Author: János Scholz
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 202
Book Description
100 sheets shown in Venice [August-October, 1957] ... in an exhibition promoted and arranged by the Istituto di storia dell'arte of the Fondazione Giorgio Cini.
Catalogue of the Exhibition of Venetian Drawings from the Collection Janos Scholz
Author: János Scholz
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 202
Book Description
100 sheets shown in Venice [August-October, 1957] ... in an exhibition promoted and arranged by the Istituto di storia dell'arte of the Fondazione Giorgio Cini.
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 202
Book Description
100 sheets shown in Venice [August-October, 1957] ... in an exhibition promoted and arranged by the Istituto di storia dell'arte of the Fondazione Giorgio Cini.
Venetian Drawings from the Collection of Janos Scholz
Author: János Scholz
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 123
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 123
Book Description
Sixteenth-century Italian Drawings in New York Collections
Author: William Griswold
Publisher: Metropolitan Museum of Art
ISBN: 0870996886
Category : Drawing
Languages : en
Pages : 284
Book Description
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870996886
Category : Drawing
Languages : en
Pages : 284
Book Description
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
Venetian Drawings from the Collection of Janos Scholz
Author: Montgomery Museum of Fine Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
Book Description
Venetian Drawings, 1600-1800
Author: János Scholz
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 52
Book Description
The Drawings of Stefano Da Verona and His Circle and the Origins of Collecting in Italy
Author: Evelyn Karet
Publisher: American Philosophical Society
ISBN: 9780871692443
Category : Art
Languages : en
Pages : 250
Book Description
In this comprehensive catalogue of the work of the 15th-century painter and draftsman, Stefano da Verona (1375-ca. 1438), Karet reviews past scholarship and corrects old misunderstandings that produced an inconsistent, heterogeneous and misinformed corpus. Her attributions are based on stylistic arguments, technical analysis, and the relationship of the drawings to a limited number of secure paintings by this important Late Gothic North Italian painter. The restricted but sound body of works Stefano da Verona executed is compiled in rich catalogue entries that include discussions of style, iconography, patronage, paper and sketchbook analysis, important issues of workshop production and of the history of drawings and collectionism.
Publisher: American Philosophical Society
ISBN: 9780871692443
Category : Art
Languages : en
Pages : 250
Book Description
In this comprehensive catalogue of the work of the 15th-century painter and draftsman, Stefano da Verona (1375-ca. 1438), Karet reviews past scholarship and corrects old misunderstandings that produced an inconsistent, heterogeneous and misinformed corpus. Her attributions are based on stylistic arguments, technical analysis, and the relationship of the drawings to a limited number of secure paintings by this important Late Gothic North Italian painter. The restricted but sound body of works Stefano da Verona executed is compiled in rich catalogue entries that include discussions of style, iconography, patronage, paper and sketchbook analysis, important issues of workshop production and of the history of drawings and collectionism.
Drawings from New York Collections. Vol. 1, The Italian Renaissance
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Eighteenth Century Italian Drawings, from the Robert Lehman Collection
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870992694
Category : Drawing
Languages : en
Pages : 199
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870992694
Category : Drawing
Languages : en
Pages : 199
Book Description
The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy
Author: Evelyn Karet
Publisher: Routledge
ISBN: 1351546678
Category : Art
Languages : en
Pages : 359
Book Description
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.
Publisher: Routledge
ISBN: 1351546678
Category : Art
Languages : en
Pages : 359
Book Description
Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.
Medieval Art from Private Collections
Author: The Cloisters
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description