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Author: Laurent Bouzereau
Publisher: Citadel Press
ISBN: 9780806520452
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
A history of extreme violence in movies analyzes the public response to this ever-growing phenomenon, tracing its beginnings in films such as Bonnie and Clyde and discussing how it fits into the artistic vision of filmmakers including Quentin Tarantino and Martin Scorcese. Original.
Author: Laurent Bouzereau
Publisher: Citadel Press
ISBN: 9780806520452
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
A history of extreme violence in movies analyzes the public response to this ever-growing phenomenon, tracing its beginnings in films such as Bonnie and Clyde and discussing how it fits into the artistic vision of filmmakers including Quentin Tarantino and Martin Scorcese. Original.
Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Henry Bacon
Publisher: Springer
ISBN: 1137476443
Category : Performing Arts
Languages : en
Pages : 367
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Book Description
The Fascination of Film Violence is a study of why fictional violence is such an integral part of fiction film. How can something dreadful be a source of art and entertainment? Explanations are sought from the way social and cultural norms and practices have shaped biologically conditioned violence related traits in human behavior.
Author: Jim Kendrick
Publisher: Columbia University Press
ISBN: 0231502206
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
A concise and accessible introduction to the role of violence from the silent era to the present, this volume illustrates the breadth and depth of screen bloodshed in historical, cultural, and industrial contexts. After considering problems of definition, the book offers a systematic history of film violence and examines three of the most popular violent genres: western, horror, and action. It concludes with a case study on the centrality of film violence to the directors of the New American Cinema, such as Francis Ford Coppola, Martin Scorsese, and Steven Spielberg, offering a strong example of how violence, history, ideology, and genre are deeply intertwined.
Author: Steven Jay Schneider
Publisher: Manchester University Press
ISBN: 9780719067235
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
Exploring the depiction of violence and related issues in Hollywood productions, this book focuses on the motivations and cultural politics of violence on the big screen, as well as its effects on viewers and society as a whole.
Author: Stephen Prince
Publisher: A&C Black
ISBN: 9780485300956
Category : Philosophy
Languages : en
Pages : 294
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Book Description
Following the release in 1967 of "Bonnie and Clyde" and "The Dirty Dozen", violence has been seen as a defining feature of the modern film. Is it art or exploitation? Danger or liberation? This volume provides an exmination of the history and effects of graphic violence on film.
Author: Stephen Prince
Publisher: Rutgers University Press
ISBN: 9780813532813
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
Examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. A stylistic history of American screen violence that is grounded in industry documentation. [back cover].
Author: Marco Abel
Publisher: U of Nebraska Press
ISBN: 0803209967
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Countering previous studies of violent images based on representational and, consequently, moralistic assumptions, which, the author argues, inevitably reinforce the very violence they critique. He explains how violent images work upon the world.
Author: Benjamin Halking
Publisher: GRIN Verlag
ISBN: 3346753697
Category : Performing Arts
Languages : en
Pages : 62
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Book Description
Master's Thesis from the year 2019 in the subject Film Science, grade: 2,7, University of Cologne, language: English, abstract: This thesis gives an analysis of technical as well as contextual items that Tarantino uses time and again in order to produce violent movies and give them his very personal touch. Doing that, he makes use of two basic elements: humor and an abundant amount of violence. It would sound like humor and violence do not go well together. The author argues that Tarantino accomplishes this feat with a seeming effortlessness which could just as well be an elaborate plan to criticize the use of violence and advocate a life free of crime. In order to do that, two scenes from different stages of Tarantino’s career were chosen, both personally and cinematically. The first scene that is analyzed is taken from his 1994 independent movie "Pulp Fiction". The second scene analyzed is from "Inglourious Basterds" from 2009. The two films in focus are different in various aspects such as the scenery and setting, the cultural and historical context or sociocultural circumstances at the time of their release, to name a few. This is why they make an excellent contrast to show the differences but also the similarities in Tarantino’s work to deduct a development from the comparison. The first focus of the thesis lies on the concept of violence. It gives a brief history both diachronically as well as synchronically. After that, the concept of humor is addressed, and with that why something is perceived as being funny (or maybe not). The idea of alienation between what the viewer or listener expects and what they are actually provided with plays an important role here. A conclusion to this thesis deals with why Tarantino chooses the depiction of (graphic) violence that he is known and famous for. Tarantino changes his modus operandi over the years when it comes to the representation of brutality in his movies. But he stays true to himself in the very core of the kind of violence he implicates in his films, using the techniques and stylistic devices he is known and loved for. Quentin Tarantino is often synonymous with making ultraviolent movies. Just as often, he is celebrated for his distinctive way of making movies which made him one of the most famous filmmakers in Hollywood. The fact that he has been in the business for almost 30 years proves that he does many things right even when critique of his representation of brutality arises with almost each of his films.
Author: Tom Pollard
Publisher: Routledge
ISBN: 1317252217
Category : Political Science
Languages : en
Pages : 257
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Book Description
Sex and Violence examines the history and social dynamics of film censorship in the United States. It examines censorship controversies throughout film history, from the beginning of cinema in the 1890s to the present. The book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements. It probes beneath the official rhetoric and explanations, revealing sensitive, festering controversies. The book critically examines dozens of Hollywood's most controversial (and interesting) movies, focusing on recurring issues and censorship themes. The book reveals the social and political processes of vetting films and their effect on film form and content. In addition, it examines the use of sexuality and violence in movies and the effects of movie censorship on those issues. Finally, it analyzes and makes recommendations for dramatic changes in motion picture ratings.
