Varieties of Female Gothic Vol 4 PDF Download
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Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749924
Category : Language Arts & Disciplines
Languages : en
Pages : 439
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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749924
Category : Language Arts & Disciplines
Languages : en
Pages : 439
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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749894
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author:
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 392
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Book Description
Author: Michael Aronovitz
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
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Book Description
The theme is Gothic-- the horror of Gothic romance. Throughout the mid-century, paperback Gothic romance books dominated the shelves, always featuring a woman running away from a house. (Go ahead, Google "women running from houses.") Gothic romances tended to tell stories of women coming into conflict with old families, old houses and old traditions. So we've asked a bevy of best-selling writers to celebrate the movement with their own horrific takes on gothic. Run from the house with us! In Churl Yo offers a Bradburyesque sci-fi take on the Gothic, Alethea Kontis also chooses sci-fi in her tale of a futuristic medical procedure gone awry, John Ohno brings a classic governess-arrives-and-things-go-bad story, Jim Towns sets his story in 1972 with his movie-world horror tale, Amanda DeWees has a Gothic tale with an ingenious and tech-savvy female, Jeremiah Dylan Cook gives us a mysterious mansion-and sexy maybe-ghost, Leanna Renee Hieber brings us a ballad-like ghost origin story, Rob Nisbet makes a Lovecraft story out of Lovecraft himself, Bonnie Jo Stufflebeam comes to us with a ghost story of a house with its own ideas, Jason Henderson brings the beginning of a serialized story about an expedition into the fabled and haunted House of Usher, Charles R. Rutledge returns with a Carter Decamp psychic mystery, Henry Herz turns to folklore with his tale of a supernatural being wreaking vengeance on Scottish shores, Tony Jones spins us in the direction of violent, supernatural creatures with a taste for the nightlife, Michael Aronovitz weaves a tale about a person coming to terms with what it takes to escape an attic, Sam Knight perfectly evokes the smells and textures of life at an orchard, and Scott Pearson returns us once again to the contemporary era with his feminist commentary on the Modern Gothic.
Author: Gary Kelly
Publisher: Routledge
ISBN: 9781138765702
Category :
Languages : en
Pages : 0
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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author: Andrew Maunder
Publisher: Taylor & Francis
ISBN: 1040242324
Category : Literary Criticism
Languages : en
Pages : 627
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Book Description
Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.
Author: Devoney Looser
Publisher: Bloomsbury Publishing USA
ISBN: 1635575303
Category : Biography & Autobiography
Languages : en
Pages : 593
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Book Description
For readers of Prairie Fires and The Peabody Sisters, a fascinating, insightful biography of the most famous sister novelists before the Brontës. Before the Brontë sisters picked up their pens, or Jane Austen's heroines Elizabeth and Jane Bennet became household names, the literary world was celebrating a different pair of sisters: Jane and Anna Maria Porter. The Porters-exact contemporaries of Jane Austen-were brilliant, attractive, self-made single women of polite reputation who between them published 26 books and achieved global fame. They socialized among the rich and famous, tried to hide their family's considerable debt, and fell dramatically in and out of love. Their moving letters to each other confess every detail. Because the celebrity sisters expected their renown to live on, they preserved their papers, and the secrets they contained, for any biographers to come. But history hasn't been kind to the Porters. Credit for their literary invention was given to their childhood friend, Sir Walter Scott, who never publicly acknowledged the sisters' works as his inspiration. With Scott's more prolific publication and even greater fame, the Porter sisters gradually fell from the pinnacle of celebrity to eventual obscurity. Now, Professor Devoney Looser, a Guggenheim fellow in English Literature, sets out to re-introduce the world to the authors who cleared the way for Austen, Mary Shelley, and the Brontë sisters. Capturing the Porter sisters' incredible rise, from when Anna Maria published her first book at age 14 in 1793, through to Jane's fall from the pinnacle of fame in the Victorian era, and then to the auctioning off for a pittance of the family's massive archive, Sister Novelists is a groundbreaking and enthralling biography of two pioneering geniuses in historical fiction.
Author: Annette R. Federico
Publisher: University of Missouri Press
ISBN: 0826272096
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia. These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work. The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman’s impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book’s suppressed foremothers. In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women’s writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.
Author: Frederick Burwick
Publisher: John Wiley & Sons
ISBN: 1405188103
Category : Literary Criticism
Languages : en
Pages : 1767
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Book Description
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
Author: Glennis Byron
Publisher: Routledge
ISBN: 1135053065
Category : Literary Criticism
Languages : en
Pages : 582
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Book Description
The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.
