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Author: Andrew Mattison
Publisher: University of Toronto Press
ISBN: 1487519338
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Recent literary criticism, along with academic culture at large, has stressed collaboration as essential to textual creation and sociability as a literary and academic virtue. Solitude and Speechlessness proposes an alternative understanding of writing with a complementary mode of reading: literary engagement, it suggests, is the meeting of strangers, each in a state of isolation. The Renaissance authors discussed in this study did not necessarily work alone or without collaborators, but they were uncertain who would read their writings and whether those readers would understand them. These concerns are represented in their work through tropes, images, and characterizations of isolation. The figure of the isolated, misunderstood, or misjudged poet is a preoccupation that relies on imagining the lives of wandering and complaining youths, eloquent melancholics, exemplary hermits, homeless orphans, and retiring stoics; such figures acknowledge the isolation in literary experience. As a response to this isolation of literary connection, Solitude and Speechlessness proposes an interpretive mode it defines as strange reading: a reading that merges comprehension with indeterminacy and the imaginative work of interpretation with the recognition of historical difference.
Author: Andrew Mattison
Publisher: University of Toronto Press
ISBN: 1487519338
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Recent literary criticism, along with academic culture at large, has stressed collaboration as essential to textual creation and sociability as a literary and academic virtue. Solitude and Speechlessness proposes an alternative understanding of writing with a complementary mode of reading: literary engagement, it suggests, is the meeting of strangers, each in a state of isolation. The Renaissance authors discussed in this study did not necessarily work alone or without collaborators, but they were uncertain who would read their writings and whether those readers would understand them. These concerns are represented in their work through tropes, images, and characterizations of isolation. The figure of the isolated, misunderstood, or misjudged poet is a preoccupation that relies on imagining the lives of wandering and complaining youths, eloquent melancholics, exemplary hermits, homeless orphans, and retiring stoics; such figures acknowledge the isolation in literary experience. As a response to this isolation of literary connection, Solitude and Speechlessness proposes an interpretive mode it defines as strange reading: a reading that merges comprehension with indeterminacy and the imaginative work of interpretation with the recognition of historical difference.
Author: Eleanor Cook
Publisher: Harvard University Press
ISBN: 0674973143
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
In her lifetime Elizabeth Bishop was appreciated as a writer’s writer (John Ashbery once called her “the writer’s writer’s writer”). But since her death in 1979 her reputation has grown, and today she is recognized as a major twentieth-century poet. Critics and biographers now habitually praise Bishop’s mastery of her art, but all too often they have little to say about how her poetry does its sublime work—in the ear and in the mind’s eye. Elizabeth Bishop at Work examines Bishop’s art in detail—her diction, syntax, rhythm, and meter, her acute sense of place, and her attention to the natural world. It is also a study of the poet working at something, challenging herself to try new things and to push boundaries. Eleanor Cook traces Bishop’s growing confidence and sense of freedom, from her first collection, North & South, to Questions of Travel, in which she fully realized her poetic powers, to Geography III and the breathtaking late poems, which—in individual ways—gather in and extend the poet’s earlier work. Cook shows how Bishop shapes each collection, putting to rest the notion that her published volumes are miscellanies. Elizabeth Bishop at Work is intended for readers and writers as well as teachers. In showing exactly how Bishop’s poems work, Cook suggests how we ourselves might become more attentive readers and better writers. Bishop has been compared to Vermeer, and as with his paintings, so with her poems. They create small worlds where every detail matters.
Author: Lorna R. Marsden
Publisher: University of Toronto Press
ISBN: 1442648759
Category : Business & Economics
Languages : en
Pages : 244
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Book Description
Leading the Modern University documents the challenges and solutions that five successive York University presidents encountered from the very early 1970s up to 2014.
Author: Daniel Scott Tysdal
Publisher:
ISBN: 9780199002368
Category : Poetry
Languages : en
Pages : 232
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Book Description
a href=http://prismmagazine.ca/2014/09/24/an-interview-with-daniel-scott-tysdal/"PRISM International magazine interview with Daniel Scott Tysdal/a This practical guide to composing original, evocative poetry explores all aspects of the writing process-including finding inspiration, organizing ideas on paper, revising first drafts, and sharing poems with others. Accessible and encouraging throughout, this invaluable resource helps beginner poets find their voice and master the tools of the trade."
