Van Dyke Parks' Song Cycle

Van Dyke Parks' Song Cycle PDF Author: Richard Henderson
Publisher: A&C Black
ISBN: 0826429173
Category : Music
Languages : en
Pages : 146

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Book Description
An intelligent take on a classic left-field album from the late 1960s, including original interviews with all the key players including Van Dyke Parks. >

Van Dyke Parks' Song Cycle

Van Dyke Parks' Song Cycle PDF Author: Richard Henderson
Publisher: A&C Black
ISBN: 0826429173
Category : Music
Languages : en
Pages : 146

Get Book Here

Book Description
An intelligent take on a classic left-field album from the late 1960s, including original interviews with all the key players including Van Dyke Parks. >

Palm Desert

Palm Desert PDF Author: Rudy VanderLans
Publisher: Emigre Incorporated
ISBN:
Category : Art
Languages : en
Pages : 100

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Book Description
This book grew out of a simple packaging design for an audio CD. It is a tribute to a near mythical figure in the world of American music, Van Dyke Parks, whose prolific career produced six solo albums, numerous movie scores, children's books and uncounted credits as a session musician, lyricist, producer and arranger. In 1998 Rudy VanderLans took a trip to Palm Desert where Van Dyke Parks is said to have written most of the material for his legendary 1968 album, Song Cycle. The trip resulted in hundreds of photographs which Rudy VanderLans says were inspired as much by this remarkable musician's lyrics as by his own impressions. The 68 images published strive to echo Van Dyke's creative approach of blending classical, historical, vernacular, experimental, political and experiential themes.

Song Cycle

Song Cycle PDF Author: Van Dyke Parks
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Sonic Boom

Sonic Boom PDF Author: Peter Ames Carlin
Publisher: Henry Holt and Company
ISBN: 1250301572
Category : Music
Languages : en
Pages : 320

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Book Description
From journalist Peter Ames Carlin, Sonic Boom captures the rollicking story of the most successful record label in the history of popular music, Warner Bros. Records, and the remarkable secret to its meteoric rise. The roster of Warner Brothers Records and its subsidiary labels reads like the roster of the Rock & Roll Hall of Fame: Jimi Hendrix, the Grateful Dead, Joni Mitchell, Neil Young, James Taylor, Fleetwood Mac, the Eagles, Prince, Van Halen, Madonna, Tom Petty, R.E.M., Red Hot Chili Peppers, and dozens of others. But the most compelling figures in the Warner Bros. story are the sagacious Mo Ostin and the unlikely crew of hippies, eccentrics, and enlightened execs. Ostin and his staff transformed an out-of-touch company, revolutionized the industry, and, within just a few years, created the most successful record label in the history of the American music industry. How did they do it? One day in 1967, the newly tapped label president Mo Ostin called his team together to share his grand strategy: he told them to stop trying to make hit records/ "Let’s just make good records and turn those into hits.” With that, Ostin ushered in a counterintuitive model that matched the counterculture. His offbeat crew recruited outsider artists and gave them free rein, while rejecting out-of-date methods of advertising, promotion, and distribution. And even as they set new standards for in-house weirdness, the upstarts’ experiments and innovations paid off, to the tune of hundreds of legendary hit albums. Warner Bros Records conquered the music business by focusing on the music rather than the business. Their story is as raucous as it is inspiring—pure entertainment that also maps a route to that holy grail: love and money. Includes black-and-white photographs

Reinventing Pink Floyd

Reinventing Pink Floyd PDF Author: Bill Kopp
Publisher: Rowman & Littlefield
ISBN: 1538108283
Category : Music
Languages : en
Pages : 261

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Book Description
In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett’s departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and—most importantly—a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.

Harold and the Purple Crayon

Harold and the Purple Crayon PDF Author: Crockett Johnson
Publisher: HarperCollins
ISBN: 0062430408
Category : Juvenile Fiction
Languages : en
Pages : 69

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Book Description
From beloved children’s book creator Crockett Johnson comes the timeless classic Harold and the Purple Crayon! This imagination-sparking picture book belongs on every child's digital bookshelf. One evening Harold decides to go for a walk in the moonlight. Armed only with an oversize purple crayon, young Harold draws himself a landscape full of wonder and excitement. Harold and his trusty crayon travel through woods and across seas and past dragons before returning to bed, safe and sound. Full of funny twists and surprises, this charming story shows just how far your imagination can take you. “A satisfying artistic triumph.” —Chris Van Allsburg, author-illustrator of The Polar Express Share this classic as a birthday, baby shower, or graduation gift!

Nilsson

Nilsson PDF Author: Alyn Shipton
Publisher: Oxford University Press
ISBN: 0199330697
Category : Biography & Autobiography
Languages : en
Pages : 372

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Book Description
Paul McCartney and John Lennon described him as the Beatles' "favorite group," he won Grammy awards, wrote and recorded hit songs, and yet no figure in popular music is as much of a paradox, or as underrated, as Harry Nilsson. In this first ever full-length biography, Alyn Shipton traces Nilsson's life from his Brooklyn childhood to his Los Angeles adolescence and his gradual emergence as a uniquely talented singer-songwriter. With interviews from friends, family, and associates, and material drawn from an unfinished autobiography, Shipton probes beneath the enigma to discover the real Harry Nilsson. A major celebrity at a time when huge concerts and festivals were becoming the norm, Nilsson shunned live performance. His venue was the studio, his stage the dubbing booth, his greatest triumphs masterful examples of studio craft. He was a gifted composer of songs for a wide variety of performers, including the Ronettes, the Yardbirds, and the Monkees, yet Nilsson's own biggest hits were almost all written by other songwriters. He won two Grammy awards, in 1969 for "Everybody's Talkin'" (the theme song for Midnight Cowboy), and in 1972 for "Without You," had two top ten singles, numerous album successes, and wrote a number of songs--"Coconut" and "Jump into the Fire," to name just two--that still sound remarkably fresh and original today. He was once described by his producer Richard Perry as "the finest white male singer on the planet," but near the end of his life, Nilsson's career was marked by voice-damaging substance abuse and the infamous deaths of both Keith Moon and Mama Cass in his London flat. Drawing on exclusive access to Nilsson's papers, Alyn Shipton's biography offers readers an intimate portrait of a man who has seemed both famous and unknowable--until now.

Laurel Canyon

Laurel Canyon PDF Author: Michael Walker
Publisher: Macmillan + ORM
ISBN: 1429932937
Category : Music
Languages : en
Pages : 324

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Book Description
Michael Walker’s Laurel Canyon presents the inside story of the once hottest rock and roll neighborhood in LA. In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians who lived and worked there scored dozens of landmark hits, from "California Dreamin'" to "Suite: Judy Blue Eyes" to "It's Too Late," selling tens of millions of records and resetting the thermostat of pop culture. In Laurel Canyon, veteran journalist Michael Walker tells the inside story of this unprecedented gathering of some of the baby boomer's leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed.

Song Cycle

Song Cycle PDF Author: Richard Henderson
Publisher:
ISBN: 9781501397622
Category :
Languages : en
Pages : 142

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Book Description


Tori Amos's Boys for Pele

Tori Amos's Boys for Pele PDF Author: Amy Gentry
Publisher: Bloomsbury Publishing USA
ISBN: 1501321331
Category : Music
Languages : en
Pages : 193

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Book Description
It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.