Author: Alfonso Ceballos Muñoz,
Publisher: McFarland
ISBN: 0786488972
Category : Performing Arts
Languages : en
Pages : 296
Book Description
This interdisciplinary collection of 19 essays addresses violence on the American stage. Topics include the revolutionary period and the role of violence in establishing national identity, violence by and against ethnic groups, and females as perpetrators and victims, as well as state and psychological violence and violence within the family. The book works to assess whether representing violence may cause its cessation, or whether it generates further destruction. Featured playwrights include Susan Glaspell, Sophie Treadwell, Tennessee Williams, William Inge, Amiri Baraka, Luis Valdes, Cherríe Moraga, Sam Shepard, Tony Kushner, Neil LaBute, John Guare, Rebecca Gilman, and Heather MacDonald.
Verbal Violence in American Drama
Author: Szalai Júlia Sára
Publisher:
ISBN:
Category : American drama
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages :
Book Description
Violence in American Drama
Author: Alfonso Ceballos Muñoz,
Publisher: McFarland
ISBN: 0786488972
Category : Performing Arts
Languages : en
Pages : 296
Book Description
This interdisciplinary collection of 19 essays addresses violence on the American stage. Topics include the revolutionary period and the role of violence in establishing national identity, violence by and against ethnic groups, and females as perpetrators and victims, as well as state and psychological violence and violence within the family. The book works to assess whether representing violence may cause its cessation, or whether it generates further destruction. Featured playwrights include Susan Glaspell, Sophie Treadwell, Tennessee Williams, William Inge, Amiri Baraka, Luis Valdes, Cherríe Moraga, Sam Shepard, Tony Kushner, Neil LaBute, John Guare, Rebecca Gilman, and Heather MacDonald.
Publisher: McFarland
ISBN: 0786488972
Category : Performing Arts
Languages : en
Pages : 296
Book Description
This interdisciplinary collection of 19 essays addresses violence on the American stage. Topics include the revolutionary period and the role of violence in establishing national identity, violence by and against ethnic groups, and females as perpetrators and victims, as well as state and psychological violence and violence within the family. The book works to assess whether representing violence may cause its cessation, or whether it generates further destruction. Featured playwrights include Susan Glaspell, Sophie Treadwell, Tennessee Williams, William Inge, Amiri Baraka, Luis Valdes, Cherríe Moraga, Sam Shepard, Tony Kushner, Neil LaBute, John Guare, Rebecca Gilman, and Heather MacDonald.
Verbal Violence in Contemporary Drama
Author: Jeanette R. Malkin
Publisher: Cambridge University Press
ISBN: 0521383358
Category : Drama
Languages : en
Pages : 256
Book Description
This book considers a spectrum of post-war plays in which characters are created, coerced and destroyed by language.
Publisher: Cambridge University Press
ISBN: 0521383358
Category : Drama
Languages : en
Pages : 256
Book Description
This book considers a spectrum of post-war plays in which characters are created, coerced and destroyed by language.
Violent Acts
Author: Severino João Medeiros Albuquerque
Publisher: Wayne State University Press
ISBN: 9780814322444
Category : Latin American drama
Languages : en
Pages : 306
Book Description
Albuquerque analyzes the use of violence in Latin American theatre from the 1950s through the 1980s. He argues that in the face of repression and torture, some playwrights counter victimization with art as urgent as street confrontation. A study from both Spanish and Portuguese-speaking countries. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Wayne State University Press
ISBN: 9780814322444
Category : Latin American drama
Languages : en
Pages : 306
Book Description
Albuquerque analyzes the use of violence in Latin American theatre from the 1950s through the 1980s. He argues that in the face of repression and torture, some playwrights counter victimization with art as urgent as street confrontation. A study from both Spanish and Portuguese-speaking countries. Annotation copyrighted by Book News, Inc., Portland, OR
Verbal Violence in Modern Drama
Author: Jeanette Rosenzweig Malkin
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 844
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 844
Book Description
Words as Swords: Verbal Violence as a Construction of Authority in Renaissance and Contemporary English Drama
Author: Senlen Sila
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838259823
Category : Language Arts & Disciplines
Languages : en
Pages : 196
Book Description
Verbal violence, as a sophisticated means of persuasion and manipulation, is as effective on the stage as physical violence. Since the destructive effects of verbal violence are less recognized and long-term, it is a vital instrument for constructing power and authority. Sıla Şenlen tackles this subject in Renaissance and contemporary English drama. In Renaissance tragedies composed in blank-verse such as Marlowe’s Tamburlaine, Part I, and Shakespeare’s Richard III, political power is identified and matched with a powerful rhetorical style. Almost all of the battles in such plays are fought verbally rather than physically on the stage. In these verbal duels or battles, competent speakers such as Tamburlaine and Richard III exploit the frontiers of deception, manipulate, abuse and destroy their opponents with low verbal competence through verbal violence. Thus, a parallel is drawn between rhetorical skills and military power, and between ‘word’ and ‘sword’. In contemporary English plays, the violence of daily language not only contributes to the creation of a realistic spectacle, but also –and more importantly– to the process of replacing free critical thinking by automatically preconceived patterns of thought and speech. Institutions and related discourses function to set up norms or standards against which people are defined, categorized, judged and punished. In Bernard Shaw’s Pygmalion, Harold Pinter’s The Birthday Party and Anthony Neilson’s The Censor, verbal violence in the form of daily language is not only deployed to construct authority, dominate and ‘standardize’ subjects, but also to deconstruct and defy authority.
