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Author: Cecil Touchon
Publisher: Lulu.com
ISBN: 9780359983155
Category : Art
Languages : en
Pages : 134
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Book Description
Collages by Cecil Touchon made as poems between 2014 -2019. This is a specific set of works within Touchon's oeuvre that he thinks of as different from his other typographic abstraction collages. This group is less concerned with an overall compositional image and tend to be more involved with structures similar to poetic architecture, often linier and working with open space like poetic texts on a page.
Author: Cecil Touchon
Publisher: Lulu.com
ISBN: 9780359983155
Category : Art
Languages : en
Pages : 134
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Book Description
Collages by Cecil Touchon made as poems between 2014 -2019. This is a specific set of works within Touchon's oeuvre that he thinks of as different from his other typographic abstraction collages. This group is less concerned with an overall compositional image and tend to be more involved with structures similar to poetic architecture, often linier and working with open space like poetic texts on a page.
Author: Armin Medosch
Publisher: MIT Press
ISBN: 0262546639
Category : Art
Languages : en
Pages : 407
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Book Description
An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices. Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewer as coproducer, abolishing the idea of artist as creative genius and replacing it with the notion of the visual researcher. In 1968 and 1969, the group actively turned to the computer as a medium of visual research, anticipating new media and digital art. Medosch discusses modernization in then-Yugoslavia and other nations on the periphery; looks in detail at New Tendencies' five major exhibitions in Zagreb (the capital of Croatia); and considers such topics as the group's relation to science, the changing relationship of manual and intellectual labor, New Tendencies in the international art market, their engagement with computer art, and the group's eventual eclipse by other “new art practices” including conceptualism, land art, and arte povera. Numerous illustrations document New Tendencies' works and exhibitions.
Author: Peter J. Forshaw
Publisher: BRILL
ISBN: 9004691391
Category : History
Languages : en
Pages : 498
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Book Description
This is the 1st volume in a 4-volume work entitled The Mage’s Images. The work provides the first in-depth examination of the life and works of Heinrich Khunrath (1560-1605), ‘one of the great Hermetic philosophers’, whose Amphitheatre of Eternal Wisdom (1595/1609) has been described as ‘one of the most important books in the whole literature of theosophical alchemy and the occult sciences’. Khunrath is best known for his novel combination of ‘scripture and picture’ in the complex engravings in his Amphitheatre. In this richly illustrated monograph, Forshaw analyses occult symbolism, with previously unpublished material, offering insight into Khunrath’s insistence on the necessary combination of alchemy, magic, and cabala in ‘Oratory and Laboratory’.
Author:
Publisher:
ISBN:
Category : Graphic arts
Languages : en
Pages : 398
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Book Description
Author: Gunnlaugur SE Briem
Publisher: Operina Ltd
ISBN: 1934227544
Category : Design
Languages : en
Pages : 130
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Book Description
Alphabetical diversions that amuse, inform, and impress Survival notes for graffiti artists. Handwriting research. Artistic letterforms. Therapy for post-traumatic stress, stroke, and dementia. Bitmap editing for CRT computer typesetting. The exuberance of Vietnamese calligraphy. Needlework. Entries by 83 theorists and practitioners in 24 countries.
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Publisher:
ISBN:
Category : College student newspapers and periodicals
Languages : en
Pages : 152
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Book Description
Author: Magdalene Redekop
Publisher: Univ. of Manitoba Press
ISBN: 0887558585
Category : Literary Criticism
Languages : en
Pages : 524
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Book Description
Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
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Book Description
Includes entries for maps and atlases.
Author: Dubravka Djurić
Publisher: MIT Press
ISBN: 9780262042161
Category : Art
Languages : en
Pages : 636
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Book Description
The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.
Author:
Publisher: BRILL
ISBN: 900444937X
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, aimed not at the production of truth or social emancipation but at experiential aspects of language and language use. Haroldo de Campos's fragmented poetic prose work Galàxias is a highlighted topic of attention, as are poetic and language experiments in Lettrism, Fluxus, sound poetry, and new technological poetries. The development of the basic tenets of Concrete poetry and current critical perspectives on its status in poetical experimentation constitute the basis of the third section of the book, Concrete and Neo-Concrete Poetry. The relationship of historical Concrete poetry to artistic genres is presented, with special emphasis on Brazil and on contemporary visual writing. The section Memoirs of Concrete, in the context of oral history, includes retrospective accounts by two of Concrete poetry's most renowned editors. The closing section of this book presents statements on the theory and practice of avant-garde poetry by 22 participants in the Yale Symphosymposium on Contemporary Poetics and Concretism.
