Author: Frank Norris
Publisher: Library of America
ISBN: 9780940450400
Category : Fiction
Languages : en
Pages : 1270

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Vol. 33.

Author: Frank Norris
Publisher: Courier Corporation
ISBN: 0486146324
Category : Literary Collections
Languages : en
Pages : 434

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Based on an actual bloody dispute in 1880 between wheat farmers and the Southern Pacific Railroad, this tale of greed, betrayal, and a lust for power is played out during the waning days of the western frontier.

Author: Nathaniel Hawthorne
Publisher:
ISBN:
Category : Mythology, Classical
Languages : en
Pages : 368

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Author: Frank Norris
Publisher: CreateSpace
ISBN: 9781500525774
Category : Literary Collections
Languages : en
Pages : 140

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It was always a matter of wonder to Vandover that he was able to recall so little of his past life. With the exception of the most recent events he could remember nothing connectedly. What he at first imagined to be the story of his life, on closer inspection turned out to be but a few disconnected incidents that his memory had preserved with the greatest capriciousness, absolutely independent of their importance. One of these incidents might be a great sorrow, a tragedy, a death in his family; and another, recalled with the same vividness, the same accuracy of detail, might be a matter of the least moment.

Author: Frank Norris
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 410

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McTeague is an enormously strong but dim-witted former miner now working as a dentist in San Francisco towards the end of the nineteenth century. He falls in love with Trina, one of his patients, and shortly after their engagement she wins a large sum in a lottery. All is well until McTeague is betrayed and they fall into a life of increasing poverty and degradation. This novel is often presented as an example of American naturalism where the behavior and experience of characters are constrained by “nature”—both their own heredity nature, and the broader social environment. McTeague was published in 1899 as the first of Norris’s major novels.

Author: Frank Norris
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 368

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Author: Frank Norris
Publisher:
ISBN: 9780965530910
Category : United States
Languages : en
Pages : 0

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From Publishers Weekly: Those who know Norris (1870-1902) through his muckraking novels, The Pit and The Octopus, will be interested in these 14 stories culled by the editors from among more than 60 tales that he published in his brief life. They include strong evidence of Norris's naturalism and his sense of the primal, the healthy, the rural, as opposed to the corrupt, the urban, the effete. In "His Sister," Norris describes a magazine writer "knowing he'd be more apt to find undisguised human nature along the poorer unconventional thoroughfares." In the autobiographical "Dying Fires," he writes of an author: "he lived in the midst of-a life of passions that were often elemental in their simplicity and directness." The gold in "Judy's Service of Gold Plate" foreshadows the use of that element as a symbol for greed in McTeague. In such stories, one anticipates Norris's influence on John Steinbeck. Even in the more journalistic tales, precursors of Jim Thompson-esque noir, Norris's favored themes, particularly of injustice and class consciousness, persist. Three of the stories have never been collected in book form before, including the experimental "Man Proposes," written in five parts for a literary weekly. These somewhat mannered short pieces describe five couples who decide to get married: the ways they come to and act on their decisions reflect their varying social strata and cultural sensibilities.

Author: Frank Norris
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 380

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Author: Bill Brown
Publisher: University of Chicago Press
ISBN: 0226076318
Category : Literary Criticism
Languages : en
Pages : 260

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In May 1906, the Atlantic Monthly commented that Americans live not merely in an age of things, but under the tyranny of them, and that in our relentless effort to sell, purchase, and accumulate things, we do not possess them as much as they possess us. For Bill Brown, the tale of that possession is something stranger than the history of a culture of consumption. It is the story of Americans using things to think about themselves. Brown's captivating new study explores the roots of modern America's fascination with things and the problem that objects posed for American literature at the turn of the century. This was an era when the invention, production, distribution, and consumption of things suddenly came to define a national culture. Brown shows how crucial novels of the time made things not a solution to problems, but problems in their own right. Writers such as Mark Twain, Frank Norris, Sarah Orne Jewett, and Henry James ask why and how we use objects to make meaning, to make or remake ourselves, to organize our anxieties and affections, to sublimate our fears, and to shape our wildest dreams. Offering a remarkably new way to think about materialism, A Sense of Things will be essential reading for anyone interested in American literature and culture.

Author: Keith Newlin
Publisher: Oxford University Press
ISBN: 0195368932
Category : Literary Criticism
Languages : en
Pages : 536

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After its heyday in the late nineteenth and early twentieth century, naturalism, a genre that typically depicts human beings as the product of biological and environmental forces over which they have little control, was supplanted by modernism, a genre in which writers experimented with innovations in form and content. In the last decade, the movement is again attracting spirited scholarly debate. The Oxford Handbook of American Literary Naturalism takes stock of the best new research in the field through collecting twenty-eight original essays drawing upon recent scholarship in literary and cultural studies. The contributors offer an authoritative and in-depth reassessment of writers from Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London to Kate Chopin, Edith Wharton, Ernest Hemingway, Richard Wright, John Steinbeck, Joyce Carol Oates, and Cormac McCarthy. One set of essays focus on the genre itself, exploring the historical contexts that gave birth to it, the problem of definition, its interconnections with other genres, the scientific and philosophical ideas that motivate naturalist authors, and the continuing presence of naturalism in twenty-first century fiction. Others examine the tensions within the genre-the role of women and African-American writers, depictions of sexuality, the problem of race, and the critique of commodity culture and class. A final set of essays looks beyond the works to consider the role of the marketplace in the development of naturalism, the popular and critical response to the works, and the influence of naturalism in the other arts.