Typology of Seventeenth-Century Literature

Typology of Seventeenth-Century Literature PDF Author: Joseph A. Galdon
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110873214
Category : Social Science
Languages : en
Pages : 164

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Book Description
No detailed description available for "Typology of Seventeenth-Century Literature".

Typology of Seventeenth-Century Literature

Typology of Seventeenth-Century Literature PDF Author: Joseph A. Galdon
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110873214
Category : Social Science
Languages : en
Pages : 164

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Book Description
No detailed description available for "Typology of Seventeenth-Century Literature".

Typologies in England, 1650-1820

Typologies in England, 1650-1820 PDF Author: Paul J. Korshin
Publisher: Princeton University Press
ISBN: 1400855721
Category : Literary Criticism
Languages : en
Pages : 489

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Book Description
Professor Korshin delineates the development of typology from the theological to the secular sphere through a study of abstracted typology, or types that writers transferred from their customary religious contexts and put into various genres of literature, from poetry and fables to novels and histories. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Spenser's Faerie Queene

Spenser's Faerie Queene PDF Author: Douglas Brooks-Davies
Publisher: Manchester University Press
ISBN: 9780719006982
Category : Literary Criticism
Languages : en
Pages : 212

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Book Description


A Dictionary of Biblical Tradition in English Literature

A Dictionary of Biblical Tradition in English Literature PDF Author: David Lyle Jeffrey
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802836342
Category : Literary Criticism
Languages : en
Pages : 1000

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Book Description
Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.

Typology and Iconography in Donne, Herbert, and Milton

Typology and Iconography in Donne, Herbert, and Milton PDF Author: Reuben Sánchez
Publisher: Springer
ISBN: 1137397802
Category : Art
Languages : en
Pages : 282

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Book Description
This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of Jeremiah in the Well of Moses, and Michelangelo's fresco of Jeremiah in the Sistine Chapel.

Donne's Anniversaries and the Poetry of Praise

Donne's Anniversaries and the Poetry of Praise PDF Author: Barbara Kiefer Lewalski
Publisher: Princeton University Press
ISBN: 1400870054
Category : Poetry
Languages : en
Pages : 399

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Book Description
In his occasional poetry, and especially in his two elegaic Anniversary poems, Donne created a special symbolic mode in seventeenth-century poetry of praise and compliment. Barbara Kiefer Lewalski's reading of the Anniversary poems recognizes them as complex mixed-genre works which weld together formal, thematic, and structural elements from the occasional poem of praise, the funeral elegy, the funeral sermon, the hymn, the anatomy, and the Protestant meditation. Focusing especially on theme and structure, her reading demonstrates the coherent symbolic method and meaning of these poems and also their careful logical articulation, both as individual poems and as companion pieces. Essentially, the author discovers their thorough and precise exploration, through the poetic means of figure and symbol, of the nature of man and the conditions of human life. In order to discuss the significant contexts for and influences on the Anniversary poems, the author has studied sixteenth- and seventeenth-century epideictic theory and practice, Protestant meditation, Biblical hermencutics, and funeral sermons. She is also concerned with the effect of the poems, and of Donne's other writings of a similar kind, on contemporary and subsequent developments in the poetry of praise, especially that of Marvell and Dryden. This is a lucid and learned book that provides a major context for the Anniversary poems and gives new significance to the designation of Donne as a Metaphysical poet. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Biblical Readings and Literary Writings in Early Modern England, 1558-1625

Biblical Readings and Literary Writings in Early Modern England, 1558-1625 PDF Author: Victoria Brownlee
Publisher: Oxford University Press
ISBN: 0192540572
Category : Literary Criticism
Languages : en
Pages : 334

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Book Description
The Bible had a profound impact on early modern culture, and bible-reading shaped the period's drama, poetry, and life-writings, as well as sermons and biblical commentaries. This volume provides an account of the how the Bible was read and applied in early modern England. It maps the connection between these readings and various forms of writing and argues that literary writings bear the hallmarks of the period's dominant exegetical practices, and do interpretative work. Tracing the impact of biblical reading across a range of genres and writers, the discussion demonstrates that literary reimaginings of, and allusions to, the Bible were common, varied, and ideologically evocative. The book explores how a series of popularly interpreted biblical narratives were recapitulated in the work of a diverse selection of writers, some of whom remain relatively unknown. In early modern England, the figures of Solomon, Job, and Christ's mother, Mary, and the books of Song of Songs and Revelation, are enmeshed in different ways with contemporary concerns, and their usage illustrates how the Bible's narratives could be turned to a fascinating array of debates. In showing the multifarious contexts in which biblical narratives were deployed, this book argues that Protestant interpretative practices contribute to, and problematize, literary constructions of a range of theological, political, and social debates.

