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Author: Helen Michetschläger
Publisher:
ISBN: 9780993307508
Category :
Languages : en
Pages :
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Author: Helen Michetschläger
Publisher:
ISBN: 9780993307508
Category :
Languages : en
Pages :
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Author: Joseph Michelman
Publisher: Read Books Ltd
ISBN: 144654687X
Category : Music
Languages : en
Pages : 211
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Book Description
After more than eight years of extensive research on the varnish used by the Italian Violin Makers from 1550 to 1750 A. D., it has not been possible to corroborate the results in the chemical laboratory. This is due entirely to the unavailability of samples of the varnish for confirmatory analysis. Violins made by the Italian masters of this period are so valuable and so scarce that a small sample of the varnish has not been procurable for experimental purposes. Therefore, synthesis must precede analysis . . . . and with no assistance from the latter. This, then, will explain the sub-title of this book as: "A Plausible Re-creation of the Varnish Used by the Italian Makers Between the Years 1550 and 1750 A. D." However, the results of this investigation are so logical and so deeply supported by a vast amount of convincing evidence, that publication of the book is in order. First, possibly the findings will be confirmed, or otherwise, by investigators who may be more fortunate in having access to material from authentic violins made by the old masters. Confirmatory chemical tests will be suggested; it should be comparatively simple, especially through modern micro-analytical methods, to determine the presence of certain constituents in the varnish. The subject matter of this book will of necessity become technical, especially when the theoretical aspects are considered. It is realized that not everyone who will be interested in the rediscovery of the old Italian varnish will also be interested in the scientific deductions and conclusions. For this reason, a chapter will be included in which the preparation of the materials from which the varnish is made, the formulation of the varnish and its application will be reduced to the simplest terms. The old masters who lived several hundred years ago and who possessed none of the advantages of modern technology also used only the simplest technique in varnishing and finishing their violins.
Author: Max Bottler
Publisher:
ISBN:
Category : Paint
Languages : en
Pages : 414
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Author: John Geddes M'Intosh
Publisher:
ISBN:
Category : Oils and fats
Languages : en
Pages : 252
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Author: Bob Flexner
Publisher: Fox Chapel Publishing
ISBN: 1607654164
Category : Crafts & Hobbies
Languages : en
Pages : 711
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Book Description
For more than 18 years, Bob Flexner has been inspiring woodworkers with his writings and teachings on wood finishing. Now, from this best-selling author comes the long-awaited and completely updated second edition of UNDERSTANDING WOOD FINISHING-the most practical, comprehensive book on finishing ever published. The first edition of UNDERSTANDING WOOD FINISHING has sold hundreds of thousands of copies and is widely regarded as the bible of wood finishing. "We use UNDERSTANDING WOOD FINISHING as the textbook for our students training to go into the furniture industry," says David Miles, wood technology professor at Pittsburg State University. "It's the best written, most accurate, and most thorough wood finishing book in print-by far."
Author: George Fry
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 152
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Author: Marjolijn Bol
Publisher: University of Chicago Press
ISBN: 022682036X
Category : Art
Languages : en
Pages : 323
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"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth, however, and after it was revealed as such, the remarkable verisimilitude of his work was attributed instead to a new translucent painting technique, a technique the artist could have only innovated with oil paint already at his disposal: the glaze. Today, most theories about how Van Eyck achieved his visual realism revolve around this idea: that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before and, moreover, that these two techniques were not only explored by painters but were developed by a variety of artisans as part of the medieval material culture of splendor. Artisans embellished metalwork and wood with varnishes and glazes to imitate gems and enamel; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of water, silk, and more. What's more, Bol shows how the explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by nature"--
Author: Oil and Colour Chemists' Association (Great Britain)
Publisher:
ISBN:
Category : Varnish and varnishing
Languages : en
Pages : 246
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Author: Virgil Elliott
Publisher: Watson-Guptill
ISBN: 9780823030668
Category : Oils and fats
Languages : en
Pages : 0
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"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
Author: John Geddes M'Intosh
Publisher:
ISBN:
Category : Oils and fats
Languages : en
Pages : 540
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Book Description
