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Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231537751
Category : Performing Arts
Languages : en
Pages : 159
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Book Description
Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present—often the very problems associated with television and the society shaped by it—and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.
Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231537751
Category : Performing Arts
Languages : en
Pages : 159
Get Book Here
Book Description
Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present—often the very problems associated with television and the society shaped by it—and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.
Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231169515
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the presentÑoften the very problems associated with television and the society shaped by itÑand to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.
Author: Mark Z. Danielewski
Publisher: Pantheon
ISBN: 0375421769
Category : Fiction
Languages : en
Pages : 386
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Book Description
Moving back and forth in American history, a kaleidoscopic novel follows Hailey and Sam, two wayward teenagers, as they crash New Orleans parties, barrel up the Mississippi, head through the Badlands, and take on other adventures.
Author: James DeFronzo
Publisher: Routledge
ISBN: 0429974353
Category : Political Science
Languages : en
Pages : 320
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Book Description
With crucial insights and indispensable information concerning modern-day political upheavals, Revolutions and Revolutionary Movements provides a representative cross section of the most significant revolutions of the twentieth and twenty-first centuries. This Fifth Edition is revised and updated with a new chapter on the Arab Revolution from its beginning in December 2010 to the present. In this widely used text, students can trace the historical development of eleven revolutions using a five-factor analytical framework. Author James DeFronzo clearly explains all relevant concepts and events, the roles of key leaders, and the interrelation of each revolutionary movement with international economic and political developments and conflicts, including World Wars I and II, the Cold War, and the War on Terror. Student resources include multiple orienting maps, summary and analysis sections, suggested readings, chronologies, and documentary resources.
Author: Alyssa Goldstein Sepinwall
Publisher: Univ. Press of Mississippi
ISBN: 1496833120
Category : Social Science
Languages : en
Pages : 337
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Book Description
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
Author: Daniel Sperling
Publisher: Island Press
ISBN: 161091905X
Category : Architecture
Languages : en
Pages : 253
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Book Description
Front Cover -- About Island Press -- Subscribe -- Title Page -- Copyright Page -- Contents -- Preface -- Acknowledgments -- 1. Will the Transportation Revolutions Improve Our Lives-- or Make Them Worse? -- 2. Electric Vehicles: Approaching the Tipping Point -- 3. Shared Mobility: The Potential of Ridehailing and Pooling -- 4. Vehicle Automation: Our Best Shot at a Transportation Do-Over? -- 5. Upgrading Transit for the Twenty-First Century -- 6. Bridging the Gap between Mobility Haves and Have-Nots -- 7. Remaking the Auto Industry -- 8. The Dark Horse: Will China Win the Electric, Automated, Shared Mobility Race? -- Epilogue -- Notes -- About the Contributors -- Index -- IP Board of Directors
Author: Farhad Khosrokhavar
Publisher: Routledge
ISBN: 1317255534
Category : Social Science
Languages : en
Pages : 391
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Book Description
From Libya in the east to the Gulf peninsula in the west, the 'Arab Spring' has shaken entrenched regimes. Decades-old dictatorships have fallen after mass protests. Whilst the final outcome is unclear, the historical importance of these events is beyond doubt. Farhad Khosrokavar contextualizes the demands of the protesters. He looks beyond the Arab world to show how the movements are leaving a deep imprint on countries like Iran and how a new conception of democracy is emerging in the region, challenging traditional ideas. Looking to the future, Khosrokavar discusses how the new movements may change the world.
