Author: Jacques Lezra
Publisher: Stanford University Press
ISBN: 9780804727785
Category : History
Languages : en
Pages : 436
Book Description
In readings that link works of Cervantes, Shakespeare, and Descartes with current debates in philosophy, psychoanalysis, and literary and cultural criticism, the author reassesses the grounds of literary and philosophical history as a materialist practice of eventful reading.
Unspeakable Subjects
Author: Jacques Lezra
Publisher: Stanford University Press
ISBN: 9780804727785
Category : History
Languages : en
Pages : 436
Book Description
In readings that link works of Cervantes, Shakespeare, and Descartes with current debates in philosophy, psychoanalysis, and literary and cultural criticism, the author reassesses the grounds of literary and philosophical history as a materialist practice of eventful reading.
Publisher: Stanford University Press
ISBN: 9780804727785
Category : History
Languages : en
Pages : 436
Book Description
In readings that link works of Cervantes, Shakespeare, and Descartes with current debates in philosophy, psychoanalysis, and literary and cultural criticism, the author reassesses the grounds of literary and philosophical history as a materialist practice of eventful reading.
Unspeakable Subjects
Author: Nicola Lacey
Publisher: Hart Publishing
ISBN: 1901362337
Category : Law
Languages : en
Pages : 285
Book Description
Topics range from the conceptual framework of modern legal practices to the legal construction of the relations between individual, state and community. These essays also look at deploying the law as a means of furthering feminist values.
Publisher: Hart Publishing
ISBN: 1901362337
Category : Law
Languages : en
Pages : 285
Book Description
Topics range from the conceptual framework of modern legal practices to the legal construction of the relations between individual, state and community. These essays also look at deploying the law as a means of furthering feminist values.
The Unspeakable
Author: Meghan Daum
Publisher: Farrar, Straus and Giroux
ISBN: 0374710066
Category : Literary Collections
Languages : en
Pages : 257
Book Description
A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
Publisher: Farrar, Straus and Giroux
ISBN: 0374710066
Category : Literary Collections
Languages : en
Pages : 257
Book Description
A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
Unspeakable
Author: Susan Burch
Publisher: Univ of North Carolina Press
ISBN: 0807884340
Category : Social Science
Languages : en
Pages : 315
Book Description
Junius Wilson (1908-2001) spent seventy-six years at a state mental hospital in Goldsboro, North Carolina, including six in the criminal ward. He had never been declared insane by a medical professional or found guilty of any criminal charge. But he was deaf and black in the Jim Crow South. Unspeakable is the story of his life. Using legal records, institutional files, and extensive oral history interviews--some conducted in sign language--Susan Burch and Hannah Joyner piece together the story of a deaf man accused in 1925 of attempted rape, found insane at a lunacy hearing, committed to the criminal ward of the State Hospital for the Colored Insane, castrated, forced to labor for the institution, and held at the hospital for more than seven decades. Junius Wilson's life was shaped by some of the major developments of twentieth-century America: Jim Crow segregation, the civil rights movement, deinstitutionalization, the rise of professional social work, and the emergence of the deaf and disability rights movements. In addition to offering a bottom-up history of life in a segregated mental institution, Burch and Joyner's work also enriches the traditional interpretation of Jim Crow by highlighting the complicated intersections of race and disability as well as of community and language. This moving study expands the boundaries of what biography can and should be. There is much to learn and remember about Junius Wilson--and the countless others who have lived unspeakable histories.
