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Author: Guarneri Michael Guarneri
Publisher: Edinburgh University Press
ISBN: 1474458149
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? The book outlines both the 1945-85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel). With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers.
Author: Guarneri Michael Guarneri
Publisher: Edinburgh University Press
ISBN: 1474458149
Category : Performing Arts
Languages : en
Pages : 295
Get Book Here
Book Description
Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? The book outlines both the 1945-85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel). With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers.
Author: Michael Guarneri
Publisher:
ISBN: 9781474490610
Category : Vampire films
Languages : en
Pages : 232
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Book Description
Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975?
Author: Dawn Keetley
Publisher: University of Wales Press
ISBN: 1786839806
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
While the undisputed heyday of folk horror was Britain in the 1960s and 1970s, the genre has not only a rich cinematic and literary prehistory, but directors and novelists around the world have also been reinventing folk horror for the contemporary moment. This study sets out to rethink the assumptions that have guided critical writing on the genre in the face of such expansions, with chapters exploring a range of subjects from the fiction of E. F. Benson to Scooby-Doo, video games, and community engagement with the Lancashire witches. In looking beyond Britain, the essays collected here extend folk horror's geographic terrain to map new conceptualisations of the genre now seen emerging from Italy, Ukraine, Thailand, Mexico and the Appalachian region of the US.
Author: Simon Bacon
Publisher: Springer Nature
ISBN: 3031362535
Category :
Languages : en
Pages : 1746
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Book Description
Author: Marco Malvestio
Publisher: University of Toronto Press
ISBN: 1487543999
Category : Social Science
Languages : en
Pages : 325
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Book Description
A complex and at times controversial film-maker whose career spanned the second half of the twentieth century, Federico Fellini (1920–1993) remains central to the Italian cultural imagery and the object of ongoing debates and critical scrutiny at home and abroad. Images from his films – Gelsomina’s tears, Marcello’s sunglasses – have become global signifiers not only for Fellini and Italian cinema but for Italy itself, as steadily lodged in the world’s collective unconscious as the Colosseum’s arches and Venice’s gondolas. Marking the centenary of Fellini’s birth, Federico Fellini: Centenary Essays reassesses the film-maker’s legacy with diverse contributions from established and emerging Fellini scholars as well as renowned Canadian film-makers. From literary influences to pictorial references, from artistic collaborations to politics, and from exhibition history to revivals, the collection covers the pivotal aspects of Fellini’s poetics through contemporary methodological tools and features a wide array of scholarly approaches. With complexity and nuance, the book takes stock of the enormous cultural legacy of one of the most celebrated directors in cinema history and is essential reading for scholars and cinephiles alike.
Author: Rui M. Trindade Oliveira
Publisher: Rowman & Littlefield
ISBN: 1793654352
Category : Social Science
Languages : en
Pages : 259
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Book Description
Supranational Horrors: Italian and Spanish Horror Cinema since 1968 moves beyond national cinema discourse in considering the horror production of two Southern European countries, Italy and Spain. Rui M. Trindade Oliveira examines cultural elements that films from these nations share, arguing that a fuller understanding of European horror is possible when we acknowledge the output of Italy and Spain as being interconnected, as possessing a supranational, common identity: “Italian-Spanishness.”
Author: Michael Guarneri
Publisher: Edinburgh University Press
ISBN: 1474458130
Category : Art
Languages : en
Pages : 233
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Book Description
Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? The book outlines both the 1945-85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel). With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers.
Author: Louis Paul
Publisher: McFarland
ISBN: 0786487496
Category : Performing Arts
Languages : en
Pages : 377
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Book Description
There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.
Author: Peter Bondanella
Publisher: A&C Black
ISBN: 1441160698
Category : Social Science
Languages : en
Pages : 702
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Book Description
A History of Italian Cinema is the only comprehensive and up-to-date book on the subject available anywhere, in any language >
Author: Alexander C.T. Geppert
Publisher: Springer Nature
ISBN: 1349958514
Category : Science
Languages : en
Pages : 454
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Book Description
Militarizing Outer Space explores the dystopian and destructive dimensions of the Space Age and challenges conventional narratives of a bipolar Cold War rivalry. Concentrating on weapons, warfare and violence, this provocative volume examines real and imagined endeavors of arming the skies and conquering the heavens. The third and final volume in the groundbreaking European Astroculture trilogy, Militarizing Outer Space zooms in on the interplay between security, technopolitics and knowledge from the 1920s through the 1980s. Often hailed as the site of heavenly utopias and otherworldly salvation, outer space transformed from a promised sanctuary to a present threat, where the battles of the future were to be waged. Astroculture proved instrumental in fathoming forms and functions of warfare’s futures past, both on earth and in space. The allure of dominating outer space, the book shows, was neither limited to the early twenty-first century nor to current American space force rhetorics.