Author: Azmi Bishara
Publisher: Bloomsbury Publishing
ISBN: 0755644727
Category : History
Languages : en
Pages : 328
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Book Description
Based on empirical and theoretical investigation, and original insight into how a local protest movement developed into a revolution that changed a regime, this book shows us how we can understand political revolutions. Azmi Bishara critically explores the gradual democratic reform and peaceful transfer of power in the context of Tunisia. He grapples with the specific make-up of Tunisia as a modern state and its republican political heritage and investigates how this determined the development and survival of the revolution and the democratic transition in its aftermath. For Bishara, the political culture and attitudes of the elites and their readiness to compromise, in addition to an army without political ambitions, were aspects that proved crucial for the relative success of the Tunisian experience. But he distinguishes between protest movements and mass movements that aim at regime change and discerns the social and political conditions required for the transition from the former to the latter. Bishara shows that the specific factors that correspond to mass movements and regime change are relative deprivation, awareness of injustice, dignity and indignation. He concludes, based on meticulous documentation of the events in Tunisia and theoretical investigation, that while revolutions are unpredictable with no single theory able to explain them, all revolutions across different historical and conceptual contexts be seen as popular uprisings that aim at regime change. The book is the first of a trilogy, the Understanding Revolutions series by Bishara, seeking to provide a rich, comprehensive and lucid assessment of the revolutions in three states: Tunisia, Syria, and Egypt.
Author: Blake Atwood
Publisher: MIT Press
ISBN: 0262542846
Category : History
Languages : en
Pages : 448
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Book Description
How Iranians forged a vibrant, informal video distribution infrastructure when their government banned all home video technology in 1983. In 1983, the Iranian government banned the personal use of home video technology. In Underground, Blake Atwood recounts how in response to the ban, technology enthusiasts, cinephiles, entrepreneurs, and everyday citizens forged an illegal but complex underground system for video distribution. Atwood draws on archival sources including trade publications, newspapers, memoirs, films, and laws, but at the heart of the book lies a corpus of oral history interviews conducted with participants in the underground. He argues that videocassettes helped to institutionalize the broader underground within the Islamic Republic. As Atwood shows, the videocassette underground reveals a great deal about how people construct vibrant cultures beneath repressive institutions. It was not just that Iranians gained access to banned movies, but rather that they established routes, acquired technical knowledge, broke the law, and created rituals by passing and trading plastic videocassettes. As material objects, the videocassettes were a means of negotiating the power of the state and the agency of its citizens. By the time the Ministry of Culture and Islamic Guidance lifted the ban in 1994, millions of videocassettes were circulating efficiently and widely throughout the country. The very presence of a video underground signaled the failure of state policy to regulate media. Embedded in the informal infrastructure--even in the videocassettes themselves--was the triumph of everyday people over the state.
Author: Amy Austin Holmes
Publisher: Oxford University Press
ISBN: 0190071478
Category : Political Science
Languages : en
Pages : 288
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Book Description
In 2011, Egypt witnessed more protests than any other country in the world. Counter to the received narrative, Amy Austin Holmes argues that the ousting of Mubarak in 2011 did not represent the culmination of a revolution or the beginning of a transition period, but rather the beginning of a revolutionary process that would unfold in three waves, followed by two waves of counterrevolution. This book offers the first analysis of both the revolution and counterrevolution in Egypt from January 2011 until June 2018. The period of revolutionary upheaval played out in three uprisings against three distinct forms of authoritarian rule: the Mubarak regime and the police state that protected it, the unelected military junta known as the Supreme Council of Armed Forces, and the religious authoritarianism of the Muslim Brotherhood. The counterrevolution occurred over two periods: the first under Adly Mansour as interim president and the second after El Sisi was elected president. While the regime imprisoned or killed the leadership of the Muslim Brotherhood and many secular activists during the first wave of the counterrevolution, it turned against civil society at large during the second: NGOs, charities, media, academia, and minority groups. In addition to providing new and unprecedented empirical data, Coups and Revolutions makes two theoretical contributions. First, it presents a new framework for analyzing the state apparatus in Egypt based on four pillars of regime support that can either prop up or press upon whoever is in power. These are the Egyptian military, the business elite, the United States, and the multi-headed opposition. Secondly, the book brings together the literature on bottom-up revolutionary movements and top-down military coups, and it introduces the concept of a coup from below in contrast to the revolution from above that took place under Gamal Abdel Nasser.
