VI Solos for Two Violoncello's with a Thorough Bass for the Harpsichord PDF Download
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Author: Salvatore Lanzetti
Publisher:
ISBN:
Category : Sonatas (Cello and continuo)
Languages : en
Pages : 38
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Book Description
Author: Salvatore Lanzetti
Publisher:
ISBN:
Category : Sonatas (Cello and continuo)
Languages : en
Pages : 38
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Book Description
Author: John Phillip Desaubrys
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Salvatore Lanzetti
Publisher:
ISBN:
Category : Sonatas (Cello and continuo)
Languages : en
Pages : 58
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Book Description
Author: Harold Reeves (Firm)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
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Book Description
Author: Willem de Fesch
Publisher:
ISBN:
Category : Sonatas (Cello and harpsichord)
Languages : en
Pages : 26
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Book Description
Author: Romain Rolland
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 125
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Book Description
DigiCat Publishing presents to you this special edition of "Handel" by Romain Rolland. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1670
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Book Description
Author: Walter Clagget
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
Author: Royal College of Music (Great Britain)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
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Book Description
Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
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Book Description
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