Publisher: Univ of North Carolina Press
ISBN: 0807884340
Category : Social Science
Languages : en
Pages : 315
Book Description
Junius Wilson (1908-2001) spent seventy-six years at a state mental hospital in Goldsboro, North Carolina, including six in the criminal ward. He had never been declared insane by a medical professional or found guilty of any criminal charge. But he was deaf and black in the Jim Crow South. Unspeakable is the story of his life. Using legal records, institutional files, and extensive oral history interviews--some conducted in sign language--Susan Burch and Hannah Joyner piece together the story of a deaf man accused in 1925 of attempted rape, found insane at a lunacy hearing, committed to the criminal ward of the State Hospital for the Colored Insane, castrated, forced to labor for the institution, and held at the hospital for more than seven decades. Junius Wilson's life was shaped by some of the major developments of twentieth-century America: Jim Crow segregation, the civil rights movement, deinstitutionalization, the rise of professional social work, and the emergence of the deaf and disability rights movements. In addition to offering a bottom-up history of life in a segregated mental institution, Burch and Joyner's work also enriches the traditional interpretation of Jim Crow by highlighting the complicated intersections of race and disability as well as of community and language. This moving study expands the boundaries of what biography can and should be. There is much to learn and remember about Junius Wilson--and the countless others who have lived unspeakable histories.
Unspeakable
Author: Chris Hedges
Publisher: Skyhorse
ISBN: 1510712747
Category : Political Science
Languages : en
Pages : 159
Book Description
Chris Hedges on the most taboo topics in America, with David Talbot. The War on Terror is a profitable crusade against convenient enemies. “Muslim rage” is an understandable response to US state terror. Rising oligarchy in America has made democracy a sham and turned the electoral process into an increasingly absurd circus. Police violence against minorities is part of a systematic effort to crush social discontent. Proliferating violence against women’s health clinics is part of the war on women’s bodies. Freedom of speech is an illusion, with government agencies and corporate media dictating acceptable boundaries of public discourse. America’s only hope is a revolution to create genuine structures of popular power. This kind of insight into America’s deeply troubled current state cannot be found on television, in the pages of leading newspapers, or on Google News. Many of our most important thinkers are relegated to the shadows because their ideas are deemed too radical—or true—for public consumption. Among these intellectual bomb throwers is Chris Hedges, who, after decades on the front lines, continues to confront power in America in the most incisive, challenging ways. Hedges’s unfettered conversation with Hot Books editorial director David Talbot— founder of Salon and author of New York Times bestseller, The Devil’s Chessboard: Allen Dulles, the CIA and the Rise of America’s Secret Government—will be the first in a series for Hot Books called “Unspeakable,” featuring some of the most important – and censored – voices in the world today.
Publisher: Skyhorse
ISBN: 1510712747
Category : Political Science
Languages : en
Pages : 159
Book Description
Chris Hedges on the most taboo topics in America, with David Talbot. The War on Terror is a profitable crusade against convenient enemies. “Muslim rage” is an understandable response to US state terror. Rising oligarchy in America has made democracy a sham and turned the electoral process into an increasingly absurd circus. Police violence against minorities is part of a systematic effort to crush social discontent. Proliferating violence against women’s health clinics is part of the war on women’s bodies. Freedom of speech is an illusion, with government agencies and corporate media dictating acceptable boundaries of public discourse. America’s only hope is a revolution to create genuine structures of popular power. This kind of insight into America’s deeply troubled current state cannot be found on television, in the pages of leading newspapers, or on Google News. Many of our most important thinkers are relegated to the shadows because their ideas are deemed too radical—or true—for public consumption. Among these intellectual bomb throwers is Chris Hedges, who, after decades on the front lines, continues to confront power in America in the most incisive, challenging ways. Hedges’s unfettered conversation with Hot Books editorial director David Talbot— founder of Salon and author of New York Times bestseller, The Devil’s Chessboard: Allen Dulles, the CIA and the Rise of America’s Secret Government—will be the first in a series for Hot Books called “Unspeakable,” featuring some of the most important – and censored – voices in the world today.