Author: Guyda Armstrong
Publisher: University of Toronto Press
ISBN: 1442668555
Category : Literary Criticism
Languages : en
Pages : 493
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Book Description
The Italian author Giovanni Boccaccio has had a long and colourful history in English translation. This new interdisciplinary study presents the first exploration of the reception of Boccaccio’s writings in English literary culture, tracing his presence from the early fifteenth century to the 1930s. Guyda Armstrong tells this story through a wide-ranging journey through time and space – from the medieval reading communities of Naples and Avignon to the English court of Henry VIII, from the censorship of the Decameron to the Pre-Raphaelite Brotherhood, from the world of fine-press printing to the clandestine pornographers of 1920s New York, and much more. Drawing on the disciplines of book history, translation studies, comparative literature, and visual studies, the author focuses on the book as an object, examining how specific copies of manuscripts and printed books were presented to an English readership by a variety of translators. Armstrong is thereby able to reveal how the medieval text in translation is remade and re-authorized for every new generation of readers.
Author: Martin L. Friedland
Publisher: University of Toronto Press
ISBN: 1442615362
Category : History
Languages : en
Pages : 825
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Book Description
Anyone who attended the University or who is interested in the growth of Canada's intellectual heritage will enjoy this compelling and magisterial history.
Author: June Dutka
Publisher: CIUS Press
ISBN: 9781895571318
Category : Slavists
Languages : en
Pages : 164
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Book Description
Author: Michael R. Marrus
Publisher: University of Toronto Press
ISBN: 1442630086
Category : History
Languages : en
Pages : 211
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Book Description
Although difficult to imagine, sixty years ago the Holocaust had practically no visibility in examinations of the Second World War. Yet today it is understood to be not only one of the defining moments of the twentieth century but also a touchstone in a quest for directions on how to avoid such catastrophes. In Lessons of the Holocaust, the distinguished historian Michael R. Marrus challenges the notion that there are definitive lessons to be deduced from the destruction of European Jewry. Instead, drawing on decades of studying, writing about, and teaching the Holocaust, he shows how its “lessons” are constantly challenged, debated, altered, and reinterpreted. A succinct, stimulating analysis by a world-renowned historian, Lessons of the Holocaust is the perfect guide for the general reader to the historical and moral controversies which infuse the interpretation of the Holocaust and its significance.
Author: Megan Swift
Publisher: University of Toronto Press
ISBN: 1442667427
Category : History
Languages : en
Pages : 246
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Book Description
Based on sources from rare book libraries in Russia and around the world, Picturing the Page offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analysing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.
Author: P.K. Page
Publisher: University of Toronto Press
ISBN: 1442659033
Category : Literary Collections
Languages : en
Pages : 153
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Book Description
P.K. Page is best known as one of Canada's finest poets, but over the course of her career she has also written a number of essays – meditations – on her life and work, on the nature of art and the imagination, and on Canadian works of literature, painting, and film that have had special significance for her. As lovers of her poetry would hope and expect, these essays are beautiful, intelligent, moving, and delightfully quirky. The Filled Pen brings together the most important of these essays, including two previously unpublished: A Writer's Life and Fairy Tales, Folk Tales: The Language of the Imagination.. Zailig Pollock, Page scholar and professor of English at Trent University, has edited and annotated this collection for admirers of Page's work, general readers, and academics alike. The essays, which cover a period of approximately forty years, reflect Page's enduring concerns as a verbal and visual artist with the power of art and the imagination to transcend the barriers that limit our perceptions of the world and our sympathies with our fellow human beings. Page is more interested in posing questions than imposing answers; and fascinated as she is by a wide range of ideas, from ancient mysticism to modern neurophysiology, it is images, endlessly evocative and suggestive, that matter to her most. Her comments on A.M. Klein from "A Sense of Angels", one of the most moving and perceptive tributes by one poet to another, apply very much to the P.K. Page we see in The Filled Pen: "For all his interest in the immediate world ... for all his acceptance of ideological and psychological theory, he seemed to reach beyond both to a larger reality."
