The Cromer Collection of Nineteenth-century French Photography PDF Download
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Author:
Publisher: Yale University Press
ISBN: 0300264275
Category : Photography
Languages : en
Pages : 336
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Book Description
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.
Author:
Publisher: Yale University Press
ISBN: 0300264275
Category : Photography
Languages : en
Pages : 336
Get Book Here
Book Description
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.
Author:
Publisher: Soffer Publishing
ISBN: 5094682369
Category :
Languages : en
Pages : 103
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Book Description
![List[s] of Books and Pamphlets in the National Art Library: Gems; 1886. Glass; 1887. Gold and silversmiths' work and jewellery; 1882 & 2d ed. 1887. Heraldry; 1880 & 2d ed. 1884. Lace and needlewor; 1879. Metal work; 1883. Ornament; 1882 & 2d ed. 1883. Painting; 2d ed. 1883 PDF](https://books.google.com/books/content/images/frontcover/ojlOAAAAYAAJ?fife=w80-h100)
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
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Book Description
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Goldwork
Languages : en
Pages : 106
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Book Description
Author: Victoria and Albert Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 270
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Book Description
Author:
Publisher:
ISBN:
Category : Wool
Languages : en
Pages : 1232
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Book Description
Author: Peter N. Miller
Publisher: University of Michigan Press
ISBN: 0472118676
Category : History
Languages : en
Pages : 308
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Book Description
A unique volume that addresses how a thalassographic frame opens up new and important questions for the study of history
Author: Noëlle-Laetitia Perret
Publisher: BRILL
ISBN: 9004206574
Category : History
Languages : en
Pages : 484
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Book Description
This book deals with the different translations into Old French of Giles of Rome’s De regimine principum, dedicated to Philippe le Bel around 1279, and their readership. First-hand manuscript research has permitted us to understand not only the general context of their production but also the social conditions of their transmission and circulation. This work concentrates on different aspects of the reception of Giles of Rome’s pedagogical ideas by his “translators”, who are by no means passive in this process. This book provides not only a concrete idea of what Giles of Rome’s educational ideas became when mediated for the consumption of a lay public but also how the translators, in their translations, supported the transmission of re-appropriated knowledge.
Author: Paul Bercy
Publisher:
ISBN:
Category :
Languages : en
Pages : 324
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Book Description
Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108807224
Category : History
Languages : en
Pages : 375
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Book Description
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