Seeing the Unspeakable
Author: Gwendolyn DuBois Shaw
Publisher: Duke University Press
ISBN: 0822386208
Category : Art
Languages : en
Pages : 209
Book Description
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
Publisher: Duke University Press
ISBN: 0822386208
Category : Art
Languages : en
Pages : 209
Book Description
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
Speakable and Unspeakable in Quantum Mechanics
Author: J. S. Bell
Publisher: Cambridge University Press
ISBN: 9780521523387
Category : Science
Languages : en
Pages : 292
Book Description
John Bell, FRS was one of the leading expositors and interpreters of modern quantum theory. He is particularly famous for his discovery of the crucial difference between the predictions of conventional quantum mechanics and the implications of local causality, a concept insisted on by Einstein. John Bell's work played a major role in the development of our current understanding of the profound nature of quantum concepts and of the fundamental limitations they impose on the applicability of the classical ideas of space, time and locality. This book includes all of John Bell's published and unpublished papers on the conceptual and philosophical problems of quantum mechanics, including two papers that appeared after the first edition was published. The book includes a short Preface written by the author for the first edition, and also an introduction by Alain Aspect that puts into context John Bell's enormous contribution to the quantum philosophy debate.
Publisher: Cambridge University Press
ISBN: 9780521523387
Category : Science
Languages : en
Pages : 292
Book Description
John Bell, FRS was one of the leading expositors and interpreters of modern quantum theory. He is particularly famous for his discovery of the crucial difference between the predictions of conventional quantum mechanics and the implications of local causality, a concept insisted on by Einstein. John Bell's work played a major role in the development of our current understanding of the profound nature of quantum concepts and of the fundamental limitations they impose on the applicability of the classical ideas of space, time and locality. This book includes all of John Bell's published and unpublished papers on the conceptual and philosophical problems of quantum mechanics, including two papers that appeared after the first edition was published. The book includes a short Preface written by the author for the first edition, and also an introduction by Alain Aspect that puts into context John Bell's enormous contribution to the quantum philosophy debate.
Against the Unspeakable
Author: Naomi Mandel
Publisher: University of Virginia Press
ISBN: 9780813925813
Category : History
Languages : en
Pages : 300
Book Description
In Against the Unspeakable, Naomi Mandel offers a paradigm of reading that will enable the crucial work on comparative atrocities and the representation of suffering to move beyond the impasse of "unspeakability." Discussing a variety of texts such as Toni Morrison's Beloved, Steven Spielburg's Schindler's List, and William Styron's Confessions of Nat Turner, Mandel asks: What does the evocation of the limits of language enable writers, authors, and critics to do?
Publisher: University of Virginia Press
ISBN: 9780813925813
Category : History
Languages : en
Pages : 300
Book Description
In Against the Unspeakable, Naomi Mandel offers a paradigm of reading that will enable the crucial work on comparative atrocities and the representation of suffering to move beyond the impasse of "unspeakability." Discussing a variety of texts such as Toni Morrison's Beloved, Steven Spielburg's Schindler's List, and William Styron's Confessions of Nat Turner, Mandel asks: What does the evocation of the limits of language enable writers, authors, and critics to do?