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838259823
Category : Language Arts & Disciplines
Languages : en
Pages : 196
Book Description
Verbal violence, as a sophisticated means of persuasion and manipulation, is as effective on the stage as physical violence. Since the destructive effects of verbal violence are less recognized and long-term, it is a vital instrument for constructing power and authority. Sıla Şenlen tackles this subject in Renaissance and contemporary English drama. In Renaissance tragedies composed in blank-verse such as Marlowe’s Tamburlaine, Part I, and Shakespeare’s Richard III, political power is identified and matched with a powerful rhetorical style. Almost all of the battles in such plays are fought verbally rather than physically on the stage. In these verbal duels or battles, competent speakers such as Tamburlaine and Richard III exploit the frontiers of deception, manipulate, abuse and destroy their opponents with low verbal competence through verbal violence. Thus, a parallel is drawn between rhetorical skills and military power, and between ‘word’ and ‘sword’. In contemporary English plays, the violence of daily language not only contributes to the creation of a realistic spectacle, but also –and more importantly– to the process of replacing free critical thinking by automatically preconceived patterns of thought and speech. Institutions and related discourses function to set up norms or standards against which people are defined, categorized, judged and punished. In Bernard Shaw’s Pygmalion, Harold Pinter’s The Birthday Party and Anthony Neilson’s The Censor, verbal violence in the form of daily language is not only deployed to construct authority, dominate and ‘standardize’ subjects, but also to deconstruct and defy authority.
The Facts on File Companion to American Drama
Author: Jackson R. Bryer
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Memory-theater and Postmodern Drama
Author: Jeanette R. Malkin
Publisher: University of Michigan Press
ISBN: 9780472110377
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Provides a new way of defining--and understanding--postmodern drama
Publisher: University of Michigan Press
ISBN: 9780472110377
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Provides a new way of defining--and understanding--postmodern drama
Encyclopedia of American Drama
Author: Jackson R. Bryer
Publisher: Infobase Learning
ISBN: 1438140762
Category : American drama
Languages : en
Pages : 2466
Book Description
Provides a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to American classics such as Arthur Miller's Death of a Salesman and Thornton Wilder's Our Town to the groundbreaking works of today's best writers.
Publisher: Infobase Learning
ISBN: 1438140762
Category : American drama
Languages : en
Pages : 2466
Book Description
Provides a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to American classics such as Arthur Miller's Death of a Salesman and Thornton Wilder's Our Town to the groundbreaking works of today's best writers.
David Mamet's Glengarry Glen Ross
Author: Leslie Kane
Publisher: Psychology Press
ISBN: 9780815318774
Category :
Languages : en
Pages : 326
Book Description
The twelve original and two classic essays present provocative and timely thinking on Mamet's play and screenplay and offer a dialectic on performance and structure. The commentaries take diverse critical approaches to such subjects as feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights and perpectives on the theatricality, originality, and universality of the work. Also includes an interview with Sam Mendes. No index. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Psychology Press
ISBN: 9780815318774
Category :
Languages : en
Pages : 326
Book Description
The twelve original and two classic essays present provocative and timely thinking on Mamet's play and screenplay and offer a dialectic on performance and structure. The commentaries take diverse critical approaches to such subjects as feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights and perpectives on the theatricality, originality, and universality of the work. Also includes an interview with Sam Mendes. No index. Annotation copyright by Book News, Inc., Portland, OR