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Author: Mun Soo Kim
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 143
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Book Description
"The present document addresses the ways intercultural music emerged and intensified in Korea in historic and musical developments since the introduction of Western music in the late nineteenth century, and to provide a theoretical analysis of 16 Arirang Variations for piano solo by Bahk Jun Sang; hopefully pianists and music scholars may benefit from understanding the role of national folk music and its incorporation into modern Western musical styles as the most notable features in this composition. Among many Korean contemporary composers, Bahk Jun Sang (b. 1937) has contributed to the development of this new trend to blend national identity with more contemporary innovations. His work, 16 Arirang Variations for piano (1985), is a musical exploration of a spectrum of styles combining authentic folk elements with more avant-garde developments. For a better understanding of the work, biographical information on the composer and a theoretical analysis of this work is included in this document. Through studying the characteristics of each variation performers can present a more informed interpretation of the piece. Another goal in this study was to present detailed and comprehensive information on the development of Korean art music in the course of the twentieth century, which will benefit scholars and performers alike given the current increase of importance in a growing Asian contribution to the body of art music once almost exclusively Western. Ater the introductory Chapter I, Chapter II describes the development of the musical acculturation in Korea in the twentieth century to provide readers with a better understanding of the historical background of the work. The chapter continues with an examination of musical approaches which combine modern musical idioms and national folk music. Since Korean folk music plays an essential role in this work, some knowledge of traditional Korean folk music is included. Chapter III examines the role of folk music in the musical synthesis, featuring the incorporation of folk music into an intercultural blend of Eastern and Western art music. The remainder of Chapter III describes detailed features, including historical background and musical characteristics of Arirang, the Korean folk song which is used in 16 Arirang Variations. Chapter IV contains a brief biographical sketch of Bahk Jun Sang, and, most importantly, a theoretical analysis which details and explains the musical blend of Korean folk music and Western-style techniques in Bahk's 16 Arirang Variations for piano."--Abstract from author supplied metadata.
Author: Mun Soo Kim
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 143
Get Book Here
Book Description
"The present document addresses the ways intercultural music emerged and intensified in Korea in historic and musical developments since the introduction of Western music in the late nineteenth century, and to provide a theoretical analysis of 16 Arirang Variations for piano solo by Bahk Jun Sang; hopefully pianists and music scholars may benefit from understanding the role of national folk music and its incorporation into modern Western musical styles as the most notable features in this composition. Among many Korean contemporary composers, Bahk Jun Sang (b. 1937) has contributed to the development of this new trend to blend national identity with more contemporary innovations. His work, 16 Arirang Variations for piano (1985), is a musical exploration of a spectrum of styles combining authentic folk elements with more avant-garde developments. For a better understanding of the work, biographical information on the composer and a theoretical analysis of this work is included in this document. Through studying the characteristics of each variation performers can present a more informed interpretation of the piece. Another goal in this study was to present detailed and comprehensive information on the development of Korean art music in the course of the twentieth century, which will benefit scholars and performers alike given the current increase of importance in a growing Asian contribution to the body of art music once almost exclusively Western. Ater the introductory Chapter I, Chapter II describes the development of the musical acculturation in Korea in the twentieth century to provide readers with a better understanding of the historical background of the work. The chapter continues with an examination of musical approaches which combine modern musical idioms and national folk music. Since Korean folk music plays an essential role in this work, some knowledge of traditional Korean folk music is included. Chapter III examines the role of folk music in the musical synthesis, featuring the incorporation of folk music into an intercultural blend of Eastern and Western art music. The remainder of Chapter III describes detailed features, including historical background and musical characteristics of Arirang, the Korean folk song which is used in 16 Arirang Variations. Chapter IV contains a brief biographical sketch of Bahk Jun Sang, and, most importantly, a theoretical analysis which details and explains the musical blend of Korean folk music and Western-style techniques in Bahk's 16 Arirang Variations for piano."--Abstract from author supplied metadata.
Author: Philip V. Bohlman
Publisher: Indiana University Press
ISBN: 9780253112606
Category : Social Science
Languages : en
Pages : 188
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Book Description
"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." -- Bruno Nettl "... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." -- Asian Folklore Studies "... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... " -- Folklore Forum "... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.
Author: Elliott Antokoletz
Publisher: Routledge
ISBN: 1135037302
Category : Music
Languages : en
Pages : 526
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Book Description
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Author: Judit Frigyesi
Publisher: Univ of California Press
ISBN: 0520222547
Category : Biography & Autobiography
Languages : en
Pages : 367
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Book Description
This text grounds Bartok's art in turn-of-the-century Hungary and its modernist movement. It argues that Hungarian modernism and Bartok's aesthetic should be understood in terms of a collective search for wholeness in life and art.
Author: Alison McQueen Tokita
Publisher: Taylor & Francis
ISBN: 1000849287
Category : Music
Languages : en
Pages : 281
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Book Description
This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.
Author: Jesse Gerlach Ulmer
Publisher: McFarland
ISBN: 147665042X
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
For more than three decades, Joel and Ethan Coen have produced some of the most memorable and influential American roots music soundtracks in film history. From Raising Arizona (1987) to O Brother, Where Art Thou? (2000) to Inside Llewyn Davis (2013), the Coens, along with musical archivist and producer T-Bone Burnett, have curated half-forgotten yet unforgettable genres, artists and songs from America's cultural past for new audiences. This book is the first devoted to giving a full account of this rich cinematic legacy.
Author: Matthew Gelbart
Publisher: Cambridge University Press
ISBN: 1139466089
Category : Music
Languages : en
Pages : 265
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Book Description
We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.
Author: Janet Sturman
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730
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Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Author: Carol J. Oja
Publisher: Princeton University Press
ISBN: 0691186154
Category : Biography & Autobiography
Languages : en
Pages : 528
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Book Description
Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr.
Author: Christian Utz
Publisher: Routledge
ISBN: 113615521X
Category : Music
Languages : en
Pages : 334
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Book Description
Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-century music in both East Asian and Western music. The authors approach musical meaning in specific case studies against the background of general trends of cultural globalization and the construction/deconstruction of identity produced by human (and artificial) voices. The essays proceed from different angles, notably sociocultural and historical contexts, philosophical and literary aesthetics, vocal technique, analysis of vocal microstructures, text/phonetics-music-relationships, historical vocal sources or models for contemporary art and pop music, and areas of conflict between vocalization, "ethnicity," and cultural identity. They pinpoint crucial topical features that have shaped identity-discourses in art and popular musical situations since the1950s, with a special focus on the past two decades. The volume thus offers a unique compilation of texts on the human voice in a period of heightened cultural globalization by utilizing systematic methodological research and firsthand accounts on compositional practice by current Asian and Western authors.
