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Author: University of Illinois. Film and Video Center
Publisher:
ISBN:
Category : Video tapes in education
Languages : en
Pages : 120
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Book Description
Author: University of Illinois. Film and Video Center
Publisher:
ISBN:
Category : Video tapes in education
Languages : en
Pages : 120
Get Book Here
Book Description
Author: University of Illinois Film Center
Publisher:
ISBN:
Category : Motion picture film collections
Languages : en
Pages : 941
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Book Description
Author: University of Illinois Film Center
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 941
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Book Description
Author: University of Illinois Film Center
Publisher:
ISBN:
Category : History
Languages : en
Pages : 345
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Book Description
Author: Rini Bhattacharya Mehta
Publisher: University of Illinois Press
ISBN: 0252052005
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.
Author: Amanda Ciafone
Publisher: Univ of California Press
ISBN: 0520970942
Category : History
Languages : en
Pages : 424
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Book Description
Counter-Cola charts the history of one of the world’s most influential and widely known corporations, The Coca-Cola Company. Over the past 130 years, the corporation has sought to make its products, brands, and business central to daily life in over 200 countries. Amanda Ciafone uses this example of global capitalism to reveal the pursuit of corporate power within the key economic transformations—liberal, developmentalist, neoliberal—of the twentieth and twenty-first centuries. Coca-Cola's success has not gone uncontested. People throughout the world have redeployed the corporation, its commodities, and brand images to challenge the injustices of daily life under capitalism. As Ciafone shows, assertions of national economic interests, critiques of cultural homogenization, fights for workers’ rights, movements for environmental justice, and debates over public health have obliged the corporation to justify itself in terms of the common good, demonstrating capitalism’s imperative to either assimilate critiques or reveal its limits.
Author: University of Illinois Film Center
Publisher:
ISBN:
Category : Performing arts
Languages : en
Pages : 107
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Book Description
Author:
Publisher:
ISBN:
Category : Law enforcement
Languages : en
Pages : 88
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Book Description
Author: Lilya Kaganovsky
Publisher: Indiana University Press
ISBN: 0253040310
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of "The Arctic" as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic’s representation.
Author: José B. Capino
Publisher: University of California Press
ISBN: 0520314638
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
Lino Brocka (1939–1991) was one of Asia and the Global South’s most celebrated filmmakers. A versatile talent, he was at once a bankable director of genre movies, an internationally acclaimed auteur of social films, a pioneer of queer cinema, and an outspoken critic of Ferdinand Marcos’s autocratic regime. José B. Capino examines the figuration of politics in the Filipino director’s movies, illuminating their historical contexts, allegorical tropes, and social critiques. Combining eye-opening archival research with fresh interpretations of over fifteen of Brocka’s major and minor works, Martial Law Melodrama does more than reveal the breadth of his political vision. It also offers a timely lesson about popular cinema’s vital role in the struggle for democracy.
