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Author: Andreas Prater
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
The 17th century saw a tremendous thematic and technical development in the realm of painting as artists experimented with realism and anatomical exactitude, and gave free expression to themes of sensuality. This is especially apparent in Velazquez' "Venus at Her Mirror", also known as "The Rokeby Venus". In this text Andreas Prater uses the much-studied and imitated painting to trace Venus's depiction in art through the centuries. Prater begins by offering a detailed examination of Velazquez' masterpiece. He delves into its numerous levels of meaning as well as its impact on the nude paintings of its day. He also looks at the painting's history, including its attempted destruction by a suffragette in 1919. Velazquez' self-admiring Venus is compared to her depictions in other well-known works by admiring artists, including da Vinci, Giorgione, and Titian, as well as in works by later artists such as Manet and Cabanel, and into the modern world of advertising. These comparisons provoke intriguing perspectives on the evolution of eroticism, feminism, and Christianity in art, and offer an understanding of the influence that one artist and one work can have on generations that follow.
Author: Andreas Prater
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 140
Get Book Here
Book Description
The 17th century saw a tremendous thematic and technical development in the realm of painting as artists experimented with realism and anatomical exactitude, and gave free expression to themes of sensuality. This is especially apparent in Velazquez' "Venus at Her Mirror", also known as "The Rokeby Venus". In this text Andreas Prater uses the much-studied and imitated painting to trace Venus's depiction in art through the centuries. Prater begins by offering a detailed examination of Velazquez' masterpiece. He delves into its numerous levels of meaning as well as its impact on the nude paintings of its day. He also looks at the painting's history, including its attempted destruction by a suffragette in 1919. Velazquez' self-admiring Venus is compared to her depictions in other well-known works by admiring artists, including da Vinci, Giorgione, and Titian, as well as in works by later artists such as Manet and Cabanel, and into the modern world of advertising. These comparisons provoke intriguing perspectives on the evolution of eroticism, feminism, and Christianity in art, and offer an understanding of the influence that one artist and one work can have on generations that follow.
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0143134590
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Christopher Jones
Publisher:
ISBN:
Category :
Languages : en
Pages : 123
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Book Description
How to Read Paintings provides a fascinating analysis of a variety of paintings made in the Western tradition. **Note: Images in paperback are printed in black and white. From works by Raphael to Monet, this wide-ranging book will introduce you to a selection of paintings and teach you how to understand their meaning. Reassuringly accessible and quietly erudite, How to Read Paintings will improve your art appreciation through a series of intimate encounters with some of art's most fascinating paintings. Including artists like Gustav Klimt and Albrect Durer, this book will guide you through the meaning of works of art by taking a closer look at what these paintings actually show, including their symbolism, technique and composition. Engagingly written and utterly absorbing, How to Read Paintings is an exploration of art from famous works to lesser-known masterpieces. Dip in at random or read from beginning to end, How to Read Paintings is an accessible tour of some of the most beautiful objects in art. Whether you are a complete beginner or an experienced art-lover, this book has something for everyone. **Note: Images in paperback are printed in black and white. About the author Christopher Jones is a writer, art critic and art historian. He has been looking at and writing about art for over 20 years. His particular areas of interests are 20th century German Expressionism, 19th century French art, and contemporary painting. He is currently working on an idiosyncratic guide to the National Gallery, London.
Author: Rebekah Compton
Publisher: Cambridge University Press
ISBN: 1108916058
Category : Art
Languages : en
Pages : 637
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Book Description
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.
Author: Robin Coste Lewis
Publisher: Knopf
ISBN: 1101911204
Category : Poetry
Languages : en
Pages : 178
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Book Description
This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.
Author: David Alan Brown
Publisher: Yale University Press
ISBN: 9780300116779
Category : Art
Languages : en
Pages : 364
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Book Description
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Author: Geraldine A. Johnson
Publisher:
ISBN: 9780521562768
Category : Art
Languages : en
Pages : 321
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Book Description
Interdisciplinary approach to the history of women and Renaissance and Baroque Italy.
Author: Svetlana Petrova
Publisher: Penguin
ISBN: 0698195159
Category : Humor
Languages : en
Pages : 382
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Book Description
“It’s official. That thing that classic art has been missing is a chubby reclining kitty.” —The Huffington Post Internet meme meets classical art in Svetlana Petrova’s brilliant Fat Cat Art. Featuring her twenty-two-pound, ginger-colored cat Zarathustra superimposed onto some of the greatest artworks of all time, Petrova’s paintings are an Internet sensation. Now fans will have the ultimate full-color collection of her work, including several never-before-seen pieces, to savor for themselves or to give as a gift to fellow cat lovers. From competing with Venus’s sexy reclining pose (and almost knocking her off her chaise lounge in the process) in Titian’s Venus of Urbino, to exhibiting complete disdain as he skirts away from God’s pointing finger in Michelangelo’s Creation of Adam, Zarathustra single-handedly rewrites art history in the way that only an adorable fat cat can.
Author: Anne W. Lowenthal
Publisher: Getty Publications
ISBN: 0892363045
Category : Mars (Roman deity)
Languages : en
Pages : 96
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Book Description
The Dutch history painter Joachim Wtewael is widely admired for his astonishing small paintings on copper. The Getty Museum's Mars and Venus Surprised by Vulcan is one of his finest works in this unusually demanding medium. Though only eight inches high, this Mannerist painting contains eleven figures in three different spaces, captured in a dramatically charged moment from the famous story told by Ovid in his Metamorphoses. The author's detailed analysis of Wtewael's painting also serves as a fine introduction to Dutch art of the Golden Age. Illustrated with seventy reproductions of paintings, drawings, etchings, and decorative objects, Anne W. Lowenthal's study ranges over the broad historical and cultural context in which Mars and Venus was created.
Author: Michael Gruber
Publisher: Harper Collins
ISBN: 0061469033
Category : Fiction
Languages : en
Pages : 463
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Book Description
Chaz Wilmot makes his living cranking out old-master parodies for ads and magazine covers. When he's offered a job restoring a Venetian palace fresco, he is at first, skeptical—he immediately sees it is more a forgery than a restoration. But he is soon seduced by the challenge and throws himself into the work, doing the job brilliantly. This feat attracts the attention of Werner Krebs, a shady art dealer who becomes Wilmot's friend and patron. Wilmot is suddenly working with a fervor he hasn't felt in years, but without warning, he finds himself reliving moments from his past—not as memories but as if they are happening all over again. Soon, he believes he can travel back to the 17th century where he lived as the Spanish artist Diego Rodriguez de Silva Velazquez. Wilmot begins to fantasize that as Velazquez, he has created a masterpiece and when the painting actually turns up, he doesn't know if he painted it or if he imagined the whole thing. Little by little, Wilmot enters a secret world of gangsters, greed and murder, with his mystery patron at the center of it all, either as the mastermind behind a plot to forge a painting worth hundred of millions, or as the man who will save Wilmot from obscurity and madness. Miraculously inventive, this book cements Gruber's reputation as one of the most imaginative and gifted writers of our time.
