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Author: T. C. W. Blanning
Publisher: Academic
ISBN:
Category : History
Languages : en
Pages : 232
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Book Description
Two of the most popular, innovative and controversial fields of historical study are cultural history and the history of nationalism. This volume brings these two areas together by addressing a central concern of recent research on the cultural history of Europe: the transition from the cosmopolitan culture of the Enlightenment to the self-consciously national cultures of the nineteenth century. Eleven lively and accessible chapters cover the public sphere, music, the visual arts, political culture, literature, the role of the state, and national languages. Among the many topics discussed are the decline in the degree and importance of patronage by the churches and the nobility; the corresponding expansion in the role played by the anonymous public and the market; the decline of international languages in favour of national vernaculars; the importance of the 'other' in determining a sense of national identity; and the growing appreciation by the state of the significance of the 'fine arts' as being conducive to social harmony, economic prosperity, and political stability.
Author: T. C. W. Blanning
Publisher: Academic
ISBN:
Category : History
Languages : en
Pages : 232
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Book Description
Two of the most popular, innovative and controversial fields of historical study are cultural history and the history of nationalism. This volume brings these two areas together by addressing a central concern of recent research on the cultural history of Europe: the transition from the cosmopolitan culture of the Enlightenment to the self-consciously national cultures of the nineteenth century. Eleven lively and accessible chapters cover the public sphere, music, the visual arts, political culture, literature, the role of the state, and national languages. Among the many topics discussed are the decline in the degree and importance of patronage by the churches and the nobility; the corresponding expansion in the role played by the anonymous public and the market; the decline of international languages in favour of national vernaculars; the importance of the 'other' in determining a sense of national identity; and the growing appreciation by the state of the significance of the 'fine arts' as being conducive to social harmony, economic prosperity, and political stability.
Author: John Kirk
Publisher: Routledge
ISBN: 1317320719
Category : History
Languages : en
Pages : 289
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Book Description
This is the first title in a new series called Poetry and Song in the Age of Revolution. This series will appeal to those involved in English literary studies, as well as those working in fields of study that cover Enlightenment, Romanticism and Revolution in the last quarter of the eighteenth century.
Author: Pasi Ihalainen
Publisher: Berghahn Books
ISBN: 1800733151
Category : History
Languages : en
Pages : 364
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Book Description
It is commonplace that the modern world is more international than at any point in human history. Yet the sheer profusion of terms for describing politics beyond the nation state—including “international,” “European,” “global,” “transnational” and “cosmopolitan,” among others – is but one indication of how conceptually complex this field actually is. Taking a wide view of internationalism(s) in Europe since the eighteenth century, Nationalism and Internationalism Intertwined explores discourses and practices to challenge nation-centered histories and trace the entanglements that arise from international cooperation. A multidisciplinary group of scholars in history, discourse studies and digital humanities asks how internationalism has been experienced, understood, constructed, debated and redefined across different European political cultures as well as related to the wider world.
Author: Matthew D. Zarzeczny
Publisher: Cambridge Scholars Publishing
ISBN: 1443843105
Category : History
Languages : en
Pages : 270
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Book Description
Napoleon promoted and honored great men throughout his reign. In addition to comparing himself to various great men, he famously established a Legion of Honor on 19 May 1802 to honor both civilians and soldiers, including non-ethnically French men. Napoleon not only created an Irish Legion in 1803 and later awarded William Lawless and John Tennent the Legion of Honour; he also gave them an Eagle with the inscription “L’Indépendence d’Irlande.” He awarded twenty-six of his generals the marshal’s baton from 1804 to 1815, and in 1806, he further memorialized his soldiers by deciding to erect a Temple to the Glory of the Great Army, modeled on Ancient designs. From 1806 to 1815, Napoleon had more men interred in the Panthéon in Paris than any other French leader before or after him. In works of art depicting himself, Napoleon had his artists allude to Caesar, Charlemagne, and even Moses. Although the Romans had their legions, Pantheon, and temples in Ancient times and the French monarchy had their marshals since at least 1190, Napoleon blended both Roman and French traditions to compare himself to great men who lived in ancient and medieval times and to recognize the achievements of those who lived alongside him in the nineteenth century. Analyzing Napoleon’s ever-changing personal cult of “great men,” and his recognition of contemporary “great men” who contributed to European or even human civilization and not just French civilization, is original. While work does exist on the French cults of Greco-Roman antiquity and of “great men” prior to 1800, Napoleon appears only fleetingly in other discussions of the cult of great men. None of the bourgeoning historiography adequately takes Napoleon’s place in the story of this cult into perspective. This book serves as a further exploration of the cult of great men, including its place in Napoleonic and European history and the alleged efforts of its members to enlighten the earth.
