en
Pages : 412
Book Description
Claude Debussy's Paris was factionalised, politicised, and litigious. This text aims to capture the complexity of the composer's restless personal and artistic identity within the context of fin-de-siècle Paris.
Publisher: Princeton University Press
ISBN: 9780691090429
Category : History
Languages : en
Pages : 412
Book Description
Claude Debussy's Paris was factionalised, politicised, and litigious. This text aims to capture the complexity of the composer's restless personal and artistic identity within the context of fin-de-siècle Paris.
The French Symphony at the Fin de Siècle
Author: Andrew Deruchie
Publisher: Boydell & Brewer
ISBN: 1580463827
Category : Music
Languages : en
Pages : 308
Book Description
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
Publisher: Boydell & Brewer
ISBN: 1580463827
Category : Music
Languages : en
Pages : 308
Book Description
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
The World's Best Music: The musicians's guide
Author: Victor Herbert
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 262
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 262
Book Description
Proof Through the Night
Author: Glenn Watkins
Publisher: Univ of California Press
ISBN: 0520231589
Category : Art
Languages : en
Pages : 614
Book Description
An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.
Publisher: Univ of California Press
ISBN: 0520231589
Category : Art
Languages : en
Pages : 614
Book Description
An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.
Program
Author: Ann Arbor (Mich.) May Festival
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1096
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1096
Book Description
Building the Operatic Museum
Author: William James Gibbons
Publisher: University Rochester Press
ISBN: 1580464009
Category : History
Languages : en
Pages : 282
Book Description
Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness. William Gibbons is Associate Professor of Musicology at Texas Christian University.
Publisher: University Rochester Press
ISBN: 1580464009
Category : History
Languages : en
Pages : 282
Book Description
Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works of visual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness. William Gibbons is Associate Professor of Musicology at Texas Christian University.
Nation and Classical Music
Author: Matthew Riley
Publisher: Boydell & Brewer
ISBN: 1783271426
Category : History
Languages : en
Pages : 258
Book Description
How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.
Publisher: Boydell & Brewer
ISBN: 1783271426
Category : History
Languages : en
Pages : 258
Book Description
How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.
The Catholic Choirmaster
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 694
Book Description
The Outlook
Author: Lyman Abbott
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 744
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 744
Book Description