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Author: A. Papadakēs
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 84
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Book Description
Author: A. Papadakēs
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 84
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Book Description
Author: R. Cooke
Publisher:
ISBN: 9780785544395
Category :
Languages : en
Pages :
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Author: Dmitriĭ Olegovich Shvidkovskiĭ
Publisher: Yale University Press
ISBN: 0300109121
Category : Architecture
Languages : en
Pages : 474
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Book Description
This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.
Author: Vladimir Paperny
Publisher: Cambridge University Press
ISBN: 9780521451192
Category : Art
Languages : en
Pages : 400
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Book Description
Paperny examines the evolution of architecture in Russia during the Stalinist period. Defining two conflicting trends--Culture One and Culture Two--that have alternately prevailed in Russian culture, the author argues that the shift away from the architectural avant-garde of the 1920s was not entirely the result of Stalin's will. Rather, he demonstrates how the aesthetic choices of Stalin and his architects were conditioned by the prevailing cultural mechanisms of the 1930s and 40s. Combining academic precision with engaging narrative, Paperny leads the reader through the remarkable trajectory of architectural and cultural transformation that marked a pivotal moment of Russia's history.
Author:
Publisher:
ISBN: 9780295983936
Category : Architecture
Languages : en
Pages : 644
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Book Description
Since its initial publication in 1993, A History of Russian Architecture has remained the most comprehensive study of the topic in English, a volume that defines the main components and sources for Russia's architectural traditions in their historical context, from the early medieval period to the present. This edition includes 80 new full-page color separations, many of which are published here for the first time, as well as a new Prologue and elegant photographic essay drawn from the author's research and fieldwork over the past decade in remote areas of the Russian north and Siberia. Subject to influences from east and west, Russian architecture's distinctive approaches to building are documented in four parts of this definitive study: early medieval Rus up to the Mongol invasion in the mid-twelfth century; the revival of architecture in Novgorod and Muscovy from the fourteenth to the seventeenth centuries; Peter the Great's cultural revolution, which extended through the eighteenth and nineteenth centuries; and the advent of modern, avant-garde, and monumental Soviet architecture. Beautifully illustrated and carefully researched, A History of Russian Architecture provides an invaluable cultural history that will be of interest to scholars and general audiences alike. View the William C. Brumfield Russian Architecture Collection online at http://content.lib.washington.edu/brumfieldweb/index.html
Author: Irina Sedowa
Publisher:
ISBN: 9783944899008
Category : Sovjetunionen
Languages : de
Pages : 248
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Book Description
The history of Russian architecture in the first half of the twentieth century is riddled with contradictions. This is already evident in its origins. Whilst avant-garde Constructivism, radically daring even today, was mainly rooted in Moscow, the defenders of Neoclassicism were bound to the traditional architecture of St. Petersburg. Yet both currents strove to represent the architecture of the Revolution. As the two schools crossed paths in the 1920s, a widening rift revealed not only artistic but ideological differences. Neoclassicism was adopted by the Bolsheviks to embody their cultural agenda and was established during the following decades as the leading national style of the Soviet Union. The modernist current, in contrast, was drastically marginalised or at best, combined in a kind of synthesis comparable to western Art Déco. The exhibition comprising the extensive Sergei Tchoban Collection of architectural drawings, throws light on the ideological and artistic conflict between the two main architectural styles from the turn of the century to Stalin's death in 1953. Selected examples offer a view on the fraught arena between tradition and progress, art and technology, history and contemporary visions and not least on the cultural competition between the two Russian cities, Leningrad/ St. Petersburg and Moscow.
Author: William Craft Brumfield
Publisher:
ISBN: 9780520069299
Category : Architecture
Languages : en
Pages : 343
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Book Description
The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history. Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture. The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history. Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture.
Author: Solomon R Guggenheim Museum
Publisher: Hassell Street Press
ISBN: 9781014099815
Category :
Languages : en
Pages : 132
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Nerma Cridge
Publisher: Routledge
ISBN: 1317654315
Category : Architecture
Languages : en
Pages : 205
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Book Description
Architecture is conventionally seen as being synonymous with building. In contrast, this book introduces and defines a new category - the unbuildable. The unbuildable involves projects that are not just unbuilt, but cannot be built. This distinct form of architectural project has an important and often surprising role in architectural discourse, working not in opposition to the buildable, but frequently complementing it. Using well-known examples of early Soviet architecture – Tatlin’s Tower in particular – Nerma Cridge demonstrates the relevance of the unbuildable, how it relates to current notions of seriality, copying and reproduction, and its implications for contemporary practice and discourse in the computational age. At the same time it offers a fresh view of our preconceptions and expectations of early Soviet architecture and the Constructivist Movement.
Author: Christopher Shaw
Publisher: Manchester University Press
ISBN: 9780719028755
Category : Art, British
Languages : en
Pages : 192
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Book Description