The Bible of Unspeakable Truths
Author: Greg Gutfeld
Publisher: Grand Central Publishing
ISBN: 0446572012
Category : Humor
Languages : en
Pages : 304
Book Description
Greg Gutfeld, the acclaimed host of the popular, nightly Fox News show Red Eye, has packed this book full of his most aggressive (and funny) diatribes -- each chapter exploring Unspeakable Truths that cut right to the core and go well beyond just politics. Greg deconstructs pop culture, media, kids, disease, race, food, sex, celebrity, current events, and nearly every other aspect of life, with Truths including but not limited to: "if you're over 25 and still use party as a verb, then you're beyond redemption," "the media wanted bird flu to kill thousands," "attractive people don't write for a living," "death row inmates make the best husbands," and "the urge to punch Zach Braff in the face is completely natural." With an irreverent voice, incredible wit, and a firm take on just about everything, this is a manual for how to think about stuff, by a guy who has thought about precisely that same stuff. And, even if you disagree with Greg, this book will make you laugh--guaranteed.* *Not guaranteed
Publisher: Grand Central Publishing
ISBN: 0446572012
Category : Humor
Languages : en
Pages : 304
Book Description
Greg Gutfeld, the acclaimed host of the popular, nightly Fox News show Red Eye, has packed this book full of his most aggressive (and funny) diatribes -- each chapter exploring Unspeakable Truths that cut right to the core and go well beyond just politics. Greg deconstructs pop culture, media, kids, disease, race, food, sex, celebrity, current events, and nearly every other aspect of life, with Truths including but not limited to: "if you're over 25 and still use party as a verb, then you're beyond redemption," "the media wanted bird flu to kill thousands," "attractive people don't write for a living," "death row inmates make the best husbands," and "the urge to punch Zach Braff in the face is completely natural." With an irreverent voice, incredible wit, and a firm take on just about everything, this is a manual for how to think about stuff, by a guy who has thought about precisely that same stuff. And, even if you disagree with Greg, this book will make you laugh--guaranteed.* *Not guaranteed
The Unspeakable Mother
Author: Deborah Kelly Kloepfer
Publisher: Cornell University Press
ISBN: 1501722034
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Moving back and forth between experience and language, The Unspeakable Mother operates out of the intersection of two perspectives: women's immersion in the mother/daughter dyad and the paradoxical absence of the mother in the daughter's discourse. Deborah Kelly Kloepfer calls attention to the repeated allusions to dead mothers, dying mothers, mad mothers, stepmothers, abortions, stillbirths, miscarriages, and infant death in the novels of Jean Rhys and the poems and prose of H.D. Drawing on American and French feminist theory, she suggests that Rhys, H.D., and other modernist women writers, rather than just characterizing women's experience, are encoding the mother in relation to language. The dead mother is a trope for textlessness, a trope that also serves to inscribe the repression of the female speaking/writing subject. Challenging a number of assumptions of critical discourse, in which the father traditionally functions as the guardian of the symbolic, Kloepfer shows how thematic violence toward the female body is accompanied by the rupturing of conventional language, an act that both reconstitutes the abandoned mother and turns the violence against the androcentric discourse that has denied her. In the work of both Rhys and H.D., Kloepfer uncovers a startling and unsettling incestuous language between mother and daughter which relies not only on the unspoken but on the unspeakable. Anyone interested in literary modernism will find The Unspeakable Mother fascinating reading, as will students and scholars in the fields of psychoanalytic criticism and feminist theory.
Publisher: Cornell University Press
ISBN: 1501722034
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Moving back and forth between experience and language, The Unspeakable Mother operates out of the intersection of two perspectives: women's immersion in the mother/daughter dyad and the paradoxical absence of the mother in the daughter's discourse. Deborah Kelly Kloepfer calls attention to the repeated allusions to dead mothers, dying mothers, mad mothers, stepmothers, abortions, stillbirths, miscarriages, and infant death in the novels of Jean Rhys and the poems and prose of H.D. Drawing on American and French feminist theory, she suggests that Rhys, H.D., and other modernist women writers, rather than just characterizing women's experience, are encoding the mother in relation to language. The dead mother is a trope for textlessness, a trope that also serves to inscribe the repression of the female speaking/writing subject. Challenging a number of assumptions of critical discourse, in which the father traditionally functions as the guardian of the symbolic, Kloepfer shows how thematic violence toward the female body is accompanied by the rupturing of conventional language, an act that both reconstitutes the abandoned mother and turns the violence against the androcentric discourse that has denied her. In the work of both Rhys and H.D., Kloepfer uncovers a startling and unsettling incestuous language between mother and daughter which relies not only on the unspoken but on the unspeakable. Anyone interested in literary modernism will find The Unspeakable Mother fascinating reading, as will students and scholars in the fields of psychoanalytic criticism and feminist theory.