Discursive “Renovatio” in Lope de Vega and Calderón

Discursive “Renovatio” in Lope de Vega and Calderón PDF Author: Joachim Küpper
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110563576
Category : Literary Criticism
Languages : en
Pages : 483

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Book Description
This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El príncipe constante; El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.

Reading Shakespeare's Will

Reading Shakespeare's Will PDF Author: Lisa Freinkel
Publisher: Columbia University Press
ISBN: 9780231504867
Category : Literary Criticism
Languages : en
Pages : 420

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Book Description
The most influential treatments of Shakespeare's Sonnets have ignored the impact of theology on his poetics, examining instead the poet's "secular" emphasis on psychology and subjectivity. Reading Shakespeare's Will offers the first systematic account of the theology behind the poetry. Investigating the poetic stakes of Christianity's efforts to assimilate Jewish scripture, the book reads Shakespeare through the history of Christian allegory. To "read Shakespeare's will," Freinkel argues, is to read his bequest to and from a literary history saturated by religious doctrine. Freinkel thus challenges the common equation of subjectivity with secularity, and defines Shakespeare's poetic voice in theological rather than psychoanalytic terms. Tracing from Augustine to Luther the religious legacy that informs Shakespeare's work, Freinkel suggests that we cannot properly understand his poetry without recognizing it as a response to Luther's Reformation. Delving into the valences and repercussions of this response, Reading Shakespeare's Will charts the notion of a "theology of figure" that helped to shape the themes, tropes, and formal structures of Renaissance literature and thought.

Allegorical Poetics and the Epic

Allegorical Poetics and the Epic PDF Author: Mindele Anne Treip
Publisher: University Press of Kentucky
ISBN: 0813185661
Category : Poetry
Languages : en
Pages : 604

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Book Description
Literary allegory has deep roots in early reading and interpretation of Scripture and classical epic and myth. In this substantial study, Mindele Treip presents an overview of the history and theory of allegorical exegesis upon Scripture, poetry, and especially the epic from antiquity to the seventeenth and early eighteenth centuries, with close focus on the Renaissance and on the triangular literary relationship of Tasso, Spenser, and Milton. Exploring the different ways in which the term allegory has been understood, Treip finds significant continuities-within-differences in a wide range of critical writings, including texts of postclassical, patristic and rabbinical writers, medieval writers, notably Dante, Renaissance theorists such as Coluccio Salutati, Bacon, Sidney, John Harrington and rhetoricians and mythographers, and the neoclassical critics of Italy, England and France, including Le Bossu. In particular, she traces the evolving theories on allegory and the epic of Torquato Tasso through a wide spectrum of his major discourses, shorter tracts and letters, giving full translations. Treip argues that Milton wrote, as in part did Spenser, within the definitive framework of the mixed historical-allegorical epic erected by Tasso, and she shows Spenser's and Milton's epics as significantly shaped by Tasso's formulations, as well as by his allegorical structures and images in the Gerusalemme liberata. In the last part of her study Treip addresses the complex problematics of reading Paradise Lost as both a consciously Reformation poem and one written within the older epic allegorical tradition, and she also illustrates Milton's innovative use of biblical "Accommodation" theory so as to create a variety of radical allegorical metaphors in his poem. This study brings together a wide range of critical issues—the Homeric-Virgilian tradition of allegorical reading of epic; early Renaissance theory of all poetry as "translation" or allegorical metaphor; midrashic linguistic techniques in the representation of the Word; Milton's God; neoclassical strictures on Milton's allegory and allegory in general—all of these are brought together in new and comprehensive perspective.