University Musical Encyclopedia, Vol. 2 of 12 (Classic Reprint) PDF Download
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Author: Louis Charles Elson
Publisher: Forgotten Books
ISBN: 9780364817490
Category : Music
Languages : en
Pages : 418
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Book Description
Excerpt from University Musical Encyclopedia, Vol. 2 of 12 It has often struck me, in a lengthy experience as a singer, that there is one point in particular about the human voice which is far too little appreciated by the rising generation of aspiring vocalists, and that is its wonderful reciprocity. Give it the care and attention it deserves, and it will invariably respond in the most amiable manner possible. But neglect it, treat it as an organ which is best left to look after itself, and the voice will at once retaliate by behaving itself in a manner that cannot be mistaken. And yet, as an actual fact, but a very small percentage indeed of would-be singers ever really seem to think it worth their while to bear in mind this axiom - for axiom it surely is - that the voice requires proper care and proper exercise to keep it in its best form, just as much as is a certain amount of exercise necessary to the maintenance of good health in every human being. Unfortunately, however, there would seem to be a prevalent impression among many amateur and not a few professional singers that singing is an art which can be acquired in quite a short time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Louis Charles Elson
Publisher: Forgotten Books
ISBN: 9780364817490
Category : Music
Languages : en
Pages : 418
Get Book Here
Book Description
Excerpt from University Musical Encyclopedia, Vol. 2 of 12 It has often struck me, in a lengthy experience as a singer, that there is one point in particular about the human voice which is far too little appreciated by the rising generation of aspiring vocalists, and that is its wonderful reciprocity. Give it the care and attention it deserves, and it will invariably respond in the most amiable manner possible. But neglect it, treat it as an organ which is best left to look after itself, and the voice will at once retaliate by behaving itself in a manner that cannot be mistaken. And yet, as an actual fact, but a very small percentage indeed of would-be singers ever really seem to think it worth their while to bear in mind this axiom - for axiom it surely is - that the voice requires proper care and proper exercise to keep it in its best form, just as much as is a certain amount of exercise necessary to the maintenance of good health in every human being. Unfortunately, however, there would seem to be a prevalent impression among many amateur and not a few professional singers that singing is an art which can be acquired in quite a short time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Louis Charles Elson
Publisher: Forgotten Books
ISBN: 9781330109601
Category : Music
Languages : en
Pages : 418
Get Book Here
Book Description
Excerpt from University Musical Encyclopedia, Vol. 2 of 12 It has often struck me, in a lengthy experience as a singer, that there is one point in particular about the human voice which is far too little appreciated by the rising generation of aspiring vocalists, and that is its wonderful reciprocity. Give it the care and attention it deserves, and it will invariably respond in the most amiable manner possible. But neglect it, treat it as an organ which is best left to look after itself, and the voice will at once retaliate by behaving itself in a manner that cannot be mistaken. And yet, as an actual fact, but a very small percentage indeed of would-be singers ever really seem to think it worth their while to bear in mind this axiom - for axiom it surely is - that the voice requires proper care and proper exercise to keep it in its best form, just as much as is a certain amount of exercise necessary to the maintenance of good health in every human being. Unfortunately, however, there would seem to be a prevalent impression among many amateur and not a few professional singers that singing is an art which can be acquired in quite a short time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Louis Charles Elson
Publisher: Forgotten Books
ISBN: 9780265411216
Category : Music
Languages : en
Pages : 398
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Book Description
Excerpt from University Dictionary of Music and Musicians, Vol. 2: Mazzochi to Zymbel; With an Appendix Meisel (carl) taught violin in Bos ton, Mass, nearly half a century; was an original member of the Boston Sym phony Orchestra as well as of the Mendelssohn Quintet Club; settled in America at the age of 23. B. Ger many, 1829; (1. Boston, Mass, Dec. 27, 1908. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Category : Encyclopedias and dictionaries
Languages : en
Pages : 554
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Book Description
An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.
Author: Garland Encyclopedia of World Music
Publisher: Routledge
ISBN: 1136096027
Category : Music
Languages : en
Pages : 1092
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Book Description
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932
Author: Ruth M. Stone
Publisher: Routledge
ISBN: 135154411X
Category : Music
Languages : en
Pages : 3969
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Book Description
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
Author: George Grove
Publisher: Forgotten Books
ISBN: 9780265582275
Category : Music
Languages : en
Pages : 854
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Book Description
Excerpt from Grove's Dictionary of Music and Musicians, Vol. 2 of 5 Fagotto. The Italian name for the Bassoon obviously arising from its resemblance to a faggot or bundle of sticks. The Germans have adopted it as Fagott. [see bassoon.] w. H. S. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Mellonee V. Burnim
Publisher: Routledge
ISBN: 1317934431
Category : Music
Languages : en
Pages : 483
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Book Description
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
Author: Robert Wannamaker
Publisher: University of Illinois Press
ISBN: 0252052560
Category : Music
Languages : en
Pages : 358
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Book Description
Parsing the works of the experimental music pioneer Robert Wannamaker's monumental two-volume study explores the influential music and ideas of American composer, theorist, writer, performer, and educator James Tenney. Delving into the whole of Tenney's far-ranging oeuvre, Wannamaker provides in-depth, aurally grounded analyses of works linked to the artist's revolutionary theories of musical form, timbre, and harmonic perception. Volume 1, Contexts and Paradigms, chronologically surveys Tenney's creative development and output. Wannamaker begins each section with biographical, aesthetic, and technical context that illuminates a distinct period in Tenney's career. From there, he analyzes a small number of pieces that illuminate the concerns, characteristics, and techniques that emerged in Tenney's music during that time. Wannamaker supplements the text with musical examples, graphs, and diagrams while also drawing on unpublished material and newly available primary sources to flesh out each work and the ideas that shaped it. A landmark in experimental music scholarship, The Music of James Tenney is a first-of-its-kind consideration of the experimental music titan and his work.
Author: Marcello Sorce Keller
Publisher: Scarecrow Press
ISBN: 0810876736
Category : Music
Languages : en
Pages : 333
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Book Description
We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music? Should music be original, and how much can it be? Why do people identify with songs, pieces, styles, and repertoire? Why is music so ideological? Why do we misunderstand the music of different times and places, and why do we enjoy doing so? He also explores the juxtaposition of economy, society, and music making, as well as the concept of "illegal harmonies." In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.
