Typology and English Medieval Literature PDF Download
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Author: Hugh T. Keenan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 352
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Book Description
Author: Hugh T. Keenan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 352
Get Book Here
Book Description
Author: Hugh T. Keenan
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
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Book Description
Author: Hugh T. Keenan
Publisher:
ISBN:
Category : Literature, Medieval
Languages : en
Pages : 306
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Book Description
Author: Frederick Tupper
Publisher: New York : H. Holt
ISBN:
Category : History
Languages : en
Pages : 184
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Book Description
Author: Michael Earl Ralston
Publisher:
ISBN:
Category : Characters and characteristics in literature
Languages : en
Pages : 624
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Book Description
Author: Michael Earl Raiston
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
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Book Description
Author: Dominique Battles
Publisher: Taylor & Francis
ISBN: 1040091121
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
This is the first book-length exploration of the type-scenes of western medieval literature from the ninth to the fifteenth centuries, spanning both the Latinate and Germanic traditions. Type-scenes are the recurring, stock scenes comprising the basic structure and cognitive guidance for narrative. These formulaic scenes enabled medieval poets to express originality while honoring tradition. Central to medieval poetic invention, type-scenes form the vital “internal organs” of narrative, each serving a specialized function while working in concert with other organs to create and sustain the story. This accessible and engaging guide to medieval type-scenes consists of three parts: Part I is a compendium of the type-scenes commonly found in medieval narrative, including analyses of examples from individual poems. Part II explores combinations of type-scenes within single works of literature for purposes of chronology, characterization, or virtuosity. Part III examines how a single type-scene manifests across multiple poems, adapting to a variety of settings and periods, while maintaining its original intent. This volume kindles in scholars, teachers, and students alike a new and refreshing awareness of the foundational narrative strategies of medieval literature.
Author: Bonnie Wheeler
Publisher: Springer
ISBN: 1137089512
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
In what varieties of ways is late medieval literature inflected by spiritual insight and desires? What weaves of literary cloth especially suit religious insight? In this collection dedicated to Elizabeth D. Kirk, Emeritus Professor of English at Brown University, several renowned scholars assess those related issues in a range of Medieval texts.
Author: Laura C. Lambdin
Publisher: Routledge
ISBN: 1136594256
Category : Literary Criticism
Languages : en
Pages : 562
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Book Description
This reference is a comprehensive guide to literature written 500 to 1500 A.D., a period that gave rise to some of the world's most enduring and influential works, such as Dante's Commedia, Geoffrey Chaucer's The Canterbury Tales, and a large body of Arthurian lore and legend. While its emphasis is upon medieval English texts and society, this reference also covers Islamic, Hispanic, Celtic, Mongolian, Germanic, Italian, and Russian literature and Middle Age culture. Longer entries provide thorough coverage of major English authors such as Chaucer and Sir Thomas Malory, and of genre entries, such as drama, lyric, ballad, debate, saga, chronicle, and hagiography. Shorter entries examine particular literary works; significant kings, artists, explorers, and religious leaders; important themes, such as courtly love and chivalry; and major historical events, such as the Crusades. Each entry concludes with a brief biography. The volume closes with a list of the most valuable general works for further reading.
Author: Audrey Rochelle Walton
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Thus, in Passus XV, Langland uses the spiritual sense of his text as an opportunity to put forward his own vision of the ideal English church and its place within world history: as a convert nation, England derives its place within world Catholicism from the authority of its miraculous conversion from paganism to Christianity.