Author: Georg Cavallar
Publisher: University of Wales Press
ISBN: 0708323685
Category : History
Languages : en
Pages : 226
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Book Description
In current debates, the term "cosmopolitanism" often remains quite vague and leads to sweeping generalizations. this book looks at the notion from a decidedly historical perspective, trying to give depth and texture to the concept.
Author: Laurie O'Higgins
Publisher: Oxford University Press
ISBN: 0191079820
Category : History
Languages : en
Pages : 287
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Book Description
The Irish Classical Self considers the role of classical languages and learning in the construction of Irish cultural identities in the eighteenth and nineteenth centuries, focusing in particular on the "lower ranks" of society. This eighteenth century notion of the "classical self" grew partly out of influential identity narratives developed in the seventeenth century by clerics on the European continent: responding to influential critiques of the Irish as ignorant barbarians, they published works demonstrating the value and antiquity of indigenous culture and made traditional annalistic claims about the antiquity of Irish and connections between Ireland and the biblical and classical world broadly known. In the eighteenth century these and related ideas spread through Irish poetry, which demonstrated the complex and continuing interaction of languages in the country: a story of conflict, but also of communication and amity. The "classical strain" in the context of the non-elite may seem like an unlikely phenomenon but the volume exposes the truth in the legend of the classical hedge schools which offered tuition in Latin and Greek to poor students, for whom learning and claims to learning had particular meaning and power. This volume surveys official data on schools and scholars together with literary and other narratives, showing how the schools, inherently transgressive because of the Penal Laws, drove concerns about class and political loyalty and inspired seductive but contentious retrospectives. It demonstrates that classical interests among those "in the humbler walks of life" ran in the same channels as interests in Irish literature and contemporary Irish poetry and demands a closer look at the phenomenon in its entirety.
Author:
Publisher: Oxford University Press
ISBN: 0198848315
Category : Collective memory
Languages : en
Pages : 420
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Book Description
In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century. What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.
Author: John Gibney
Publisher: University of Wisconsin Pres
ISBN: 0299289532
Category : History
Languages : en
Pages : 245
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Book Description
In October 1641 a rebellion broke out in Ireland. Dispossessed Irish Catholics rose up against British Protestant settlers whom they held responsible for their plight. This uprising, the first significant sectarian rebellion in Irish history, gave rise to a decade of war that would culminate in the brutal re-conquest of Ireland by Oliver Cromwell. It also set in motion one of the most enduring and acrimonious debates in Irish history. Was the 1641 rebellion a justified response to dispossession and repression? Or was it an unprovoked attempt at sectarian genocide? John Gibney comprehensively examines three centuries of this debate. The struggle to establish and interpret the facts of the past was also a struggle over the present: if Protestants had been slaughtered by vicious Catholics, this provided an ideal justification for maintaining Protestant privilege. If, on the other hand, Protestant propaganda had inflated a few deaths into a vast and brutal “massacre,” this justification was groundless. Gibney shows how politicians, historians, and polemicists have represented (and misrepresented) 1641 over the centuries, making a sectarian understanding of Irish history the dominant paradigm in the consciousness of the Irish Protestant and Catholic communities alike.
Author: Francien Markx
Publisher: BRILL
ISBN: 9004309578
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
Author: John Gibney
Publisher: Yale University Press
ISBN: 0300231474
Category : History
Languages : en
Pages : 374
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Book Description
A brisk, concise, and readable overview of Irish history from the Protestant Reformation to the dawn of the twenty-first century. Five centuries of Irish history are explored in this informative and accessible volume. Beginning with Ireland’s modern period at the dawn of the sixteenth century, John Gibney continues through to virtually the present day, offering an integrated overview of the island nation’s cultural, political, and socioeconomic evolution. This succinct, scholarly study covers important historical events, including the Cromwellian conquest and settlement, the Great Famine, and the struggle for Irish independence. Along the way, it explores major themes such as Ireland’s often contentious relationship with Britain, the impact of the Protestant Reformation, the ongoing religious tensions it inspired, and the global reach of the Irish diaspora. This unique, wide-ranging work assimilates the most recent scholarship on a wide range of historical controversies, making it an essential addition to the library of any student of Irish studies.
